Showing posts with label Showgirls. Show all posts
Showing posts with label Showgirls. Show all posts

Tuesday, September 28, 2010

Top Ten: NC-17 Box Office Champs

Robert here. Did you know that yesterday was the twenty year anniversary of the NC-17 rating?  That tag, applied to the most controversial of films, has developed the most controversial reputation itself, with artists and advocates complaining that it's implemented unevenly and scares away theaters an rental providers.  We're going to leave all that be for now and instead celebrate the ten films that, despite or because of their NC-17 reputations, lead the pack.  Here are the top ten money-making NC-17 films.

10. Wide Sargasso Sea (1993) $1,614,784
Rated NC-17 for strong, explicit sexuality
Does this one not sound familiar to you?  Released early on in the rating's lifetime, speculation is that while there's plenty of sex, it was the full-frontal male nudity that pushed the MPAA rating's board over the edge, probably the sort of thing that would easily get an R today (but you never know).  NC-17 films were relatively rare early on (not that they're plentiful today) and the rating's promise of scandalous titillation added interest to this film that history has forgotten.

9. Bad Lieutenant (1992) $2,000,022
Rated NC-17 for sexual violence, strong sexual situations & dialogue, graphic drug use.
While most of the films on this list can attribute their rating almost entirely to violence or sexual content, Bad Lieutenant serves up a healthy helping of other material as well, specifically it's prolonged scenes of drug use.


Not that the rape of a nun and Harvey Keitel's almost legendary full nude scene are things to scoff at (and we may wonder if the drug use alone would have earned an NC-17).  The film's sacrilegiously controversial reputation undoubtedly has helped boost it's earnings (the quality product behind the hype doesn't hurt either) and continues to buoy the film's position as a cult classic.

8. Crash (1996) $2,038,450
Rated NC-17 for numerous explicit sex scenes.
Sex and car crashes.  Crash is a film which, fifteen years later, still divides audiences and still provokes shock.  It's a testament to Cronenberg's skill and bravery as a director that he can delve head-first into such unspoken fetishes and ending up with a film that many still consider a masterpiece.  As is always the case, the NC-17 film was both a boost and a hindrance, allowing producers to slap the tagline "The Most Controversial Film in Years" on the film while simultaneously cutting an R-rated version for more sensible tastes.

7. The Dreamers (2004) $2,532,228
Rated NC-17 for explicit sexual content
It's fitting that Bertolucci grabs a spot on this list, as his work has always advanced the cause of intelligent erotica.  The trick here, as it always has been, is giving you passionate sex and nubile bodies (in this case Louis Garrell, Eva Green and Michael Pitt) to gaze at packaged in a manner that makes you wish you hadn't been turned on.  In the case of The Dreamers, we're presented with an incestuous love triangle with enough full frontal that the eventual rating couldn't have shocked anyone.  Cinema lovers can enjoy the classic cinema homages.  Francophiles can drool over the setting of 1968 Paris.

6. Tie Me Up! Tie Me Down! (1990) $4,087,361
Rated NC-17 for scene of strong adult sensuality with nudity.
With a title that promised Sado-masochistic treats and s director coming off his biggest hit to date Tie Me Up! Tie Me Down! boosted Pedro Almodovar's reputation as a chronicler of obsession and sexuality to the point where now we expect content for Almodovar that borders on the NC-17 line.  The film itself is the most delightful dark romp present on this list.


5. Lust, Caution (2007) $4,604,982
Rated NC-17 for some explicit sexuality.
Ang Lee's follow up to his Oscar win is a great example of how a distinct confluence of events can temper the NC-17 boogey man.  Combine a high profile director, and independent release and a sex scene so essential to the film, that to cut it would be disrespectful to said high profile director, and you've got uncensored success.

A brief aside about the bizzare marketing that accompanies NC-17 films.  The censored Lust, Caution DVD made for rental chain shelves, promises "the R rated film, not seen in theaters" and if you didn't know that was a downgrade, you'd assume, as I imagine is the point, that you're getting added kinkiness.

4. Bad Education (2004) $5,211,842
Rated NC-17 for a scene of explicit sexual content.
Pedro Almodovar's second entry on this list is a film where the sexual content is most definitely not meant to  arouse.  The film is a neo-noir based around the victim of an abusive priest.  As with his last NC-17 film, Almodovar uses the springboard of his greatest success to release a film that can only work with the content that most distributors would quickly flinch at.

