Oscar Night in Review: The Fashions (Pt 1)

I promise this is the last post on Oscar Night 2010. Oh wait. There's 3 more. DAMNIT! It'll never be over.

also: worst & weirdest moments | wonderful moments | complete Oscar '09/10 season

Before we get to the best & worst, I would like to give out a shout out to the blacktresses that were working the red carpet on Sunday. Hollywood is even harder on them their white counterparts (so few roles to go around). So unless they're nominated -- like the Precious girls -- they almost never get any media attention. So let's take a brief looksie. I've omitted Gabourey Sidibe and Mo'Nique because you've already seen the "money shot" and Mo'Nique got plenty of air time (but yes, I loved the Hattie McDaniel tribute with the dress color and the gardenia. I wish more people would do themes.)

Stacey Dash wasn't really there. I stole this from one of the parallel Oscar parties (a little more on those in part two) because I dig the slightly freaky spiderweb vixen dress. Anika Noni Rose (who we're always pulling for) didn't get to sing at the Oscars (boo! producers) so I wanted to feature her. She seems to be doing an inverted take on Carey Mulligan's favored look (the black poofy dresses with color hewhaw appliques on the bodice). Jennifer Lewis, who was also in the voice cast of The Princess and the Frog almost made my worst dressed list. But then I decided I loved that she was dressed as a cartoon super-villain that she made up in her own head "Cruela de Frill". Finally we don't usually see this much of Paula Patton (Precious's "Blu Rain") but there's more of her to be see since she's very pregnant! That's the most orange I've seen since Valentino: The Last Emperor.

BEST DRESSED

From left to right: Kristen Stewart finally looked great. And like the Fug girls said, she didn't have to not look like herself to do it. You have to give credit when it's due, so I have to say that she pulled it off. (I'm more surprised than you are). Jennifer Lopez seemed to be wearing a bubble-wrap wedding gown but it's breathtaking (and we don't normally go as gaga for her style choices as the rest of the media does). I thought Sandra Bullock was wearing silver and then somebody said "did you like her gold dress" and then I had to look again and whatever -- silver/gold/champagne -- it's the color of win. Vera Farmiga is #1 for me because this my berry-colored gown isn't "safe" and it's just BIG and confidently weird and beautiful enough to be an absolute head turner rather head scratcher.

Meryl Streep looked classy and pristine in white but I'm shocked to hear that this is by Chris March (who was always doing very over the top looks on Project Runway). I imagine Molly Ringwald will make the worst-dressed lists (I'm so behind on my interweb readings) but I think it's just weird enough with the curlicue accessories and the bold color and assymetry to be a daring choice that still totally works for her. Elizabeth Banks is as dreamy as she is funny. Are you following her on twitter? Finally, you knew I had to have my goddess in here: Michelle Pfeiffer wore red which is and always has been her very best color. This dress is saved from being too plain (she does always play it elegant/safe, that one) by it's interesting pattern and textures.

WORST DRESSED

From left to right: Virginia Madsen is stupendously beautiful but always look dowdy on awards night. The cut of the waist on Kate's dress is not flattering. That's right, cover it up Winslet. My friend Joe says that Miley Cyrus's dress is "dragging her down from the boobs" haha. I think that's just her posture. But you probably shouldn't be walking red carpets if you can't yet stand up straight. Faith Hill depresses me sartorially speaking...and otherwise speaking. Zoe Saldana looked like she was having a ball so points for that. But this belongs on top of a float or as the trim of a float since it's that type of pinata-esque fabric at the bottom. Different dress up top. For some reason SJP's outfit makes me think she was doing homage to A Single Man's era. I value her status as a fashion icon but I think this might be the worst she's ever looked. (Maybe if her hair hadn't have been sticking out all over the place?) I don't know what kind of fabric Melanie Griffith is wearing but it reminds me of a chain link fence trapped in an oil slick or perhaps the treated hide of The Blob. Hate it. And, oh Charlize... bra stuffing turned inside out? Really?

