Showing posts with label Battlestar Galactica. Show all posts
Showing posts with label Battlestar Galactica. Show all posts

Tuesday, October 12, 2010

Super Mario Beats It: The Lessons of NYCC 2010

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JA from MNPP here. New York's Comic Con went down this previous weekend in the massive Javits Center here on the island of Manhattan, and if you were there amongst the stacks of dusty Fantastic Four comics and shiny samurai sword replicas and Jason Voorhees masks you might've seen me wandering around in a glassy-eyed stupor. Every Comic Con I've been to breeds the same overstimulated dullness - within a couple of hours my pupils dilate and seeing things like a ten-foot tall Orc tickling Wonder Woman just starts to seem normal. This happens every day! Still, a couple of things stood out this year and I shall now document them.

10 Random Things I Learned at NYCC This Year

01 Girls really like the Silk Spectre costume - Or maybe it's that they know the boys like seeing them in the Silk Spectre costume - either way, I saw about twenty different ladies wearing the slutty bumblebee ensemble from Zach Snyder's adaptation of Alan Moore's seminal comic book. The film hadn't come out yet when the last Comic Con happened here in NYC - in 2009 NYCC happened in February, while they moved it into October for 2010 (a permanent move), and Watchmen came out in March 0f 2009 - so I don't remember seeing the costume last year, but it was literally - literally! - everywhere you turned this time around. Does this make Malin "Baby Girl" Akerman a geek icon?

02 Danny McBride's a trooper - The panel for David Gordon Green's Your Highness was at the geek-freaking hour of 10:30am on Saturday. Keep in mind you've got at least an hour's wait to even get into the building at that hour, plus with the commute there... needless to say it took me some effort to drag my bum there, but I did. Then I heard through the press-vine that McBride & Co. had been partying hard until the wee hours of morning before the panel and I felt a little less super for my own efforts, since I'd been in bed by 11:30. James Franco seemed dazed, but Danny McBride was firing on all cylinders. Funny man.

And the footage they showed from the film, while definitely geared to the Comic Con audience - Natalie Portman's thong! Puppets smoking from a bong! (hey that rhymes) - was every ounce the bizarre mish-mash I could've hoped the film would be. It looks terrific. I don't entirely understand David Gordon Green's directing career, but it's been a pleasure watching it play out so far.

03 Geeks will stand in a very long line to watch a commercial - This is nothing new to Cons, I've seen it at every one I've gone to, but it always baffles me. The fine folks behind the upcoming release of the Alien Anthology, as they call it, had a booth where they'd close you up in a sleeping pod and right up in your face was a TV screen and it'd show a bunch of clips from the four Alien movies with some sound effects echoing in your ears. The end. And yet the line never stretched less than fifty people long! I suppose the T-shirt they gave you that cleverly stated "Want A Hug?" had something to do with it, but still. (I totally did it anyway, and I cherish my T-shirt.)

04 The family that geeks together, is adorable together - I wish my parents had dressed me up like a Jedi or Baby Yoda and taken me to these sorts of things. So I could immediately fall asleep. Damn you, parents!

05 In The Thing, There Be Tentacles - While I'm still unsure about a prequel to John Carpenter's brilliant 1982 film, itself a remake, the trailer for Matthijs van Heijningen Jr's film - which has made its way online in an exceptionally shaky, hand-held version - had a couple of quick glances of their take on the plant-animal alien monster things and they did excite this nerd's senses. Although only glimpsed, they look right, which in this era of lousy CG was a concern. Now let's just hope they can nail the right paranoiac tone needed too.

06 Katee Sackhoff and Tricia Helfer are pros at this - I can only imagine how many of these events these ladies have entertained at this point, but the dynamic Battlestar Galactica duo had the audience eating out of their palms. They have a terrific rapport - they are apparently great friends in real life - and joked that they're waiting for the reboot of Cagney & Lacey to come along to showcase it. I would watch that.


07 But Michelle Forbes is scary - I don't care that she told us she's nothing like Admiral Cain in Battlestar of the maenad MaryAnn on True Blood or [insert the name of every character she's ever played] and that she's really a hippie-type in real life - there's a reason she's successful for playing harsh ladies, and she made me nervous. I had to keep checking to make sure everybody's eyes weren't going all black, because with all due respect the audience at a Battlestar Galactica panel at Comic Con is not the audience I want to be having an orgy with.

08 M Night Shyamalan, amiable dude - I defended M Night for a very long time, well past when most people had bailed ship - I liked The Village, and I liked parts of Lady in the Water - but the one-two punch of that book about him and The Happening (shudder) kind of killed any arguments I could make anymore. So I only sat through half of his panel by happenstance, in order to get a good seat for the panel following him (on AMC's The Walking Dead, which looks epic by the way). But he came off really well! It was for the 10th Anniversary of Unbreakable, a terribly underrated film, and you could tell he really loves the film and that its negative reception put him into a bit of a tailspin. He came alive showcasing the storyboards for the train scene at the start of the film - you can say a lot of things about him, but I don't think you can argue about the meticulous craft on display. And he was fascinating to watch in discussion of that.