3. The Cook, the Thief, his Wife and Her Lover (1990) $7,724,701
Rated NC-17 for adult situations/language, nudity, sex
My great old film professor's story goes, he showed this film to a class and got into a bit of trouble.  Truth told, the violence, death by forced feeding, sex in meat lockers and cannibalism can overwhelm some of the films other creative visual constructs (for example, the colors of characters' outfits change as they walk from one room to another).  But director Peter Greenaway knew what he was doing and knew what he wanted.  This film is still that for which he's most known.  And it's hard not to ignore the bizarre courageousness of any film where Helen Mirren utters the phrase, "Try the cock... it's a delicacy."

2. Henry & June (1990)
$11,567,449
Rated NC-17 for adult situations/language, nudity, sex
The first film ever slapped with the NC-17 distinction and it shows.  The story of Anais Nin's unconventional relationship with Henry Miller and his wife June and how it inspired Tropic of Cancer these days seems, if not tame, certainly unworthy of the rating.  But as the ratings board was still figuring out what would qualify (apparently three-way sex and brothel scenes made that list) they handed Henry & June a PR victory and the movie practically marketed itself.


1. Showgirls (1995) $20,350,754
Rated NC-17 for nudity and erotic sexuality throughout, and for some graphic language and sexual violence.
I give you, the grand champion.  Look at the difference between the moneys made by this monster and our number two film.  Showgirls is the only movie on this list that still has a place as a pop culture phenom.  That place may not come with the most respect in the world (although I'd argue it never was meant to) but the combination of good marketing, quality camp and copious nudity (hiring a previously "good girl" actress didn't hurt) propelled Showgirls easily to the top of this list.  Considering the small-release, art house atmosphere that most NC-17 films niche into today, I wouldn't expect a challenger to Showgirls' crown any time soon.

How many of these films have you seen?
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Thursday, August 5, 2010

Link-Fest at Tiffany's

Stale Popcorn Glenn surveys the 19 eligible films for the Australian Oscars.
I Need My Fix Jane Lynch gets a wax figure. Glee has now officially taken over the world. Watch it take over the Emmys next.
Hot Blog in depth Sissy Spacek interview. Goes all the way back to the early years.
I didn't work until I was 20. I just looked like I was 13.
HKMDB Daily Stills from the Chinese remake of What Women Want with superstars Gong Li & Andy Lau
Towleroad Jennifer Aniston as Barbra Streisand? People...


Scanners
looks at how the reviews of Salt deal with Angelina Jolie's super-sized star persona
Box Office Mojo some release date shifts for Disney and two cancellations. Is the Beauty & The Beast 3D death another sign that 3D is over? If so, YAY! B&tB is perfect as is thankyouverymuch.
His Eyes Were Watching Movies Volver collects another fan. I honestly think that movie will continue to do so until it's regarded as one of Almodóvar's very best. Because it so is.
That Obscure Object old paparazzi photos sometimes freak me out. This is the Thelma & Louise stars: Susan, Geena and Brad. Ah, sweet bird of 1991 youth.
Empire when I read the capsule header or this article about Dolphin Tale starring Ashley Judd, Harry Connick Jr and Morgan Freeman -- that cast! -- I actually thought I had clicked on the wrong link and gone back to an article from the 1990s. True story, I did.
Low Resolution Have you read Joe's entertaining & thought provoking personal Emmy ballots? You should.

I'm a dancer!
One more round of applause for the "best shot" participants in case you missed their entries: the neon gynecology, the phallic solar plexus, the starry eyes, the sabotage, the makeup and the vomiting dolphin.

must read contemporary post of the day
Op-Ed Maureen Dowd and Sam Wasson, the author of that Breakfast at Tiffany's book discuss the sorry wrist-slitting state of the romantic comedy. They name names. Wonderful discussion. I just may read it again and buy Wasson's book.

must read retrospective post of the day
Nick's Flick Picks reviews James Cameron's The Abyss (1989). As per usual his insights are totally invigorating. He always makes me want to see movies again. You can miss so much. I love this bit on Ed Harris
Harris, whose charisma, gaze, and body were like a periodic table of virile emotion during this period in his career, is tremendously moving throughout this key sequence, and really throughout the movie.
"A periodic table of virile emotion"...god, what a gorgeous distillation of Ed Harris. When is his honorary Oscar coming (since the real thing seems ever out of reach)?

