Take Three: Anna Faris

Craig here with Take Three.

Today: Anna Faris

Take One: Even cowgirls get the blues

I’m always up for a spot of Brokeback love. I know there's been plenty of attention around these parts in the past but let’s divert the love that-a-way. Let’s ride sidesaddle and gallop slightly away from Jake ‘n’ Heath. And Michelle 'n' Anne. And Ang. Hey, look, it’s Anna Faris as Lashawn Malone in Brokeback Mountain (2005).

I’d just seen Faris in Just Friends when barely a week later (January 2006) Brokeback was released here in the UK. The complete contrast between Faris in the two films caught me off guard. She pops up ninety-minutes in during a couples’ C&W night-out scene with Jake Gyllenhaal & Anne Hathaway.  She “talks a blue streak” without much pause for breath – and in doing so fills the gap where a homoerotic attraction is becoming increasingly apparent between Jack Twist and Lashawn’s husband Randall (David Harbour). Jack and Lashawn dance; she continues to chatter. A new scene comes and goes with Lashawn entering and chattering her way gaily through it.

It’s a minuscule part but one that actively enhances the film. And Faris, with a touch of cowgirl glamour creates a world for Lashawn that is surely real and would be utterly believable if we were to follow her story instead of Lureen’s and Alma’s. The other Brokeback wives have their moments of realisation and breakdown; Lashawn, being a passing, peripheral character, doesn’t get hers (Randall is another “confused” cowpoke). But, thanks to the key manner in which Faris makes palpable the glimmers of anxiety in Lashawn’s gasbagging, we know she’ll suffer as Lureen and Alma do.

Take Two: Coppola load of this casting coup

There are some things I liked about Lost in Translation (2003), and some things I didn’t. Anna Faris is the crux of my love-hate relationship with the film. I like her. I dislike the reason she’s (ostensibly) there. Faris is vibrant, lively and gleefully adorable as Kelly, the flaky blond actress who tender, sensitive Charlotte bumps into in the Tokyo hotel lobby. Her small segment – or I should say zesty interruption – perked me up just as I was beginning to get fed up with ScarJo’s misery. Faris shows her personality here even when she’s meant to be showing... Cameron Diaz’s, wasn’t it?

It takes a sharp skill to play a vapid, questionably-talented and intentionally annoying bimbo like Kelly, and do it well, but Faris possesses it; the role wouldn’t have been half as memorable or crucial without her.

Lost in Translation has its staunch defenders as well as its starchy detractors. I'm on the fence. But isn't Coppola fille displaying her snarky, precious side when she hires one – fairly unknown at the time – comedy actress to allegedly impersonate another – far more famous – one, just to imply something underhanded about the latter through the (admittedly spot-on) talents of the former? Is this indicative of the peculiarities of the largely hidden squabbles buried within the Hollywood community? It taints the film for me, but no matter. Faris knocks her scenes out of the hotel car park. She got to stretch her craft and add a different slant to her filmography whilst being wonderfully, enthusiastically familiar. Were we meant to share in Charlotte's lofty derision of Kelly? I know I didn't. I was too busy enjoying Faris.

Take Three: One order of Anna – to stay

For the third take, I meant to feature Faris' Monroe routine over a steaming manhole in The House Bunny. But after accidentally catching Waiting... (2006) for the third time, I couldn’t resist scribbling a few words on her role as Serena, ex-girlfriend to co-lead Ryan Reynolds, who works, like all the characters do, at the brilliantly named theme restaurant Shenaniganz.

Faris’ role is clearly supporting, but she breezes on screen with the bright confidence of a lead. Her pin-sharp and perfectly delivered put-down of Ryan Reynolds in one of Waiting...’s best scenes is a joy to watch and watch again. (Watch it many times: Faris’ timing is exquisite.) Faris and Reynolds (and scriptwriter Rob McKittrick) create an entertaining scene – a crude, rude re-take on the sparring couples slapstick banter - that's full of choice insults and great Faris facial expressions. Without much fuss the scene humorously reconfigures the tired old Battle of the Sexes thing into something daft and genuinely funny, just in miniature, with the couple wearing garish work uniforms emblazoned with their names.

