Showing posts with label BIFA. Show all posts
Showing posts with label BIFA. Show all posts

Sunday, December 5, 2010

The King's Acceptance Speeches Begin

King and Queen of the BIFAs
The British Independent Film Awards forced the reluctant king to the mic again when they gave Colin Firth the Best Actor prize for his stammering royal in The King's Speech. The BIFAs also gave the movie 4 additional prizes: Helena Bonham-Carter and Geoffrey Rush took their first wins of the season and the film won screenplay and the BIFA equivalent of Best Picture "Best British Independent Film."

The smear campaign or truth-telling depending on how you view these things has also begun but the Oscar buzz isn't letting up any time soon.

After the jump the complete BIFA winners list with commentary.



British Independent Film The King’s Speech
Director Gareth Edwards, Monsters
Debut Director Clio Barnard,The Arbor
Screenplay David Seidler, The King’s Speech
Actress Carey Mulligan,  Never Let Me Go
Actor Colin Firth, The King’s Speech
Supporting Actress Helena Bonham Carter, The King’s Speech
Supporting Actor Geoffrey Rush, The King’s Speech
Promising Newcomer Joanne Froggatt, In Our Name
Achievement in Production Monsters
Raindance Award Son of Babylon
Tech Achievement Visual Effects, Monsters
Documentary Enemies of the People
British Short Baby
Foreign Film A Prophet

Carey & Rosamund @ the BIFAs
Beyond the big dog (King's) the indie genre flick Monsters did quite well for itself. I have the screener right here. Maybe I should watch.

As for Carey Mulligan winning Best Actress for Never Let Me Go, Monty would not approve. And if you ask me Andrew Garfield was "best in show". And I don't understand Helena's win at all. I hope everyone understands that I am in HBC's corner -- I think she's been grossly underrewarded for years and ought to have 3 Oscar noms and an actual statue on her mantle -- but I just don't see it for this performance. There's nothing to it beyond the very typical awards bait of "supportive spouse." If she's nominated it'll be the easiest get outside of Bill Murray's for Get Low; two people doing things they can do with their eyes closed that aren't remotely challenging or interesting.

I have to say that I'm surprised as anyone (maybe moreso) that Geoffrey Rush is the true champ within The King's Speech. How he managed to curtail his usual hamminess into something nearly subtle when it's actually one of his hammiest and most eccentric characters is a minor miracle. But then I'm far more allergic to him than most so perhaps my perception is skewed. Alas, despite my enthusiasm for his turn here comes yet another awards season where the gigantic roles will win the supporting prizes. Poor character actors everywhere can never catch a break.

Moving on. Have any of you seen Monsters? Are you happy that The King's Speech is winning prizes?

Monday, November 1, 2010

BIFA: The King's (Acceptance) Speech and Other Oscar Matters

You guys. I'm so not (quite) ready for this. It's only November 1st and in English language cinema we've already had at least three awards lineups outside of the film festivals: NY's Gotham Awards, Australia's AFI, and now BIFA... which translates to the British Independent Film Awards.

BIFA considers Oscar-buzzing Lesley Manville as "Supporting"

It will surprise virtually no one that the Oscar hopeful Brit films like The King's Speech (and all of its actors), Made in Dagenham and Another Year are in play for various prizes. It may surprise some that the indifferently received Never Let Me Go, the divisive Kick-Ass, and the largely undiscussed Brighton Rock received multiple nominations as well.

A complete list of nominees (with Oscar-adjacent comments) follows after the jump but I shan't clog the main page with these über long lists that each awards groups hands out.




BEST BRITISH INDEPENDENT FILM
  • 
Four Lions

  • Kick-Ass

  • The King’s Speech

  • Monsters
  • 
Never Let Me Go
Interesting that Another Year did not make the "Best Film" list, despite important nominations elsewhere. BIFA has no problem with "genre" films as evidenced by the inclusion of both Monsters & Kick-Ass. I'm sure there will be pockets of online rejoicing if this film gets an awards run. I'd like to kick the ass of anyone who votes for it though. Metaphorically speaking! I'm mostly a pacifist. Plus an 11 year-old girl could probably kick my ass in real life, even if she didn't have Hit Girl's training.

BEST DIRECTOR

  • Mike Leigh - Another Year

  • Matthew Vaughn - Kick-Ass

  • Tom Hooper - The King’s Speech

  • Gareth Edwards - Monsters

  • Mark Romanek - Never Let Me Go
Leigh and Hooper are safely in the hunt for Best Director Oscar nominations. The rest of them, well, at least they have this homegrown honor to brag on.

BEST DEBUT DIRECTOR [THE DOUGLAS HICKOX AWARD]

  • Debs Gardner Paterson - Africa United
  • Clio Barnard - The Arbor

  • Rowan Joffe - Brighton Rock
  • 
Chris Morris - Four Lions

  • Gareth Edwards - Monsters
I was confused about Rowan's nomination here until I remembered this wasn't Roland Joffe but his son. Clio Barnard (pictured left) recently on "best newcomer" at the  BFI London Film Festival for the same film. It's a documentary that's also apparently an acted biopic (it's one of those uncategorizables) about the playwright Andrea Dunbar and her experience growing up in a housing project in Northern England.