09 According to Frank Darabont, Zombies are the new Vampires - Which seems like an odd argument to make, right? The last decade has seen every iteration of zombies you could ever imagine - it's not like they need to make a comeback to be the hip thing. I get that he was selling his Zombie TV Show, and it does look terrific. But isn't it really Frankenstein Monster's time to shine again? I want sexy Frankenstein, dang it. (Yes, SNL got there already.)

10 You haven't lived until you've seen Super Mario dancing to Michael Jackson's "Beat It" - This one is self-explanatory, and true. You might not know it's true. But then you see it happen, and you understand its truth. The fundamental sort.

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Tuesday, July 14, 2009

Care to Make Any EMMY Predictions?

If you're new here and click on the EMMY label below, you'll probably find a thesaurus worth of unpleasant adjectives about TV's own "Oscars". But to save you the trouble of clicking, it goes like this: I don't like them. There, that was short and sweet bitter.

Does another dark Emmy-less fate await Friday Night Lights?
What a great show. Why can't they see that?

The Academy Awards are often chastised for their obvious preferencing: Holocaust dramas, biopics, women who allow themselves to look frumpy ... but at least you can understand where they're coming from and why they go for those things even if you don't agree. Who can explain EMMY's deep love for Two and a Half Men?

When Oscar gets chastised for repeatedly ignoring a brilliant performer or filmmaker, they usually give in and do a kind of makeup 'yeah, we're sorry we ignored your brilliance!' nomination. When Emmy gets chastised for ignoring something awesomely good at what it does they just continue to ignore it (Buffy the Vampire Slayer, Battlestar Galactica, Scrubs, The Wire, Friday Night Lights). So I'm not really hopeful that they'll suddenly grow a brain when the nominations are announced tomorrow but you never know. Occasionally they don't run screaming from true brilliance but fully embrace it (see: Mad Men, 30Rock) which makes their usual dimness all the more puzzling.

I couldn't find any info on "top ten finalists" this year (did they do away with that system? I can't keep track of EMMY's frequent rule changes) but there will be 6 nominees in each of the lead categories.

BEST DRAMA Which six will be named: (previously nominated series in red. winners with asterisks) 24*, Battlestar Galactica (final season), Big Love, Boston Legal (final season), Breaking Bad, The Closer, Damages, Dexter, ER* (final season), Friday Night Lights, Grey's Anatomy, House, In Treatment, Lost*, Mad Men*, The Shield, The Tudors and/or True Blood?

<-- Will host Neil Patrick Harris finally win supporting actor for How I Met Your Mother or will they feel the need to give Entourage's Jeremy Piven a fourth consecutive trophy? They do get stuck in ruts.

BEST COMEDY Which six: (previously nominated series in red. winners with asterisks) 30 Rock*, The Big Bang Theory, Californication, Desperate Housewives, Entourage, Family Guy, Flight of the Conchords, The Office*, How I Met Your Mother, The New Adventures of Old Christine, Parks and Recreation, Samantha Who? (final season), Scrubs, Two and a Half Men, Ugly Betty, The United States of Tara and/or Weeds?

Do you care?

Or are you just waiting for the news of which silver screen actresses will get nominated for their acclaimed detours into pay cable work? I think we can all expect Tara's Toni Collette and Grey Gardens' Drew Barrymore and Jessica Lange to be there on the big night in their red carpet finery, can't we?

Thursday, June 11, 2009

The 13th Link

Arts and Crafts
Underwire Tim Burton gets a MoMA show
<--- IZ Reloaded A "six" puppet. Ohhhh, now I miss Battlestar Galactica. No fair.

More on Up
Filmbo has issues with it (great post title, Filmbo)
By Ken Levine a review of Up. I link to this primarily because I'm always heartened by actual movie/tv industry professionals who believe in the award worthiness of non-traditional awards material. Even if I don't personally think Up is Pixar's best (I already know I'm going to be sad about WALL•E's Best Picture snub for many years), it'd be so swell if people stopped ghettoizing animation.

Randomness
Topless Robot Mickey Rourke as Whiplash in Iron Man 2. Oooh, this is the busiest costume I've seen since the last Britney or Janet concert. Me no likey. Me no likey at all. The movie is already crowded with characters. Don't crowd us further with busy costumes!
Vulture presents the 'Top Ten Greatest Multiple Role Performances'. I hesitated to link. Their entire list is pointless because no way can any such list ignore Miranda Richardson in Spider and have credibility. So decreeth the film bitch.

