Linkenstein

What follows is a strange amalgam of old and new links. It's a frankenstein roundup, stitched together over the past four days from aborted link posts that were accidentally unposted... until now. "IT'S ALIVE!"


/Film Jon Hamm as Superman?
Movie|Line's failed/jokey photoshop attempt at the same thing utterly delights me (pictured left)
I Just Want to Be Perfect Black Swan website devoted to Nina's (Natalie Portman) psyche.
Cinema Blend a look at the newly announced cast of The Hobbit. With pics. Why do I feel that this movie is going to be such a disaster when I love the LotR trilogy? I guess I've lost faith in Peter Jackson given that the beauty of King Kong was smothered by a lack of self-editing and then we got the disastrous The Lovely Bones.

ONTD Rachel McAdams and Michael Sheen. I must have slept through this pairing. This is news to me.
Cinematical Pixar gives its first female director the book (Brenda Chapman was to helm The Brave previously due out in 2012...but you know, I assume this could delay the movie). Boo.
Montages (in Norwegian) a look at what's coming up very soon in Norwegian film. The writer is most excited for The King of  Bastøy starring Stellan Skarsgard, Kristoffer Joner and Benjamin Helstad. The film takes place in 1915 and is based on a true story about a youth prison. Hmmm. Could it be next year's Oscar submission? It's never too early to start thinking about that given that the Oscar eligibility calendar is already in the 2011 film year now when it comes to Best Foreign Language Film.

(Partially) Off Cinema
Tiger Beatdown "No One is Ever On Your Side" excellent, excellent article on Mad Men's Betty Draper Francis. A must read for fans of the show in case you missed it.
Benefit of the Doubt on Metroid, feminism and the Aliens franchise (if you're curious as to why that's suddenly in the air again, it's due to the box set's release Alien Anthology.)
Moby Lives on literature's problems in reflecting our internet ruled new world: timeliness or timelessness?
The Faster Times a list of all the new shows coming to Broadway in the spring.
The Oatmeal How to Pet a Cat. Hee

Something That's Really Bothering Me
Did you read the NY Times piece about the shortage of memorable lines in the movies these days? I suppose it's only helping them that everyone has been talking about the piece and linking to it (like me) for a couple of days but I do not understand the response. I've only read a couple of "in response" articles but they seemed to join in the lament. The article cites 90s films like Terminator 2, Forrest Gump and Jerry Maguire as among the last mammoth 'quotables.' Some response articles are saying things like "yeah, it's sad that movies aren't literate anymore..." I'm sorry but Forrest F'in Gump and Jerry Maguire are not literate movies. They just had fun simple catchphrases. Why are people equating catchphrase-making with great screenwriting and extrapolating that into a lament for the state of modern cinema? Does that mean that Arnold Schwarzenegger movies deserved Best Screenplay Oscars?  A lack of catchphrases does not a poor screenplay make. The article makes a vague statement indicating that these things can take time,  citing "Plastics" from The Graduate as a line that percolated before boiling. But then it blames The Social Network for not having a great lines (um, excuse me? It has hundreds of great lines... it'll just take awhile for a few  of them to rise to the top) Meanwhile The Big Lebowski is praised for "The Dude abides." Listen. The Coen Bros write great dialogue. But I was around in 1998 when The Big Lebowski premiered. It was received with pockets of enthusiasm (as their pictures usually are) but mostly a shrug, and some considered it a small setback after Fargo (which had been nearly as popular as Raising Arizona, their first mainstream breakthrough. Lebowski wasn't.) It was only years later after obsessive fandom had successfully added several fresh coats of "classic" paint on Lebowski that people were incessantly quoting its dialogue and acting like it was this huge hit and of the best films of the 90s.

The article does suddenly remember that "I drink your milkshake" (There Will Be Blood) permeated pop culture but completely forgets about "I wish I knew how to quit you" (Brokeback Mountain) which was quoted just about as often as movie lines ever get quoted. And then there are any number of lines from Mean Girls (Best Shot subject this week!) as reader Dom pointed out a few days ago. You or someone you know quotes that movie every day. I know, right. 