Yes, No, Maybe So: Burlesque

I almost don't have the stamina for this after drooling all over Showgirls (1995) for three or so hours yesterday. But the first trailer for the new musical Burlesque (2010) has arrived and we'll all be comparing the films from now on. Until we're actually watching it at least. Then... who knows? Movie|Line has already memorably mocked the trailer saying
What would happen if Glitter, Showgirls and Nine had a baby — and that baby was raised by Cher and Stanley Tucci’s character from The Devil Wears Prada?
And we can't compete with that. Sometimes you just have to tip your hat.



But we're here for the "Yes, No or Maybe So?" treatment anyway which isn't the same thing as making fun. Are you eager to see it, desperate to avoid or totally on the fence? It's often some mix for me and this is how it breaks down.

Cher in a big starring role insures my ticket purchase. Listen up, I paid for Tea With Mussolini for pete's chaz's sake. I think only 90 people did. I am loyal. From the ebb and flow of this trailer (already disappearing from the web) it looks like she's playing the Velma Kelly or Cristal Connors role only mixed with Mama Morton. It's like she's being the seasoned pro diva but leaving the dirtywork catfighting to minions (like Kristen Bell?). I can totally get behind Cher as wisdom dispenser/diva entrepreneur who delegates her bitchiest moments to others.

Did it have to be Christina Aguilera? Hasn't she been working this burlesque thing for some years now? That big character reveal moment that is supposed to shock everyone where she starts the vocals, preventing the curtain drop? It already feels anti-climactic. Big whoop-dee-doo. Christina can do growly runs. I think this sort of storyline begs for an unknown in the lead or a name that we didn't know could sing like a madwoman. Someone who can shock you with their lion's roar when you assumed they were a pussycat (doll).

On the other hand... the supporting cast looks very fun. We see a lot of reliable ol' Stanley Tucci in Prada mode, Kristen Bell promises great catfight in her blink and you'll miss her kittenish moment, and Alan Cumming, who could outperform most Burlesque divas just by replaying any single moment of his Tony-winning emcee performance from Cabaret , is also glimpsed. How enjoyable the movie is may well rest on how much screen time these supporting players get. Of course it might make me crazy that they're all second fiddle to Xtina but what can you do. Hollywood has never been much of a meritocracy.

You know what to do in the comments. And you'd better do it. Cher is in the (movie) house and she doesn't come around too often. Be ready with a tip for a true show queen.

Wednesday, August 4, 2010

Hit Me With Your Best Shot: Showgirls

The concept of this series is such: I choose a movie. We all choose our favorite shot(s) from said movie. I link up to everyone's choices each Wednesday. It's an eye candy free for all celebrating those single images in movies that we just can't live without. They're either the prettiest, the most telling, personally resonant, quite unexpected or just plain delightful.

Today's episode: Paul Verhoeven's gaudy masterwork SHOWGIRLS (1995). It's loud. It's trashy. It's colorful. It's spectacularly itself. Something all movies should strive to be. So, very briefly, I considered this shot from the opening sequence.


Because the "HUGE" graphic makes me giggle. It can't have been an accident that that's the word that flashes in neon just as Nomi Malone (Elizabeth Berkley) pulls into Las Vegas. "I'm gonna win."

I almost went with anything from Nomi's first performance like these.


I love how distorted and fleshy the first image is (that's the movie, too) and that Nomi is a blur. Isn't she the spazziest (live action) protagonist of all time? She's basically a rampaging toddler and definitely the most inelegant "dancer" ever captured on film. It's not just that famous pool sex scene that's epileptic. This girl seems constantly beset by seizures, whether she's throwing fries, hitting friends, dancing or lapdancing, shoving innocent human resources personnel against walls, eating potato-chips, buying dresses from "ver-sayce" or running out into oncoming traffic (which she does at least twice during the movie). The second image is unexpectedly demure as she prepares to strip. Aren't the pinks and yellows gorgeous? It's not deep focus (shame) but it's wonderfully composed to allow you to see Cristal's (Gina Gershon) volcanic entrance at the same time in the background.

