Showing posts with label W.E.. Show all posts
Showing posts with label W.E.. Show all posts

Sunday, September 19, 2010

10th Anniversary: MUSIC

Ten years ago today, Madonna's Music (2000), one of her very best records, dropped into record stores. Director Guy Ritchie, to your left, was then her new man. He was advertising -- the record I mean! See the "Music" logo on his tanktop? Ever the selfless altruist, Madonna wore a black t-shirt promoting his project, Snatch (2000) which had opened the month before in the UK and was soon going to the US. It would become his biggest hit. Until Sherlock Holmes (2009) that is.

But back to 2000. Ah, the heady days of early romance. She had given birth to Rocco, her only biological child with Guy, the month before. They were married by December.

Madonna was of course, no stranger to loving alpha male movie men since actor/directors Sean Penn and Warren Beatty preceded Guy. Famously, she's now entered their realm. Paparazzi are basically snapping Madonna daily now while she films W.E. (2011) starring Abbie Cornish (see previous post). There must be a lot of outdoor shots. I suspect she wanted to do this much earlier than her first feature Filth & Wisdom (2008) -- I remember her discussing it back in the early 90s when she was still trying to become a film star and mentioned how much she loved Sally Potter's Orlando! It's curious that she didn't start with her own music videos. That career path has no stigma anymore given how many hipster cinematic giants have transferred over from music videos: David Fincher, Mark Romanek, Michel Gondry, Spike Jonze etcetera...

The videos (and movie connections) in order of release.

Music

Is you Madonna? You babylons look less big than they do on the telly but I still definitely would.
With this video, directed by Ray of Light man Jonas Åkerlund, Madge introduced Americans to Sacha Baron Cohen before HBO's Da Ali G Show and Borat and Brüno.

The actress Debi Mazar makes her fifth Madonna video appearance. They've been friends since they were both hitting dance clubs in the early 80s (before the Fame hit). To your left is a private pic of them from Fire Island which Debi showed Wendy Williams. It's around the Dick Tracy time period since they were flying there in a private plan with Warren Beatty. Lifestyles of the rich and famous, you know.

Don't Tell Me



This one comes from frequently collaborator Jean-Baptiste Mondino. It was a huge success worldwide and parodied by Kirsten Dunst and Jimmy Fallon at the MTV Movie Awards. The costumes are by DSquared and Oscar nominee Arianne Phillips. Phillips is also a frequent Madonna collaborator and is working on W.E.. There was a fascinating interview with her in the New York Times when she was promoting A Single Man (2009) that you should read if you haven't. Phillips has only been nominated for one Oscar (Walk the Line) but her filmography includes costuming gems like The People Vs. Larry Flynt, Hedwig and the Angry Inch, 3:10 to Yuma, Tank Girl and The Crow. Oscar's costuming branch doesn't regularly have an eye for iconic contemporary or genre wear, preferring superbly executed period pieces for the bulk of their nominations and especially their wins.

What It Feels Like For a Girl



The third and last official single was directed by Guy Ritchie and banned on MTV for violence. Not that banning on MTV meant anything by this time since they weren't really showing videos. But the song largely tanked, ending the singles release from Music.

The spoken word portion is by singer/actress Charlotte Gainsbourg from this scene in the film The Cement Garden (1993). As you know I thought she was pretty fantastic as the Bob Dylan-proxy's abandoned wife in I'm Not There's (2007). Other people went nuts for her recent turn in Antichrist.

American Pie



This is not an official song from Music but is on some of the CDs depending on the country. It's from the soundtrack to The Next Best Thing (2000) which is why you get then Madonna BFF Rupert Everett himself -- Sean Penn introduced them when Penn had just started dating her -- on back-up vocals and dancing with Madonna toward the tail end. They were very tight and though Rupert claimed in a revealing and typically prickly interview (he can be such a handful) that they're friends again, most sources say they she did not react well at all -- in a permanent way -- to his book in which he claimed that she dropped gay friends due to Guy Ritchie's homophobia.

I've only ever read Rupert's first book Hello Darling Are You Working? Has anyone read the one that caused the rift? If you own Music are you about to put it in for a 10th anniversary spin? [tangent: I'll use it today for workout soundtrack. I've finally gotten back to the gym. But I can't be proud of it until it becomes an actual habit rather than a once a quarter "maybe this time" delusion.]

Speaking of the now... Rupert Everett will be back in cinema's next month opposite Bill Nighy and Emily Blunt in Wild Target. But wouldn't his brutal Brit wit be a perfect fit for the Sherlock Holmes franchise in some capacity? Ah well, something tells me Guy Ritchie won't be casting him any time soon. The untitled sequel starts shooting next month (?) with Noomi Rapace and Daniel Day-Lewis joining RDJ & Jude. The Guy Ritchie film will be opening for Christmas 2011. No word yet on when his ex-wife's movie will arrive.

Put the tunes in your headphones for an anniversary spin.




*

Monday, August 2, 2010

Royal Shooting.

Jose here.

I've always wondered if Madonna shouts "Vogue!" instead of "action" when she's directing.

And you can't blame me!
<--This picture of hers, as she began shooting W.E last week in London, totally screams "strike a pose" huh?
We have discussed this movie before but in case you need a quick pick up, the film centers on the affair between American socialite Wallis Simpson and King Edward VIII.
Yet instead of going for a straightforward biopic thing, the Queen went for a Julie and Julia twist in which a modern woman (played by Abbie Cornish) looks for inspiration in the royal scandal to help her decide between two men in her life (one of them being the constantly interesting Oscar Isaac).