Miranda Richardson in Spider -- her best work (and that's saying a lot)

Buzz Sugar
Viola Davis to join the cast of The United States of Tara
Some Came Running Adam Lambert and... uh... Rex Reed? oh my
Risky Business Lance Armstrong biopic to pedal forward
Go Fug Yourselves says "mais non!" to French Elle with Scarlett Johansson
Kenneth in the (212) and MSNBC reminisce about John Travolta as Pellham opens

A Stake To Everyone's Hearts Involved!
NY Post Megan Fox in the Buffy The Vampire Slayer reboot? OK. It's now official: I hate her.

Tuesday, April 14, 2009

Thinky Sci-Fi

We haven't had a lot of brainy science fiction at the movies recently. Most science fiction has moved away from the philosophizing headspace to the easy accessibility and fun of the space opera / adventure variety, the Star Wars school if you will. There have been a few attempts to bring it back: Steven Soderbergh's Solaris remake, Danny Boyle's Sunshine (to some degree) and indies like Primer. People don't tend to think of it as sci-fi but Eternal Sunshine of the Spotless Mind also fits into this camp: movies using outlandish and/or futuristic scientific premises to illuminate something about the human condition or tie us up in theoretical knots.

One of the reasons I loved Battlestar Galactica so much during its run (2004-20009... sniffle) is that it lived in an enormous suite in the headier wing of the genre mansion but also kept a couple of rooms in the other, so as not to scare away that sizeable audiences who lives for gunplay and explosions. Loud fireworks work the same action magic whether they're inside an earthbound action movie or light years away between humans and machines.

This is a long way of introducing two recently released indie trailers. The first is the "what if?" implant/romance scenario of TiMER.



I love that the trailer introduces its crazy premise with a coincidental (?) reunion of Buffy the Vampire Slayer's hilarious she-demons Anya (Emma Caulfield) and Halfrek (Kali Rocha), don't you?



The second trailer there is for Moon starring Sam Rockwell. It seems a bit Solaris inspired but maybe that's a simplification (I haven't seen the movie).

I've read from a few sources that Rockwell is just terrific in the movie. But Oscar watchers should probably ignore that buzz. Sci-fi is the last place* awards voters look for acting skill. Even the widespread lengthy brilliance of Battlestar's ensemble resulted in 0 Emmy acting nominations. What they were accomplishing with their ridiculously complex and sometimes alarmingly sneaky characterizations on that show was simply no match for the revolutionary advances in the acting artform taking place over on Law & Order, Grey's Anatomy and Boston Legal [/sarcasm]

*Do awards voters like horror acting slightly more than sci-fi acting? Which is to say 'are they slightly less eager to spit on it?' It's arguable but maybe.

Friday, March 27, 2009

In Links

MNPP loves watching Jane Wyman get hit by a car in Magnificent Obsession
The Bad and the Ugly The Ice Age franchise, never a high brow toon, is now selling dick jokes?
LA Weekly is LA actually the best place now for challenging theatrical musicals?
Low Resolution surveys the week in TV


ModFab gets a sneak peek at Broadway's Spider-Man musical
Film of the Year asks if wider is better as screen imagery goes... (starring 1954's A Star is Born)
Bright Lights Dead Lesbian Society welcomes Watchmen's Silhouette
Scanners great piece on critical consensus and textured individual responses to films
Culture Snob on In Dreams. I had to include it since the Scanners piece also mentions the largely forgotten Neil Jordan/Annette Bening movie. Strange coincidence?
Crazy Days has an interesting post about an Angelina Jolie related lawsuit ~ a charity donation gone wrong. As an official member of the have nots I've never even considered what happens to rich civilians who play those "win a date with a celebrity" auction games for charity. Who knew?

i09 has a good piece on the ways sci-fi fare uses and/or abuses religion. This list/rant was inspired by the series finale of Battlestar Galactica last week. For the record I loved the first 90 minutes or so... especially all the ways they managed to swirl so many past issues into such a tense and chill inducing action climax. The new pre-apocalypse backstory segments were yet another reminder that this show had the best ensemble acting on television. But I could've done without most of the last "new earth" half hour. I never really enjoy long-form explanatory wrap-ups. More than once my mind drifted to the awkward goodbyes of Lord of the Rings: Return of the King. I think I need to always wonder a little bit about what happens to characters I've fallen in love with. If I know, it's easier to fall out of love. It's like you're robbed of a reason to continue thinking about fictional characters if their stories have all been told.

Friday, March 20, 2009

Open Battlestar Galactica Thread

Oh My Gods. It's all coming to an end. For those of you who frakkin' must discuss the finale of Battlestar Galactica (before all of us have seen it. Unfortunately I have to wait), please keep your comments within this thread so as to avoid spoilers elsewhere. Please and thanks.