I guarantee you that "milkshake" and "quit you"will never disappear. And that 5 years from now, some line from The Social Network will still be in the public vernacular. One day people might not even remember where they first heard the line they end up using from The Social Network it may dig so deep down into the bone marrow of everyday conversation. You think everyone who has ever said "fasten your seatbelts. It's going to be a bumpy night" was thinking of All About Eve (or had even seen All About Eve) when they first said it?

Venice Red Carpet: The Town, Potiche, Meek's Cutoff

Toronto kicked off last night but before we get to our coverage there -- we'll be hearing from the same folks who covered Toronto for The Film Experience last year -- Venice is starting to wrap up. Awards will be announced before you know it.

The most 'Hollywood' Venice premiere was probably The Town which brought out the happy familiar faces of Ben Affleck, Rebecca Hall, Jon Hamm and last year's Best Actor nominee Jeremy Renner (The Hurt Locker).


Is it just me or is it always a bit odd to see Jon Hamm smiling? He's smiling so much lately and with that career you'd be smiling too. But it's so UnDraper! These townies had prophetic reason to be happy. Reviews were kind. Here's a sampling:

• Cinema Blend "bigger by nearly every measure" [than Gone Baby Gone]
  
• Newsweek "Affleck’s heist movie is part of a career turnaround so amazing that he looks like the new Clint Eastwood"

One of the most exciting things for cinephiles about film festivals is that they tend to be more auteur-focused than any other movie event.

Tykwer, Miike, Ozon and Guadagino

Tom Tykwer was promoting his latest Drei, a film about a bisexual love triangle between a long time couple and the man they both fall for (unbeknownst to each other). Obsessed With Film called it "punchy and inventive" but wasn't completely bowled over. Tykwer has yet to recapture the type of international enthusiasm that greeted his breakthrough Run Lola Run (1998) but every few years or so we get another good looking movie like Perfume or The International.

Takashi Miike makes a new movie as often as I write a blog post. At least it seems that way. He's twice or thrice as prolific as Woody Allen. The man behind violent sensations like Audition and Ichi the Killer (and many others with less staying power) was premiering 13 Assassins.

François Ozon is one of the best directors of eye candy movies in the world with a gorgeous filmography that includes 8 Women, Water Drops on Burning Rocks and 5x2 among other gems. He's also sweet to look at offscreen. I'm just saying. The gay auteur was in Venice to premiere Potiche, his latest confection starring a starry buffet for hungry francophiles: Catherine Deneuve, Karin Viard, Sergi Lopez, Gerard Depardieu, Judith Godreche among others. Yum yum. Ultimate Addict was totally entertained citing its "snappy, hilarious dialogue" and calling Deneuve "a joy to watch" though you can cut and paste that description into every Deneuve review, n'est-ce pas?

Luca Guadagnino, Tilda's I Am Love director was also in town. He's on Tarantino's competition jury. I include him because I am nuts for I Am Love and his proposed Auntie Mame remake with Tilda in the lead is the greatest movie ever made that doesn't actually exist yet. Ohmygod I want to see that like three years ago. Please make it. If only I were a multi-millionaire and could fund the project myself. This is why I should have been born rich instead of poor. I could have supported so many worthwhile creative endeavors. (Sigh)

Michelle, Tilda, Paz and the immortal Deneuve

But we mustn't forget the actresses beautifying the red carpet.

Michelle Williams is sharing a closet with Carey Mulligan? They're like twin pixie fashionistas. Michelle was in town for her role as Kelly Reichardt's (Wendy & Lucy) main muse, this time in the western Meek's Cutoff.

• Time Out London "just as rich, nuanced, mysterious and low key as anything she's made."
• Guardian "far from action packed, but still gripping."
  

Tilda Swinton appears magically wherever there are A list festivals. It's a rule of the cinema nature ...a benevolent one, too.

Paz Vega. Remember her? Would Spanglish jog your memory or have you tried to forget it?
She's in town with the Italian drama Vallanzasca.