What did these dresses do to your eyes? And would you rearrange the best and worsts? I know there were a ton more but I can't stare at dresses all day. I had to draw the line at twenty.

ShoWest: The Princess and the Frog, The Soloist, Meryl as Julia Child

Here's the final bits from frequent commenter Rosengje's ShoWest journey which he generously gifted to The Film Experience. Thank her in the comments for putting us in pocket and taking us along. Here they are...

The Soloist was met with a relatively indifferent reaction following a screening at Le Theater des Arts. I respected and even admired Joe Wright's (Atonement) latest effort, but had almost no direct connection to the material. Perhaps my greatest concern going into the screening was the potential for the film to go over the top in impressing the sentimentality of the story on the audience. Instead, the movie never reached the emotional heights that it should have. Robert Downey Jr. gives a typically charismatic performance as Steve Lopez, a columnist for the LA Times. Lopez accidentally encounters Jamie Foxx's Nathaniel Anthony Ayers Jr., a homeless former cellist, while on assignment in the Greater LA area. Ayers was once a promising musical talent at Julliard, but suffered a schizophrenic breakdown in his early 20s. Lopez becomes increasingly invested in restoring Ayers's potential, even as his own life is in disarray. Wright effectively grounds the story in the reality of the LA landscape, not shying away from photographing the city's least desirable areas. Unfortunately, this is also one of the film's most problematic areas. I was frequently uncomfortable with the portrayal of race and poverty throughout the film. The implication that it required the presence of Lopez, a relatively affluent white male, to shed light on the city's drug problems was troubling and lacking in nuance. The movie also falls prey to the Hollywood trend of providing excessive back story. We are treated to extensive flashbacks of Nathaniel's childhood and his eventual decline into paranoia. The sequences are competently acted and captured, but they seem redundant. It would have been more interesting for the audience to piece together the character's story on their own which also would have allowed Jamie Foxx a chance to provide more nuance in his performance.

Surprisingly (or not), I found Catherine Keener to be the highlight of the film. She has a small role as Lopez's former wife, but makes the most of her screen time. Keener is able to convey an array of emotions as she watches her ex devote himself to a stranger while neglecting the couple's own son. As an upper-level staffer at the Times, she also provides one of the more compelling portraits of a powerful woman in the workplace in recent memory.

Supporting Actress Oscar campaign possibilities for Keener than, or is the role too incidental to the meat of the thing? Speak up awards season addicts.

We saw extensive footage from Angels & Demons, The Ugly Truth, Julie & Julia, The Year One, District 9, and The Taking of Pelham 123. Despite my distaste for this Katherine Heigl person, The Ugly Truth looked unexpectedly funny.

Julie & Julia looked great, and the audience burst into applause at Meryl Streep's first appearance as Julia Child. I believe we were treated to the first footage of District 9, which is presented by Peter Jackson and is currently being worked on by Weta. I am skeptical of the story, which follows the segregation of an alien species from humans, but the film had an interesting look to it. Interestingly, Sony was the only studio to require a full cell phone check. Wolverine induced paranoia?

Paranoia what. who? I got stuck on the spontaneous applause for Streep's biopic transformation... from industry folks no less. I missed the rest of that paragraph. In case you missed it here's the previous post on Meryl as Julia.

Before a screening of The Proposal (surprisingly charming), Disney had a treat in store, a scene from the upcoming The Princess and the Frog. Disney is opening the movie in New York and LA on November 25 and platforming it out on December 11. The sequence we watched had elements that were still very early on in the animation process, but the audience was captivated. Anika Noni Rose voices Tiana, a native of New Orleans, who has dreamed of opening a restaurant for 14 years. Defeated, she walks onto a balcony to pin all of her hopes on making a wish on an evening star. Well, her wish is granted in the form of a prince trapped in the body of a frog. The prince convinces Tiana to kiss him and return him to his original grandeur, in exchange for him making her dreams finally come true. The clip was hilarious and poignant, and the voice work was very impressive. I thought the footage looked right at home alongside the Disney classics and I cannot wait to see the finished product.