Link What Yo Mamma Gave Ya

not a movie poster very cool UK poster for Let The Right One In. I'm confused. Does this mean the film hasn't yet opened there?
MNPP declares war on stupid sex-phobic Watchmen articles
Dr. Stan Glick alerts us to a free screening of Korean Oscar submission Secret Sunshine in NYC on March 26th. If you're fond of great actresses don't miss it. The lead performance is pretty damn incredible (she won at Cannes).
The House Next Door a detailed piece on misogyny and feminism in Battlestar Galactica


Deep Focus terrific review of the must see prison picture Hunger
Screengrab talks to Garret Dillahunt about his career upswing. I love him as an actor but there's no way I'm seeing Last House on the Left. If I need my scary Dillahunt I'll just have to wait for The Road to open and see it again (he terrified me and he was barely in it.)
/Film Will Chris Pine be Hal Jordan in The Green Lantern? Seems like a dull choice to me but then I am still haunted by Just My Luck. Unless he's suddenly bursting with heretofore unseen movie star charisma post Star Trek filming...

Hugo Sampling

Though you wouldn't know it from my Knowing and Watchmen reviews (I meant them to be funnier but they're closer to grouchy), recently I've been newly devoted to genre material. Sci-fi and fantasy please. It started with a mad spree of fantasy paperbacks last year (including The Curse of Chalion discussed here) and television's sci-fi block on Friday really ramped it up with that Terminator / Dollhouse / Battlestar cluster-frak. So let's discuss a few nominees for the latest HUGO Awards which were announced yesterday.

Yes Virginia, people are still giving out awards for 2008.

Before we get to the movies here are the Best Novel competitors which one might add to one's kindle, library request or shopping list if one knows how to read.
  • Anathem by Neal Stephenson
  • The Graveyard Book by Neil Gaiman the awesome.
  • Little Brother (download free) by Cory Doctorow. It's post-terrorist attack speculative sci-fi about a 17 year old in San Francisco, now a police state.
  • Saturn's Children by Charles Stross is about a 23rd century femmebot. With no humans left to service (we've been wiped out!) she agrees to a job transporting a mysterious package. I included the cover left because it made me chuckle but also because I have a question for you. The cinema has a long love affair with prostitutes but have you ever noticed that when genre stories approach the world's oldest profession (A.I.: Artificial Intelligence, Blade Runner, Firefly) it's always sort of backgrounded and sexless? Why is that? Here's a review from i09 that makes this sound like a strong satirical sci-fi read. I think I shall try it out. Who's with me?
  • Zoe's Tale by John Scalzi.


Best Dramatic Presentation Long Form
The Dark Knight, which one assumes will win, is up against the year's other critical and populist triumphs: Iron Man and Wall•E. The "one of these things is not like the others" nominee is an audio story collection called METAtropolis which you can download/experience here (Flash required). Galactica groupies should note that two of its men, "Saul" and "Gaeta", are among the voices therein. Finally there's Guillermo Del Toro's Hellboy II: The Golden Army. I never know quite what to make of Del Toro as a filmmaker. He definitely has visual prowess and a "voice" but his storytelling skills can be suspect. So I worry about The Hobbit (2012?) because Peter Jackson wipes the floor with him in terms of "story". Anyway, Hellboy II is a marked improvement over the first. It retains the fun and the color but it's way more coherent.

Best Dramatic Presentation Short Form
I tend to think that the Hugos (and any other awards that split categories this way) have their awards reversed. It's television, not film, that's the "long form" drama. Barring classic old school sitcoms, all of the best television has understood the cumulative potency of slowly unfolding narratives and complex and ever-complicating character arcs. Hollywood has this reversed, too. They really ought to be gravitating towards short stories and novellas for their transfers. Short stories are ideal for cinematic transfers (think Away From Her and Brokeback Mountain) allowing for both fidelity to the source material and the imagination of the new interpreter since they're expected to flesh them out. Hefty novels and comic books really are more suited for serialized television though that's not the way the film and television industries tend to see them. Their eyes can only focus on the green.

So since Battlestar Galactica -- which you can't miss any 45 minutes of lest you be hopelessly confused -- is in "short form" its mid-season finale "Revelations", a total stunner, is a nominee. It's up against two episodes of Doctor Who ("Turn Left" and "Silence in the Library/Forest of the Dead"), one chapter of Lost named "Constant" (I don't watch Lost but a good 50% of my friends are obsessed with it so maybe I've missed out), and Joss Whedon's Dr. Horrible's Sing-Along Blog.

I'm rooting for Battlestar as I tend to but my favorite episode in Season Four might just be "Six of One" rather than "Revelations". But that's like asking if I'd like a cash prize of 10 million dollars or a cash prize of 10,225,000 euros. It's all good. It's all gold.