Speaking of backgrounds. There's so much going on in some of the frames, so many characters milling about with their own stories and agendas that I'm not even joking when I say that it occasionally feels like a Robert Altman movie... if the master had constantly snorted cocaine rather than puffed Mary Jane.


Some of the chaotic teeming energy is undoubtedly aided by the use of long takes. Thankfully Verhoeven lets DP Jost Vacano's camera roam around the room in a few key sequences rather than relying on a million edits. We love long takes, yes we do. Way too few filmmakers ever think to use them.

But I finally had to settle on my favorite dance sequence for the best shot. It's the climax of sorts (though Showgirls really doesn't know when to quit -- abbreviate the two major subplots involving a rapist rocker and a womanizing choreographer and the movie is suddenly zippier), which finally brings our two anti-heroines together in costume, though they've rehearsed this number alone before in one of the movie's very best scenes.


To me that just says it all. It's a blue movie (pun intended), the anti-heroines are dressed identically "You and I... we're exactly the same" but their expressions are so different. Cristal is your devious delicious Bitch Goddess (the name of the show within the show), Nomi is the bizarrely innocent whore/plaything.
Come on, slave girl.
Now, this slave girl is about to push her master down those monster stairs but a girl's gotta do what a girl's gotta do.
You know the best advice I ever got? You're up there on stage, hoping on a spot. Someone gets in your way, step on 'em. If you're the only one left standing there, they hire you.

That's about it. Thank you and good night, ladies and gentlemen. Elvis has left the building.
'...Best Shot' Players
Give it up for these whores dancers! You click the link. You see the post. They show you what you want to see...
  • My New Plaid Pants ass + palm trees + vomiting dolphins... "It doesn't suck!"
  • Nick's Flick Picks ♪ listen all of y'all this is sabotage!
  • Antagony & Ecstasy the solar plexus as phallus? Whaaa
  • missemmamm honors Nomi's relentless thumbs and (starry) eyes
  • Stale Popcorn "the creature from Nomi's Lagoon" great writeup
  • vg21random believes in the hair & makeup. I agree. (In fact, I 100% believe that this movie deserved a few Oscar nods: makeup and Gina Gershon as Best Supporting Actress being the two most egregious snubs.)
 Other Films in This Series
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Tuesday, June 15, 2010

DVDs: SHOWGIRLS and The Proud Book of Tears From Paris Island

DVD releases have been slim picking as of late. Here's a sample of the new titles from the past couple of weeks. I'd allow you to vote for a DVD writeup but I'm three movies behind. Next time, next time...


  • The Book of Eli - Tough guy Denzel Washington kicks apocalyptic ass.
  • Cinema Pride Collection - June is gay pride month so this collection offers up ten movies and it goes like so: (60s) The Children's Hour, (70s) La Cage Aux Folles, (80s) My Beautiful Laundrette, (90s) The Adventures of Priscilla Queen of the Desert, The Birdcage, Bent, The Object of My Affection, Boys Don't Cry, (00s) Kissing Jessica Stein, Imagine Me and You. I'm letting you know about all of them because...

    • I find it so weird that a "pride" collection features The Children's Hour and Kissing Jessica Stein even though I actually like both movies.
    • they were kind enough to send me the whole box set.
    • I'm excited to revisit Boys Don't Cry.
    • My Beautiful Laundrette is one of my favorite films from the 80s entire and now I can revisit Daniel Day-Lewis with punk blonde 'do any time I like.

    I just did an bullet point list within a bullet point list. I am so fancy.

  • Coach - Hugh Dancy goes straight to DVD in his latest romance. Mmmm, Dancy.
  • From Paris With Love - Jonathan Rhys Meyers & John Travolta play CIA Agents in the city of love. If this were about JRM making love to Parisians I'd be interested but I'm assuming both stars are just shooting people. Zzzz.
  • Happy Tears - Parker Posey and Demi Moore have trouble with dad Rip Torn
  • Mary & Max - I highly recommend you check out this odd animated pen pal romance from Australia. Toni Collette and Philip Seymour Hoffman provide voicework and the whole movie is entirely its own thing. That's always a compliment.