I had no idea what the story elements for this New Orleans musical were going to be. Opening a restaurant, eh?

Rose definitely has a beautiful voice so I'm pleased that Disney entrusted their first black Princess to her. You get glimpses of the strengths of her pipes in From Justin to Kelly (I know!) and Dreamgirls but her best role to date was definitely her TONY winning jubilance in Broadway's shortlived but spectacularly moving Caroline or Change (all of this, previously discussed). Though it's only voice work and she isn't famous enough to get marketing built around her (like Cameron Diaz and Mike Myers for the Shrek films), I hope Anika the actress manages plenty of face time when the movie arrives for the holidays. This star can shine. Hollywood just needs to let her. But you know how they have trouble maintaining interest in the black actresses, even the very talented ones.
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Anika

Anika Noni Rose has forged such a promising young career playing the fresh & exuberant that I had quite a shock yesterday realizing she'd just turned 36. Perhaps she's like the black Amy Adams, i.e. cute, bubbly, and youthful in persona and appeal only not so newly formed in reality. Age ain't nuthin' but a number.

Let's recap: She survived an awful teenage Spring Break in From Justin to Kelly (my review) @ 31 in keeping with the popularly demeaned Hollywood tradition of casting 30somethings as teenagers (Hello Grease). She won the TONY as the joyful optimistic teen daughter in the otherwise grim (but brilliant) Caroline or Change @ 32. Most famously, she loved & left Eddie Murphy in Dreamgirls @ 34...

Lorrell and Jimmy are thru-uuuuu

gifting the film with one of its two most potent sung through lines of dialogue. You can guess the other one.

We've talked about the plight of black actresses in Hollywood before --even vibrant ones like Anika can run into brick walls and glass ceilings. The infrastructure for their fame just isn't there. Black superstar actors aren't often screen paired with them (think of Will Smith's onscreen girls), and they usually aren't paired with white actors either. The remaining option then is supporting roles and unless those are head-turning jewels as parts go, they don't make you a big star. Eventually they end up in the ensemble of TV shows. There are certainly worse fates for actors (their names are Unemployment and Obscurity!) but still...

Here's hoping that Anika gets another boost from her starring (voice) role in Disney's 2-D picture The Princess and the Frog in 2009. The teaser doesn't do much to instill faith in the musical adaptation (Randy Newman, again?)...


...but you never know. Disney was once great at making traditional 2-D animation. And they certainly helped to revive the musical. A comeback could theoretically be just around the corner. Anika's got the pipes should they give her anything worth singing about. Will they?
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Top Ten: Black Actresses

tuesday top ten. for the listlover in you and the listmaker in me
yes, I'm aware it's thursday

A reader sent me this interesting snippet of Essence's December feature on Hollywood's black actresses and their unique career issues. It's a minefield of a topic and for more reasons than just race. There's also the combustible issues of gender inequality in acting careers (no matter your skin color) and then there's the fun sticks of dynamite I like to call 'Generic Celebrity Entitlement.' (hereafter referred to as GenCelEnt)

To explain. Features on the troubled careers of actors always walk a tightrope between generating valuable discussion of the issues at hand and snarky dismissal along the lines of 'Let me get this straight: You're complaining.' Chances are there are tens of thousands of young actors (of various colors, persuasions and genders) who would trade places with the employed covergirls here: Nia Long, Sanaa Lathan and Gabrielle Union. These three may not have their dream careers but they make their living from acting which automatically puts them in the top 10 percentile of their profession, doesn't it?