Anyway... we could do this all day. But the question is now who will take the prizes from Tarantino's jury? Guy Lodge has predictions. Will Natalie Portman's psycho ballerina win her the Best Actress prize? Will a non-English language picture rise to the top, forcing the media to note that not all movies are from Hollywood? Venice pulls the curtains closed tomorrow.

MM@M: Live From Times Square

TV's greatest show has a love affair with the movies. So we have a love affair with TV's greatest show. We call it Mad Men @ The Movies.

The world premiere party for Mad Men Season 4 kicked off in Times Square a few hours before the show on Sunday night. I was honored to be invited so I must give thanks to the wonderful Lipp sisters of Basket of Kisses who always keep me in the swing of things when it comes to Sterling Cooper, excuse me, SCDP (Sterling Cooper Draper Pryce). It's always good to hang with the vivacious Lipps and I also got to chat with other MM fans including the adorable talented Carol Hannah of Project Runway fame.

The VIP crowd got Barbies. I managed to procure a Don & Betty set. (More on these dolls here. They retail for $75)

Left: Me (the hat was with the gift bag); Right: Girl from costume contest. I didn't catch her name but that's totally a Betty dress (the Barbie is wearing that same dress, albeit in miniature). She bought it on eBay which the judges called cheating.

This is the whole crowd shortly before the actresses arrived (hence the empty front row). I've circled the Lipp Sisters up front, true VIPs, and then that's me, further back to the side. It was a good crowd. Lots of rubbernecking on the street.

The evening came with two trivia contests (Pt 1 too easy / Pt 2 just right), two celebrity cameos from "Peggy" (Elisabeth Moss) and "Betty" January Jones who is sexy and statuesque in person and looks nothing like Elizabeth Hofstadt Draper Francis without the 60s costumes and hairstyling. My only gripe about the evening was that the panel of judges for the costume contest was quippy/bitchy to the contestants and, this being a fan event, more softball American Idol style criticisms were the way to go. If you have to criticize, tell them you love them first. They're fans. They aren't professional costumers.

January Jones and Elisabeth Moss. They joked that they were nothing like their characters but they were maybe like each other's characters. haha. The crowd sang Moss happy birthday and they wheeled out a cake.

The view from my seat. A crowded stage for the costume contest.

The strangest thing that happened at the event (for me... few noticed) was just outside of it. Before the actual screening, two teenage girls to the left of me on the street just outside the VIP area starting screaming. I turned to see what the commotion was about. There was a young guy, perfectly coiffed and teen idol fresh (he couldn't have been over 17, if that) who agreed to sign autographs for them. He was not with the Mad Men event, just walking through Times Square and had stopped momentarily to look at the party. The two teen girls were crying and hysterical and one even tried to touch his hair, her fingers visibly shaking like he was a hot stove and she just wanted to know what it would feel like... just this one time! Her friend slapped her hand away before the burn, both of them crying. Since he had bent over to sign something, he didn't even notice. I have no idea who this person was, but he handled it like a pro, smiling, asking where they were from ("O h h h i i i o" warbled through tears).

I've decided he was from the Disney Channel since that's where all the "stars" that I've never heard of or don't recognize come from. The girl he was with was visibly annoyed by the hysterics but stayed off to the side, dutifully, before grabbing his arm to pull him from a potential mob scene. No one else mobbed and suddenly they were gone. I'm surprised anyone is ever recognized in Times Square. It's always so crowded that you can barely spot your loved ones if you get separated, let alone a celebrity in their off duty hours.

Where were we?

This post is going to be so long. Oh yes, Mad Men. Here's what you missed in the first three seasons if you're planning to start now...



On to Season 4 and its movie-loving ways... however those turn out.