The full list of Hugo Nominations

PLEASE NOTE: Some of us will not see the Battlestar series finale when it airs tonight so please no spoilers in the comments.
*

Wednesday, March 18, 2009

Hump Day Hottie - Battlestar's Beefcake

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JA from MNPP here, taking on the pick of this week's "Hump Day Hottie" at Nat's request. Whomever will I choose? The wheel spins round and round... okay not really. If you've ever been to MNPP this won't come as a shock - especially over the past few weeks as the show's been coming to a close - but I'm a bit preoccupied with the TV program called Battlestar Galactica. I know that Nat loves the show too, and has even given HDH status to Starbuck from the show before, so it seemed appropriate that here, in these last few hours before the show ends, to give some exploitative props to the men of the show, who've so far gone brutally ignored here at TFE (while I've all but wallpapered the internet with their various body parts for years).


top to bottom: Tahmoh Penikett as Captain Karl 'Helo' Agathon
James Callis as Dr. Gaius Baltar
Jamie Bamber as Captain Lee 'Apollo' Adama
Michael Trucco as Ensign Samuel Anders

These are of course just four of the show's fellows... I coulda shoulda given some love to Chief or Hot Dog or Gaeta (I know a lot of people love Felix... I am not one of those people) or Tigh (poor grizzled hateful Tigh) or even Adama (he makes President Roslin's eyes light up), too... alas, the constraints of time and space and my own brittle patience were too great...


So, you see, besides all that intelligent junk about reflecting the world we live in now back at us through the prism of science fiction and what-not and what-have-you, BSG also succeeds as a veritable smorgasbord of hot asses. Hooray! Everybody wins. God I will miss this damn show!

ETA I forgot Callum Keith Rennie as Leoben,
and that cannot stand. Hot.


But finally, I must dedicate this post
to my dear beloved boy Billy...


Billy!!!!
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Sunday, March 1, 2009

Thoughts on Dollhouse 1.2 and 1.3

<-- "Faith" Doll. Get it? We're subtle.

You know that geeky t-shirt that was popular some years ago "Joss Whedon is My Master Now"? I should have bought one at the time. We're now 3 episodes into Whedon's latest Dollhouse and even though I'm still not so sure about it I get excited each time. Dollhouse isn't close to the best thing on TV (For me Mad Men and Battlestar Galactica fight for that honor with Friday Night Lights and 30 Rock as honorable mentions) but I'm into it for better and worse. Hopefully for better.


[spoilers to follow, obviously]

Episode 1.2 "The Target"
I'm already learning to divide Dollhouse into its A, B and C plots: A is the "imprint" assignment - i.e. Echo (Eliza Dushku) gets new memories and personality so she can serve as someone's dreamgirl / muscle / somesuch; B is the "series mythology" thread (also known as "the best part") wherein they complicate the back story; C is the "externals", or, whatever Helo from Battlestar Galactica (Tamoh Penikett) is up to as the investigating Agent Ballard. He's trying to bring the mythical "Dollhouse" down. It's not exactly a legal or ethical institution. I hope actors aren't the only thing that Joss Whedon ends up borrowing from BSG as Dollhouse continues but more on that in a bit.

A. Echo's latest client Richard would like an outdoors adventure with her but he isn't sure about the "truth" that Dollhouse CEO (Olivia Williams) is promising in regards to Echo.
I've been with a lot of women. It's not bragging, it's just what you might call 'truth.''
Since this character looks exactly like Matt Keeslar, we believe this. But since this character looks exactly like Matt Keeslar one wishes he would have added "a lot of women... and men". Keeslar has already gone to bed with Jonathon Schaech and Dan Futterman onscreen.

Anyway, excuse those 90s fantasies... Echo is the Dollhouse's most prized girl but her assignments always go terribly wrong. One would hate to see how lousy the other dolls are at their jobs if Echo constitutes "the best". The trouble (this time) is, Richard/Matt is a psycho. He's the love 'em and leave kill 'em sort. After a particularly steamy hunting scene -- the things they get away with on television now! Not that I'm complaining when it's Eliza & Matt doing the groping, sweating and talking about blowjobs -- Matt jumps up from their tent of coital bliss and tells his pricey doll that he's giving her a 5 minute head start and then he's going to hunt and kill her. This is a totally creepy scene because...

  1. Angel faced Keeslar is suddenly revealed as a sick f***
  2. This brings up all those icky memories of what happens to people who have sex in the woods in slasher movies. Hint: double penetration.
  3. It also reminds us that Echo is basically a very very expensive prostitute (we're two episodes in and this is, you guessed it!, the second time she's been comissioned as a fantasy lay)...
  4. Which brings up the uncomfortable issue to trump all uncomfortable issues. Can Echo, who is never herself but an imprint of other personalities and behaviors, truly give consent? Some critics are calling these assignments rape fantasies. Yuck. (Whole debate going on about this over at the IMDB)
Joss Whedon has gone on record before about the problems he has with misogyny in the horror genre but some parts of this episode felt uncomfortably close to being a part of the problem without enough distance to comment on it. I'm not sure. Perhaps the horror fans among you would have a sharper perspective? I probably don't need to tell you that Echo survives this assignment. Her client does not. She ends him in rather pointy fashion after he nearly strangles her to death. Which brings us to the B thread.

As Echo nears death, she sees her other selves. Uh oh, she's "compositing"!