Nevertheless, I enjoyed reading this and it is a topic worth hashing out. I also checked out this trailer to a documentary about black actresses called Angels Can't Help But Laugh which I'm already willing to love in the hopes that it will be as richly hilarious and rewatchable as its white girl counterpart Searching For Debra Winger (a must see of the highest order, particularly for actressexuals and folks who enjoy the double edged sword delights of GenCelEnt... 'you're complaining and also: good point')

The topic of black actresses always makes me long for the lean muscle and forcefully clipped dramatic annunciations of one Angela Bassett, who I fell madly in fandom with in the early 90s only to realize that her ascendance was also her finale. How does that happen? The beginning is not the end --that's not how things are supposed to work! She falls into the exact same age and talent bracket as Annette Bening and Holly Hunter and she is nowhere to be seen damn-you-Hollywood! So the following list is dedicated to her. It is not dedicated to Halle Berry who has somehow become the most successful black actress ever despite not being half as interesting as the ones who came before her or many of those struggling to unseat her from her throne. Anyway...

10 Black Actresses I Wish Had Bigger Careers

10 Anika Noni Rose
From her good sportsman participation in the dreadful From Justin to Kelly (my torturous recap) to her outstanding TONY winning 'children are our future' hope in Caroline or Change on Broadway to her chipper girlgroup backup in Dreamgirls, she brings infectious joy to her material.
Soon: The voice of a Disney heroine in Princess and the Frog

<--- 09 Regina King
It perturbs me that I get unwelcome unfunny flashes of Miss Congenality 2 lately when I think of her (I watched it on a plane or something in a fit of buddy comedy masochism? What was I thinking?) but she can't be blamed. When she gets saleable material --like that potent "hit the road Jack" scene in Ray or basically everything about her good natured matchmaker in Year of the Dog, she knows just what to do with it.

08 Naomie Harris
See previous post for Naomie props

---> 07 Hazelle Goodman
I enjoyed her very brief roles in Hannibal (freaky) and Deconstructing Harry (cookie) and I'm always rooting for strong stage personalities to make it in the cinema.

06 April Grace
I know she's made a living with television gigs, hell, in preparing this list I realized that TV has plentiful opportunities for black actresses even if the great roles are still missing. April is even playing "TV Personality" in the upcoming I Am Legend. (oops, typecasting) but after her sensational head-to-head with Tom Cruise in Magnolia (also as a television personality) --not everyone can survive let alone resonate in scenes with megawatt performers-- how is it that no other filmmakers have thought to capitalize on her steel? Are they blind?

05 Tonya Pinkins
You've just seen her as a near divorcee in Enchanted (the one with the sparkly eyes, Enchanted discussion here) but really. That's beneath her. I'll just say this. Her star turn in Caroline or Change on Broadway is among the best performances I've ever seen. In any medium. If some A list director ever handed her a movie version of same, an Oscar nomination would follow. But considering how shabbily Hollywood treats musical talent, I'm sure they'd replace her with someone who can't sing who is already a "name". What a world.

04 Audra McDonald
Another Broadway diva. She's a four time TONY winner. That's right. At the relatively young age of 37 she's in second place for most TONY awards ever. She's like the Kate Winslet of stage (only Kate hasn't won any Oscars yet), racking up nominations consistently while still young. Audra is raising her profile (and presumably bank account) as a regular on Private Practice but it's hard for me not to feel like it's a waste. How will she have time for Broadway? I mean, have you heard her sing? She's not just any actor with musical ability --her vocal and theatrical talents have landed her comparisons to legends like Barbra Streisand. Someone cast her in a musical right now.

03 Gabrielle Union
Sometimes I am in wary awe of her like T-t-t-t-t-orrance was in Bring It On but I should probably see more of her movies. My bad.

02 Viola Davis
How do you have a year like Viola Davis had in 2002 where she gifted audiences with a rich trinity of supporting performances in Antwone Fisher, Far From heaven and Solaris (I gave her a gold medal for this triple triumph) and NOT be swimming in Hollywood offers therafter?

---> 01 Kerry Washington
She rules. That is all. If you read this site regularly you already know of my love (and proprietary claims --I saw her first! I even gave her a prize in 2001)
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