Episode 4.1 "Public Relations"
My preferred title How Draper Got His Groove Back. In this episode, we try to get acclimated to the new offices (there's too many doors. I miss the open space), new characters (who is Peggy's co-worker? Love Henry Francis's mom played by Pamela Dunlap) while trying to stay patient (What is going on with Joanie's marriage? Where the hell is Ken Cosgrove?). Don reminds us of his movie-loving ways early in the episode through his pride in a commercial that plays like a movie. Plotwise Don and Peggy both make separate PR blunders. By episode's end Peggy gets an angry earful and Don gets his mojo back, professionally speaking.

On the personal life side, he's still a trainwreck. He's even blind dating ...and letting Roger, whose lovelife he doesn't exactly approve of, set him up.

Roger: Forget that she knows Jane. This girl's terrific. She looks like Virginia Mayo. She's 25. See her this weekend. You hit it off, come Turkey day you can stuff her.

Hmmm. Does Anna Camp (from True Blood) playing "Bethany" look like Virginia Mayo? You be the judge.


In a strange coincidence I was just watching Virginia Mayo in The Best Years of Our Lives (1946). She's terrific as the trashy restless wife of Dana Andrews. (That movie is so great.) People don't really speak much of Mayo these days but referencing her apple cheeked pinup looks is most definitely a compliment. She was a frequent movie presence from the early 40s through the late 50s. In addition to the aforementioned Best Picture winner, she's probably best remembered for noirs like White Heat and frequent Danny Kaye comedies including The Secret Life of Walter Mitty. She died just five years ago at the age of 84.

Mayo with Danny Kaye and with Dana Andrews

other references in this episode: (Music) novelty single "John & Marsha" (Magazines/Papers) Wall Street Journal, Ad Age, The Daily News (Celebrities) Luci & Dezi

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Did you see this episode? If so, your comments please. If not, speak up anyway. How cool are those Barbie dolls? Or are you sick of the hype? (If you are, please note that there will be only one Mad Men post a week, Mondays, starting now.)

Further reading?
Gold Derby thinks Mad Men is well timed for an Emmy 3peat.
The Loop publishes a satirical letter from "Carla," the Draper maid.
The Loop also has a rebuttal of sort. Claiming that the show isn't diverse enough is entirely missing the point.
Cinematic Passions interviews costume designer Janie Bryant
Inside Scoop bring back chicken kiev.
Mad Men Unbuttoned the tune that's playing when Don gets his groove back.
Put This On imagines how Draper would look in the WSJ. Love.
Cinema Blend Sugarberry Hams for everyone. A ratings uptick.
Best Week Ever gives funny recap...and awards.
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Yes, No, Maybe So: The Town

Here's the trailer to Ben Affleck's The Town, which opens exactly two months from tomorrow.



Gone Baby Gone devotees, we understand there are a small but very serious group of them, should be pleased to note that Ben has already completed his second feature.

Do we want to see it?

Yes. When famous actors direct they can often call in favors and rope in impressive casts. This time we get Jeremy Renner, fresh off The Hurt Locker, Jon Hamm (Mad Men) in what could be an important transitional screen role, the oft acclaimed Chris Cooper. Best of all it looks like Rebecca Hall, who we consider practically the young actress to watch, is front and center in what looks like a possibly rangey role: crime victim? secret-hoarder? romantic object? inner strength finding heroine and/or downward spiraling conflicted bystander?

No. Cops and robbers, shoot outs, bank heists, blue collar criminals, passionate FBI agents on the hunt, blood brother betrayals, women caught in the crossfire...

Haven't we seen these stories, characters and the invididual story elements every year since the dawn of the cinema? a million times? When you're working in very very familiar cinematic playgrounds, your work better be revelatory. Your actors, not just your automobiles, better be on fire.

Maybe So.
Now that his directorial learning curve is gone baby gone, Ben is working both sides of the camera. He might not be the rangiest actor but he's also proven to be a solid and/or charming performer at times. But can he direct himself as well as he directed his brother Casey? Amy Ryan may have won Gone's sole Oscar nod for her trashy druggy mother scene stealing but wasn't Casey Affleck the interesting hard to read protagonist rock that was holding that film together?

Nathaniel (that's me) is a firm "maybe so". Which are you?