The biggest change in the movie was the news that Vera Farmiga, who was set to play Wallis, dropped out due to her pregnancy.
But never one to wait for anyone (time goes by so slowly for those who wait...) Madge went ahead and cast a practically unknown actress by the name of Andrea Riseborough.

After thinking how weird this casting was, I actually took a moment to look Andrea up and lo and behold,


Andrea and Wallis

At least we have the looks alright!
Andrea has won a BAFTA TV award, two Ian Charleson awards and has appeared in small parts in movies like Happy-Go-Lucky and Venus (where she played a character merely listed as "actress") this could be her big movie break. She will also appear in the film adaptation of Never Let Me Go later this year.

Whether you like her or not, it can't be said that Madonna doesn't have drive. The film will feature costumes by John Galliano, a screenplay by Alek Keshishian who directed Truth or Dare (Madge's best film) and who obviously has a keen eye for exploring the most intimate moments in a celebrity's life.
If anything in W.E. slightly recalls the magic between Madge and Warren Beatty for example, we're going to be onto something here...

Dear UK readers, should we be excited about Andrea in this movie? Is she a worthy replacement for Farmiga?
Is anyone else actually excited about this movie? Or am I alone in this?

Wednesday, July 7, 2010

Down in Fraggle Link

the classics
The Film Doctor '10 things I learned about Breakfast at Tiffany's...'
Birth of a Notion well, well. Batman's Boy Wonder just turned 65. Who knew?
Okinawa thinks Olivia de Havilland's Melanie is a badass in Gone With the Wind.


of the moment

popbytes True story of my Lady Gaga moment in the supermarket today. Plus news on Madonna's second feature W.E.
The Big Picture Inception backlash coming in 3...2...1...
AV Club strangest news of week: Rob Lowe may be buying Miramax to become 'the next Harvey Weinstein.'
Film Business Asia The Golden Horse Awards have added a "new director" prize for the next generation of Asian filmmakers.
Empire Captain America Chris Evans talks about his costume for Captain America
"I think everyone that’s going to see it is going to say, 'Okay, well done. Well done. I think they got the costume right. The casting they completely ruined, but the costume they nailed!'"
You gotta love self deprecating celebrities.

Movie Dearest I love reading about bizarre off cinema projects from cinema faces. Seems that god fearing Esmeralda from Edward Scissorhands (aka actress O-Lan Jones) is directing an complex possibly travelling opera.
I Need My Fix Lindsay Lohan sentenced to jail time. Incidentally in case you were worried. That porn biopic is going to wait for her release. That's loyalty!
Topless Robot True Story: Watching The Twilight Saga: Eclipse can kill you. Oh my god how depressing. Can you imagine if that's the last movie you were ever able to see?
Pop Hangover's Celebrity Headswap. These images are disturbing BUT for the first time ever a Twilight image made me want to see a Twilight movie. Kristen Stewart androgynized? Way sexier.
Collider Tree of Life gets an MPAA rating but distribution still looks shaky to me.

You Bent My Wookie has a lengthy interview up with the director of the upcoming Fraggle Rock movie. Seems the Weinsteins are giving him trouble. Quelle surprise. I have no special affection for Fraggle Rock (not that familiar) but I do love puppets and his heart seems to be in the right place
...time and again, I will run into people – and I’m talking about anyone from a fan boy sitting at a coffee shop to someone in the industry – everyone seems to long for an analog performance, a live performance, a real performance.

I loved Avatar, and I love what Andy Serkis does with motion capture as Gollum. There’s magic there, too. But I know that people have a hunger for tactile characters right now. I think the pendulum is swinging in a direction where people want to know they’re watching something real on camera, something that they can reach out and touch.

Though I would love desperately for this to be true, as I too miss tangible things and I love in camera effects and such, but I'm pessimistic that it actually is. CGI has conquered.

Wednesday, April 7, 2010

Sticky & W.E.

Jose here.

I was watching the Sticky & Sweet Tour DVD the other day (it came out this week in almost every country and it's soooooo good, even the live album thing works this time, so go buy it!) and couldn't help but think how unfair we are to Madonna when it comes to movies.

For all I know, that tour is every bit as epic as Avatar, so bear with me and hold that thought as I enter the controversial thing that is W.E.

Madge's second try at the director's chair will have her tell the story of American socialite Wallis Simpson and her involvement with King Edward VIII of the United Kingdom, as we all know.

What the movie will be like is still unclear, first she was starring in it, then she handed Wallis to Vera Farmiga (causing an outrage about how the Oscar nominee would lose her "cred" if she worked with Madge), later she cast Abbie Cornish as well (as I understand it, Cornish will be the Julie to Farmiga's Julia), then Ewan McGregor came on board and now Madge has cast none other than her daughter Lourdes...



...(here in all her Taylor Momsen in Gossip Girl glory) who will be playing a mystery part. After taking her daughter everywhere and even have her appear in her latest music video, it's obvious that Madge is trying to take her daughter places.

This move made people react viciously again (how can you be so mean to those two?) who cried "nepotism" at the first mention of little Lola.

My question now is, why?

Being a Madonna fan and all I still have trouble understanding why did she get on people's bad graces so much? Like Nicole Kidman, she rarely can do good for the media. I am actually very critical of her but I don't think we're being fair to W.E.

Wisdom and Filth wasn't a tragedy, if not a masterpiece it showed us that Madge loves what she does and I wonder why have people began to wish this project bad from the beginning instead of at least wondering what Cornish, Farmiga and McGregor can bring to it.

Why is W.E. a joke and not an awards contender?