Faris gets the upper hand. She keeps it, works it, and walks off with it by the time she’s verbally downsized Reynolds to a portion small fries. It’s a relishable, smile-inducing comic performance. I'm so on team Faris.

In a relatively short span of time, the actress has contributed so much to a commendable amount of movies that the three takes above (and three mentions below) don’t do her true justice. Judy Holliday, Lucille Ball, Goldie Hawn, Jennifer Coolidge... I’d be happy to include Faris in any future line-up of comedy gal greats. (Rumour has it that she'll be in Ghostbusters III and a remake of Private Benjamin. Good times.)


Three more key films for the taking: May (2000), Smiley Face (2006), The House Bunny (2007).

Hedwig and the Angry Link

Michael Reidel Hedwig and the Angry Inch made it from stage to screen and now it's going back again. [Insert a billion exclamation points here] The cherry gummi bear on top: John Cameron Mitchell will reprise his classic role. This show is a-ma-zing live. One of the best experiences I've ever had in the theater way back in 1999 or so. You must come to NYC and see it. Between this and Rabbit Hole, John Cameron Mitchell may have an incredible 2010
MNPP alerts us to the must-read sounding book "The Girl in Alfred Hitchcock's Shower". I already want this to be a movie.


MovieLine an imaginary apology from James Cameron for making you sit through Avatar
Cinema Blend Anna Faris to get all Goldie Hawn in a remake of Private Benjamin. Hey she sold Cameron Diaz with great flair, didn't she?
The Playlist has details on Steven Soderbergh's Contagion. The cast list is almost frighteningly A-list huge. Even if it's a disaster, it'll get a SAG ensemble nod.
Just Jared Reese Witherspoon in talks to play a country singer (again). If at first you do succeed...repeat.
Banana Penis [nsfw] Did this predate An Education or is someone using movies brilliantly for safe sex promotion?
Empire State of Mind pretty fun Star Wars by way of Alicia Keys video
Popnography skewers Miley Cyrus and The Last Song and suggests a gay alternative
Blabbeando If you're tired of catty remarks about Ricky Martin's coming out, try this on for size. Definitely something to think about.
(Le Sigh)... Isabelle Huppert to guest star on Law & Order: SVU. The apocalypse is nigh. Someone please shoot me!

Finally, remember that unusual zombie movie I told you about that won the Nashville Film Festival? It's called Make-Out With Violence and if you're curious about it you can now "save it" to your Netflix queue.

<--- poster design by Family Tree

If the movie gets enough 'saves' Netflix will purchase copies to rent out. I really marvel at how many ways there are to distribute movies now and how hard it still is for filmmakers despite all those channels, even when they have a quality movie on their hands. I don't think Make-Out is a perfect movie but it sure as hell was made by people with a filmmaking eye. And it makes you want someone to give the Deagol Brothers more money to make a second feature and see where their talents can take them. This is one of the obvious drawback of film festivals... you see work by all sorts of interesting off-the-map talent and then you return to the real world and notice how many hacks are so gainfully employed by Hollywood. Not that film festivals don't have their own "keep your day job" failures ... but this movie is definitely not one of them.

Birthday Suits: The Blonde and the Bookish

Celebrating cinematic birthdays for 11/29. Which celebrity would you most like to spank today?