Crosscut throughout this A horror plot is a B horror mystery (also of the psycho killer variety) about the previous best doll (they call him "Alpha") who "composited" and promptly slashed several people around him into little bits. He left Echo alive, shivering naked in the Dollhouse showers, surrounded by the other dolls he wasn't as merciful with. Grisly. Nobody knows why he spared her. But what this basically tells the viewer is that there are all sorts of problems with the "imprinting" technology and maybe those memory wipes don't work so well. Echo does her own compositing in this episode. Whenever she nears death she starts seeing previous versions of herself. The A and B stories are well integrated mirrors in this episode and I'm assuming the best episodes will have this organic reflective compatibility. Cross your fingers.

C story: The FBI Agent hits more dead ends but someone ("Alpha" is my early guess) sends him a photo of Echo with a "keep looking" scribble.

Kind of a sick episode but a goodie: B+

Episode 1.3 "Stage Fright"
A plot: A Britney style popstar has a deranged fan. Echo is sent in as back-up singer / bodyguard. The opening musical number suggests we'll be getting lots of boob shaking and ass shimmying action from Eliza (score!) once she joins the act but that's mostly left to the guest star Jaime Lee Kirchner as the pop star in jeopardy. The writers do have a bit of meta fun with the notion that they suspect you're watching this show for Eliza's rack and general bootyliciousness, though. And aren't you? I am (partially). Eliza sings in this episode. It's too bad Joss didn't somehow work her into the classic Buffy episode "Once More With Feeling". The A story has some really rough acting in all corners though --do they only do one take?

B and C story: We don't get as much plot from the B story this time -- it's mostly well-played / scripted handwringing between the various Dollhouse staff members about what to do about Echo. She seems to be acting slightly outside her persona/parameter programming with increasing regularity. The nifty thing about this episode is that the B & C stories collide. Agent Ballard's one lead to the secret organization, a lowlife criminal named "Victor" (they're both pictured to your left), had seemed like an expendable minor character in the first two episodes. He's revealed to be an actual doll here in a great "gotcha" edit, wherein he steals Echo's signature post memory wipe line "Did I fall asleep?". Agent Ballard has been hitting dead ends for a reason. C

One of the things that Dollhouse seems to be lacking in its first few episodes is a sense of real threat. Battlestar Galactica, the current high water mark for genre shows, has this in spades. Each episode has a dizzying sense of "anything could happen" danger that is rare on television where the long term nature of the artform generally prevents shocking plot twists and characters dying unexpectedly or turning against each other in irreparable ways. I hope Whedon steals some of BSG's writing staff now that that show is wrapping.

We don't have a lot to go on yet but Dollhouse's "assignments" have ranged from mediocre (1.1) to scary (1.2) to campy (1.3) but there's not enough paranoia and dread laced through each episode to represent what is essentially a very sinister and ethically meaty premise. In its best moments it glances in the general direction of the sinister. The third episode ends with an absolutely terrific final shot of Echo walking through the Dollhouse. We've seen the choreography of this shot before but this time its twisted just enough to raise the hairs. It looks the same as every other walk we've seen her take in her memory wiped state, but something is different. With a minor wary sideways glance to a handler who thinks Echo should be "sent to the attic" (he doesn't see this and she shouldn't know he's a threat to her) followed by a barely visible head shake (as if in warning) to another doll passing by, you have to wonder...


How much of her now familiar childlike persona is a put on? How much does Echo really know? It's the best and most intriguing note of the series yet capping its worst episode. Fancy that.
*

Tuesday, February 17, 2009

Doll House and Dollhouse

I am obsessive by nature but somehow I never caught the collecting memorabilia bug. I have none and I rarely get excited about something unless it's super personal -- like the water bottle a friend of mine snatched after a Julianne Moore function. Her lips had touched it! I swear I did not ask my friend to do this -don't judge! -- so I have no idea why I'm suddenly all into the idea of owning one of a kind sculpted movie dolls or how long this sudden urge will last but...

How great are these Rosemary's Baby dolls?

They're made by sculptor/actress Alesia Newman-Breen. (Here's her blog) At this moment I feel like I would give up several gallons of plasma or perhaps donate my whole body to science to have one of Michelle Pfeiffer as Susie Diamond or Julianne Moore as Carol White in [safe] (That'd transfer so spookily well to doll form, wouldn't it? Especially if it came with the right accessories). I mean, look at how incredible these movie dolls are! And they're so actressexual friendly, too. Famous femmes in indelible roles. Yes, please. More.

Dolls have been on my brain what with the premiere of Joss Whedon's Dollhouse last Friday still imprinting in my susceptible bad girl lovin' brain. Did you watch it?

