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Thought provoking too, sure, in its voyeuristic way but I mention the funny because too few people in museums ever laugh. Another piece in the exhibit lampoons the E! True Hollywood Story pretending great typical rise-and-fall fame for Francesco Vezzoli following that nifty Trailer for the Remake of Caligula in which he convinced Gerard Butler, Helen Mirren, Milla Jovovich, Courtney Love and more to star. His E! prank follows all of the beats of those shallow infotainment documentaries so well that anyone who sat next to me in the room didn't get that it was a spoof. (I saw the ending three times -- trying to let friends catch up) and both times when it ended conversations were along the lines of "I have never heard of this guy. He's famous?" or "Did he really die?" Before you think this is a Nathaniel feeling superior moment I assure you it was more along the lines of confusion. The exhibit is called "Illusion, Reality and the Moving Image" and every piece is about how the presented real is never real. I really think misunderstandings arise because people don't expect humor when they go to see "Art". Certainly not humor that pairs Dame Helen Mirren, gay porn, Dietrich, biopic cliché and infotainment specials.
Peter Finch is 'mad as hell' in his Oscar winning roleIn his time Howard Beale had been a mandarin of television. The grand old man of news with a hot rating of 16 and a 28 audience share. In 1969 however his fortunes began to decline. He fell to a 22 share. The following year his wife died and he was left a childless widower with an 8 rating and a 12 share.
That calm voiceover, giving numbers as much if not more weight as the man's personal life, has already begun the chilling process of reduction. It's overtly reminiscent of both All About Eve's arch view of the theater world and Sunset Boulevard's ghost-eye view of Hollywood. Network’s target is television. Is it boldly proclaiming itself the final third of the Holy Trinity of Self-Loathing Showbiz Pictures? Whatever the intent, it moves with utter confidence, thereby forcing itself into the godhead.
By far the most popular, and arguably revolutionary, of this trilogy is Bonnie and Clyde (1967). The beauty and charisma of its leads, the great ensemble acting, the sass and violence, all make for a rollicking good time with an overtone of serious issues. However fictionalized, this was based on events that actually took place. Hovering around the periphery is the constant reminder that these were hard times; people had lost everything and were just trying to get by. Robbing banks may have been a fun and easy way to get money, but most of those banks were near empty. The famous scene where Bonnie reunites with her elderly grandmother, on a windswept hilltop, is striking for summing up the era in a few short minutes with the eyes of an old woman who has seen it all.
I'm in a horrid mood so rather than bore you with whiny details, I thought I'd force a new silly meme into the blogosphere. I'm pushy and community-oriented like that. Enough with the book memes, ipod shuffles, and god knows what else. MOVIES! I'm tagging the following ten humanoids to answer this bakers dozen of movie-related questions on their own blogs.
Arden, JA, Catherine, Jeffrey, Nick, Javier, Glenn, Rob, Nova, and RC
After which they should tag at least 3 more people to answer it. 
I'm in a horrid mood so rather than bore you with whiny details, I thought I'd force a new silly meme into the blogosphere. I'm pushy and community-oriented like that. Enough with the book memes, ipod shuffles, and god knows what else. MOVIES! I'm tagging the following ten humanoids to answer this bakers dozen of movie-related questions on their own blogs.
Arden, JA, Catherine, Jeffrey, Nick, Javier, Glenn, Rob, Nova, and RC
After which they should tag at least 3 more people to answer it.
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