BEST SCREENPLAY

  • Jesse Armstrong, Sam Bain, Simon Blackwell, Christopher Morris - Four Lions

  • Jane Goldman & Matthew Vaughn - Kick-Ass
  • David Seidler - The King’s Speech

  • William Ivory - Made In Dagenham

  • Alex Garland - Never Let Me Go
BEST ACTRESS

  • Manjinder Virk - The Arbor

  • Ruth Sheen - Another Year

  • Andrea Riseborough - Brighton Rock

  • Sally Hawkins - Made In Dagenham
  • Carey Mulligan - Never Let Me Go


Good on Ruth and Sally who are both subtly fantastic in their movies.

BEST ACTOR

Colin Firth probably won't stutter during his Oscar acceptance speech
  • 
Jim Broadbent - Another Year

  • Riz Ahmed - Four Lions
  • Colin Firth - The King’s Speech
  • 
Scoot McNairy - Monsters

  • Aidan Gillen - Treacle Junior
I suspect this is the only place we'll see honors for Jim Broadbent because Ruth Sheen has the screentime in Another Year and Lesley Manville the showiest character. More pointedly: anyone wanna wager how many Best Actor prizes Colin Firth is going to have to accept this year.... 5? 10? 15? 20? 25? All? I always forget to count but I think there's something crazy like 30+ prizes one can win during precursor and Oscar season.

BEST SUPPORTING ACTRESS

  • Lesley Manville - Another Year

  • Helena Bonham Carter - The King’s Speech

  • Rosamund Pike - Made In Dagenham

  • Keira Knightley - Never Let Me Go

  • Tamsin Greig - Tamara Drewe
Interesting that in the two "local" awards so far (this and the AFI) we've seen Oscar contenders show up in the opposite category in which they've been pegged for Oscar consideration. It's safe to assume that Jacki Weaver would only be Supporting in her American awards run (despite the "lead" vote in Australia, where she's "a national treasure" according to her director and co-stars) but Manville could obviously go either way, depending on how the Another Year campaign plays out. The most interesting inclusion here is Rosamund Pike. She has a couple really great scenes in Dagenham -- and was my favorite supporting actress in the film -- but I had expected that Miranda Richardson, a more well known 'prestige' actress, would be the one to win honors and Oscar traction. Maybe not?

BEST SUPPORTING ACTOR

  • Kayvan Novak - Four Lions

  • Guy Pearce - The King’s Speech

  • Geoffrey Rush - The King’s Speech
  • 
Bob Hoskins - Made In Dagenham
  • 
Andrew Garfield - Never Let Me Go


<-- Hi, Kayvan! Nice to meet'cha. About this list: I'm pleased for Garfield. As you know, I really loved him in that movie. Meanwhile: This is the first memory jog I've been given that Guy Pearce is in The King's Speech since all the buzz and the trailer attention and whatnot is on the central three characters (Geoffrey, Helena and Colin).

MOST PROMISING NEWCOMER
  • 
Manjinder Virk - The Arbor
  • 
Andrea Riseborough - Brighton Rock

  • Tom Hughes - Cemetery Junction
  • 
Joanne Froggatt - In Our Name
  • 
Conor McCarron - Neds
Riseborough (pictured right in Toronto -- must have been a crazy year for her) was amazing in Never Let Me Go with almost nothing to work with and also highly watchable in Made in Dagenham in another sideshow role so I'm curious if she's even better in Brighton Rock with a big meaty role? Is more truly more with Andrea? I'm intrigued.

BEST ACHIEVEMENT IN PRODUCTION
  • 
The Arbor
  • 
In Our Name
  • 
Monsters

  • Skeletons

  • Streetdance 3D

RAINDANCE AWARD
  • Brilliant Love
  • Jackboots On
  • Whitehall Legacy
  • Son of Babylon
  • Treacle Junior

BEST TECHNICAL ACHIEVEMENT

  • The Arbor - Sound - Tim Barker

  • Brighton Rock - Cinematography - John Mathieson

  • The Illusionist - Animation - Sylvain Chomet

  • The King’s Speech - Production Design - Eve Stewart

  • Monsters - Visual Effects - Gareth Edwards



BEST DOCUMENTARY

  • The Arbor
  • 
Enemies of the People
  • 
Exit Through the Gift Shop
  • 
Fire In Babylon

  • Waste Land
BEST BRITISH SHORT
  • 
Baby

  • Photograph Of Jesus

  • Sign Language
  • 
Sis

  • The Road Home


Wow. I've actually seen one of these. Photography of Jesus, about photo archive requests, is cute and interesting and well animated. You can watch it here. Better yet, it doesn't outstay its welcome (which is always a plus whether we're talking short or feature length films).

BEST FOREIGN FILM

  • Dogtooth
  • 
I Am Love

  • A Prophet

  • The Secret In Their Eyes

  • Winter’s Bone
An odd mix of last year's Oscar nominees (Prophet, Secrets), a current submission (Dogtooth) and two directorial feats that are strangely mostly discussed only in terms of their fine leading actresses (Love, Bone).

NOT YET ANNOUNCED
The Richard Harris (Outstanding Contribution Award), Variety Award and Special Jury Prize have not yet been announced.

And there you have it. What do you make of all of this?
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