[spoilers follow]

The first few minutes of Dollhouse take place between a dishevelled Eliza Dushku ("Echo" our heroine) and a suspiciously helpful business type Olivia Williams. They're discussing Echo's actions, their consequences and possible solutions. It plays out somewhat like that 'become a super assassin and leave life in prison or death sentence behind' establishing scenes in Point of No Return / La Femme Nikita only far less specific. This Someone is signing Something to escape Someone or Something. Actions, consequences and solutions? 100% vague. They're so vague, in fact, that one might be forgiven for assuming that Whedon and Co stuffed the dialogue full of as many pronouns and generalities as possible. All the better to make it up as they go along if the show takes off. 'Save some space for cool ideas, fellas. We love deepening mythologies in the Whedonverse!'

Cut to a motorcycle chase wherein Echo takes a spill and then nonsensically dumps her helmet -- the same helmet that undoubtedly just prevented a concussion. Little known fact: Famous actors are exempt from helmet laws because if it's just some random person on a bike we're flipping the channel. Seems Echo is on some sort of Ultimate Date Night for Badasses. She calls her boyfriend a "bitch" after he wins the bike race and then demands that they dance. Whedon knows his target audience (i.e. Faith the vampire slayer lovers!) and for a brief blissful moment once Eliza starts shaking it, it's like watching "Bad Girls" again, one of the best episodes of Buffy the Vampire Slayer. Ever. [Hint: All episodes involving Faith are 'one of the best episodes of Buffy. Ever.' Remember this. It will serve you well. Season 3 people, season 3]

Eliza working it out

Anyway, her bitch boy gives her a necklace which trips some switch in her. Is she a robot? No, she just mental. She's got subliminal programming and she's back to the "Dollhouse" which she seems to think is a spa. Her "treatments" involve memory wipes... but unlike the concept in Eternal Sunshine of the Spotless Mind these aren't true memory wipes but fake memory wipes. We realize that this date was paid for and the bad girl persona was not Echo's own, but an "imprint" to please her client. Once she's wrapped an assignment, the current personality and memories are wiped and she's personality free and ready for the next imprinted personality to be determined by the next rich client. In other words, this is sort of like Fantasy Island with a Machiavellian twist. The island workers serving up the fantasies don't know who they are or that they're role playing.

Since it's a Whedon show it's all about tough sexy women (Echo), nerdy and possibly evil computer geeks (this guy to your left here) and older stuffier handlers (this other guy to the far left) who try to keep aforementioned tough sexy women safe and in check. Sound familiar? But I overstate. These are just surface 'type' similarities. Dollhouse doesn't feel a lot like Buffy or Whedon's other shows. TV shows, the best ones at least, often take several episodes to find their true personality. There's a lot of groundwork being laid down. One senses the show might experiment with a few personas before it settles for one imprint.

After all this setup we enter into this particular episode's A story, a unthrilling crime drama about a rich man's kidnapped daughter. Echo is sent in with a new imprint (she's a hostage negotiator) and she dresses like a sexy librarian who would immediately be stripping if this were a music video. But -- and I hope the showrunners get a handle on this right away -- the A plot is not really what's important. All the interesting bits involve either a) the behinds the scenes machinations, b) the organic problems inherent in the doll's programming (Echo's latest imprinted personality comes with child abuse memories) and c) the dolls going a little wonky if they get confused. Don't confront them with any questions about their real selves since they don't actually know that they aren't who they're mentally programmed to be! Got that?


It's a little head spinning. Dollhouse could probably use a beginning pre-credit sequence like Buffy had in the first season that narrows down the concept in a sound byte for the casual viewer.

Acting wise this show might be a challenge for those cast as dolls. Only Eliza gets much air time in the premiere episode (smart move) though we see several other gorgeous men and women milling about in this luxurious spa atmosphere. There's a few witty overhead shots that do make them look like tiny figurines in a, well, doll house. One imagines that the other dolls Echo lives with in personality-free splendor will become involved quickly. Whedon has never met a show concept he couldn't rapidly populate -- Ensembles are his thing even when the concept hinges on a solitary hero / "chosen one". Sometimes Dushku pulls off the personality switching that this new concept show requires. The opening scene she handles superbly (playing to her time tested strengths) and I love the way she lets that party persona bleed over into her dazed but not confused stroll back to her handler. One sees that she doesn't quite know why she's doing it but she's okay with that -- her devil may care nature doesn't sweat the small stuff. As an actress she also seems to be having a spot of fun with the stereotyped edges of her uptight negotiator role. Dushku has a tougher time in the post memory wipe personality free stage. I assume the dolls are supposed to read like eery blank slates but Echo seems uncomfortably close to, well, stoopid.

But if we learned anything watching Eliza Dushku on Buffy it's that she improves rapidly as an actor. And if we learned anything watching Joss Whedon's past three series it's that they improve rapidly once the creative teams are done "setting the stage" or perhaps finding their nerve/voice. For a first episode I'd give it a B but I think the concept is at least an A-. We don't get a lot on Ms. Williams (is she truly evil or merely an amoral businesswoman?) or the investigator trying to find the Dollhouse (Battlestar Galactica's Tahmoh Penikett). We meet him when he's all sweaty, shirtless and boxing presumably because, again, Joss knows his audiences.