Blond³: Diane, Anna and Cathy

1832 Louisa May Alcott wrote the oft-adapted Little Women
1895 Busby Berkeley, legendary choreographer/director. What would the early musicals have been without him?
1898 C.S. Lewis wrote the Chronicles of Narnia which were made into unfortunately generic movies. He also wrote The Screwtape Letters which I personally pray will never see the silver screen despite Hollywood's efforts. Some books just deserve the undiluted perfection of their original form. Sir Anthony Hopkins played him in the weepy bio Shadowlands (1993)
1901 Mildred Harris, silent film actress and Mrs Charlie Chaplin (for a few years)
1918 Madeleine L'Engle prolific author, most famous for Wrinkle in Time
1931 Shintarô Katsu the original blind swordsman Zatoichi
1932 Diane Ladd, if you don't love her Oscar nom'ed performances in Alice Doesn't Live Here Anymore, Rambling Rose and Wild at Heart, well... what's wrong with you? Please also thank her for birthing Laura Dern
1954 Joel Coen one half of the dynamic duo, the half that's married to Frances McDormand
1960 Cathy Moriarty, Mrs Raging Bull and hilarious Soapdish vixen

1962 Andrew McCarthy, 80s star who specialized in treating Molly Ringwald, Ally Sheedy and dead employers like shit
1964 Don Cheadle, porn star, hotelier, War Machine
1964 Tom Sizemore tough guy actor, 90s regular
1976 Anna Faris, actress, House Bunny, Cameron Diaz mocker

And finally Lucas Black (pictured left) turns 27 today. He was somewhat famous by the age of fourteen (Sling Blade) and continued to prove his skill and solid screen presence as he grew up (All The Pretty Horses, Cold Mountain, Jarhead). He's at a highly castable age now. Come on Hollywood, where are the leading man tryout roles? I'm not sure if The Fast & Furious: Tokyo Drift counts ...but then, I haven't seen it. Perhaps he botched his chance? Or maybe the film done him in?

Six Reasons To Love Anna Faris

JA from MNPP here. Aren't y'all excited? Inevitable powerhouse cinematic achievement for the ages The House Bunny comes out today! Set down your Oscar prognosticating pie-charts and graphs - the race is over. Finito. Meryl who?

Seriously though, I love me some Anna Faris. Over at my home blog, we're often singing the praises of her and I know Nat has weighed in with appreciation of her before. The majority of moviegoers are probably aware of her from her turn as Cindy, the hapless horror-show main character in the Scary Movie movies.... but there are other reasons why I love Anna Faris. Here are six:

Lashawn in Brokeback Mountain - The most memorable moment of sunshine in the second half of Brokeback - hell, maybe the only moment of sunshine in that second half, once the weight of the world has torn Jack and Ennis' love down - belongs to Faris, as the non-stop chatterbox Lashawn, who's too busy spouting nonsense to take note of her husband's... new friendship.

Kelly the actress in Lost in Translation - I don't care if Sofia Coppola stays mum on this topic forever - Faris was delivering one ruthless Cameron Diaz impersonation here.

Samantha James in Just Friends - This terrible movie has two things going for it... two things that've made me sit through it mroe times than I can count. One, it has Ryan Reynolds, and I have sat through so much crap just to stare at him it could probably be classified as criminal negligence with respect to my own life and the alloted hours I have left on Earth. And two, it has Anna Faris' whacked-out-of-her-mind role as Sam James, Faris' hilarious riff on pop tarts like Britney Spears.

The deliriously profane lesbian Polly she played in the under-appreciated 2002 horror gem May. "Maybe we can hang out... eat some melons."

Smiley Face - Without Faris, this movie wouldn't exist. There is no discernible plot, or reason for even existing, besides to act as a platform upon which to marvel at the hilarity Faris can wring from an astonishing galleria of extremely-stoned facial expressions. And the movie gets funnier the more times you watch it. Trust me. I have watched this movie many times.

That part in the trailer for The House Bunny where she tries to act out Marilyn Monroe's iconic subway-grate skirt blow-up... with horrifying results.

Unsurprisingly, the film's not doing too well review-wise, but isn't late August the perfect time to revel a lil' bit in some broad dumb comedy? (Or do I mean "dumb broad" comedy?) Plus it's got Kat "Nick and Nora's Infinite Playlist" Dennings and Emma "Superbad" Stone in it - they're hip with the kids, right? At least it does appear that even the less-than-kind reviews are giving good notices to Faris, which makes me happy. I've been cheerleading her forever now, and I will not stop until she's making the sorts of money that Will Ferrell makes. Faris forever!
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