If the Dollhouse team can figure out a way to keep the stand-alone assignment plots reflecting back at the overarching mysteries of this organization while also finding clever ways to play the emotional arcs of personality-free dolls (one hopes that they start to crack!) it could really be something. Stay tuned.

P.S. This is never going to be the TV Experience but for when I really feel like talking about something. That said do you like the idea of weekly coverage of Dollhouse?

Friday, January 23, 2009

And The Link Goes To...

Oscar Stuff
Movie City News collects some nominee reaction quotes
Carpetbagger looks at the green (box office) of the gold (nominees)
Nashville Film Festival "I was Slumdog when Slumdog wasn't cool"
AWFJ thinks the two best female performances weren't nominated at all
In Contention Tapley thinks that The Reader's nomination is a tragedy and that the movie is pornographic. Who knew that he'd never seen a porno before? ;)


In Contention also shares a typical egotist quote from Harvey Weinstein. He's aiming for a win for The Reader. We all know it won't but the clever strategy thing about this sort of 'we can beat Slumdog!' cock waving is that it really does damage Slumdog Millionaire which Fox Searchlight has always been positioning as the "little film that could" In order to maintain its scrappy underdog charms they need the illusion that it's not the 300 pound gorilla of Oscar season. Which it is. Anyone think its vulnerable at all?
Time on the Best Actor race. Preference: Penn
Welcome to LA on those 2 nominations for Wanted
The Playlist on the web reactions to The Dark Knight snub including some homophobic ones of course (figures since Milk made it. How would the world spin without scapegoats?). Sigh. Would that moviegoers understand the history of Oscar better. Eight nominations is A LOT. I realize it's not in best picture but that is a huge haul as movies go. I keep hearing words like "shut out" which is a laughable description of what happened. 8 nominations is a ringing endorsement. Only Best Pictures and just-miss Best Picture hopefuls ever reach nominations numbers that high.

Off Oscar (in case you need the break. you need the break)
Low Resolution makes a funny with Pfeiff
Fabulon "art appreciation with Julianne Moore"
Lazy Eye Theater come back Billy Bob!
Club Silencio picks its five favorite films of 2008. There's only 3 Oscar noms among them
i09 on the Watchmen's rape scene. I really loved the remake of Dawn of the Dead but after 300 I do not trust the base panderings of this Zach Snyder fellow
Coosa Creek Cinema a review of Gran Torino that actually helped me understand why people love the movie

Off Cinema altogether. (Whaaaa?)
<-- two badass blonde chicks 2 love: P¡nk & Katee Sackhoff

The Post Game Show 80s pop music vs. 00s pop music. Funny
Braniac shares conservative anger (and sour grapes) over Starbuck and Battlestar Galactica. Apparently women should only be birthin' babies! Ugh. Serious question: How do such rabidly anti-woman right-wingers end up finding women to marry and impregnate, anyway?

Saturday, January 17, 2009

Linking at Windmills

Deep Focus I love this review of Benjamin Button
Burbanked Comparative Celebrities: Paul Walker & Chris Evans
The Bad and Ugly Emily Blunt as The Black Widow in Iron Man 2? I love this idea
Reverse Shot 11 movie offenses of 2008. Your favorites will be skewered. Super bitchy but there are some really choice one liners.
Welcome to LA on Wyeth's passing --what, no opening scene from In the Bedroom :(
MNPP 'do dump or marry?' the Defiance kin edition


The Big Picture shameless. Hollywood, swimming in money, is shutting down the Motion Picture Home
Cinematical on the Coco Chanel biopic with Audrey Tatou
Just Jared new Grey Gardens still
Underwire the women of Galactica
/Film Terry Gilliam back to work on Don Quixote (the disastrous production chronicled in that Lost in La Mancha documentary)? My gods but that project will be the death of him

Wednesday, January 7, 2009

Get Off My Link

Goatdog a top ten list. But not the kind you usually get. Top ten rentals. I love this list
Word Smoker a sharp 'five second review' of Let the Right One In
In Contention the makeup finalists for Oscar. I think this is the first year where they can't embarrass themselves with their final nominees. These are all good choices.
The Flick Filosopher "the merely very good movies of 2008"
Cinema Styles talks about the Supporting and Lead categorizations and what they mean in terms of Protagonist/Antagonist. Interesting stuff and not as strident as I get ;)


Stop Smiling looks back at their year of film reviewing
Welcome to LA the joy in revisiting Bonnie & Clyde. Mmmmmm, Bonnie & Clyde.
NY Post Josh Brolin at the NYFCC awards... drunk
Antagony on the OFCS nominations
The Hot Blog Poland's top ten (with a fun hat tip to Mamma Mia! -- no, really)
Lazy Eye Theater the 20 Actress meme continues... only this time with redheads
ModFab geeks out over the forthcoming Caprica series (Battlestar Galactica prequel of sorts)