  • Shutter Island - in which Martin Scorsese obsesses over insane people. I wish he hadn't opened the movie with DiCaprio all sweaty/disoriented. Too easy. I don't understand the appeal of this movie so tell me what I missed.
  • When in Rome - My friend Luca is in this Kristen Bell vehicle and I shamefully skipped. Perhaps I will risk it on DVD despite the reviews? Will Kristen Bell get a feature worthy of her or should she go back to prime time series work. What say you?
  • Youth in Revolt - In which Michael Cera argues with himself. Not about whether or not he should do an Arrested Development movie. Well, duh, shouldn't he?
Which will you see/have already seen?

My apologies... I buried the lead.

<--- This arrived by UPS at the door just yesterday and I nearly squealed but for the man standing in front of me asking me to sign for it. Inside I was squealing, mind, and also criss crossing my hands in front of my face in homage to Nomi's famous dance move. What she learned you can't teach in any school!

Yes, it's the 15th anniversary blu-ray of total classic Showgirls (1995). It used to be a Bad Movie We Love and now it's just a Movie We Love Unconditionally and I am proud to say that I went on opening weekend in Salt Lake City even though they weren't allowed to advertise the movie in the paper. Way too naughty for the Mormons.
Can't wait to see it for the umpteenth time though these extras "finding your inner stripper" and lap dance tutorial sounds suspect. We'll see.

Wednesday, November 25, 2009

Thanks Giving and Beloved Turkeys

Wishing you and yours the best for the holiday tomorrow. If you're travelling today, be safe. If you're trying to lose weight, sorry! If you aren't American, please pardon the slightly hijacked programming.


Over the holiday break, there will be posts. I've asked TFE contributors to give thanks for their favorite cinematic whatsis of the moment or to honor beloved turkeys. The other kind of turkeys. Not that you wouldn't eat a deliciously bad movie if you could. After years of obsession I don't so much regard Showgirls (1995) as a bad movie to love but a genius movie that only wears gaudy clothing and talks trash to be bad. So my favorite bad movie of all time is undoubtedly the Olivia Newton-John rollerskating musical Xanadu (1980), so if you haven't read that piece, click here.

Happy Thanksgiving


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Friday, October 9, 2009

The Most Important Film News of All Time

So what if I'm a few days late catching it. Be patient with me. My week has been a blur of horror... and not of the movie kind. Just pretend you haven't heard this crazy ass news yet and let me scoop my jaw up (before the pole dancing commences)

Showgirls 2?


WHAT ?!? What!?

I'm speechless. Even if Gina Gershon, Paul Verhoeven, Elizabeth Berkeley and Joe Eszterhas aren't involved it's still so... WHAT? Showgirls may be a masterpiece (see previous posts) but it's not the kind of masterpiece that can't use a random 15 years-later bastard sequel from entirely different people.

Except... Penny!


How great is it that Rena Riffel misspells "forward" while preparing to reprise the role of her life. I am filled with joy. Seriously. I'm about to burst from it.


I hope it's the worst movie of all time. And therefore the best.
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Wednesday, May 20, 2009

Nomi & Cristal


I got nothing this afternoon. So, whilst I nibble on doggy chow and hitchhike my way to a press screening, please enjoy this ancient Showgirls illustration brushed by yours truly in college. Should I put it on a t-shirt?
Nomi: ...or a tight top.

Cristal: Mmmm. You like to show em off.

Wednesday, June 25, 2008

Gina Gershon on Showgirls: The Musical

With so many movies becoming stage musicals, you know Showgirls, with its obsessed fanbase and inherent theatricality, gets talked up as a prime candidate for transfer. Here's what Gina Gershon ("Cristal" herself) has to say about a Broadway musical version of her most famous role:
Originally I had an idea to do that and I was talking to a couple of people to write it with me. But it wouldn't be Showgirls as we know it. It'd be Showgirls as told by me, which really --you think Showgirls was good? You should have seen what went on behind the scenes. So, I would mix up my own weird thought patterns with what was going on with Showgirls. I haven't written it yet. I had to talk to Joe Eszterhas about it. He seemed to like it but I haven't gotten around to it and I'm not sure if I'm going to get around to it.

It's funny in my brain...
Incidentally, she doesn't list Showgirls as one of her own favorites from her filmography, though. Her top 5: The Insider, The Player, Face/Off, Bound and Prey for Rock and Roll. [source]

One can only imagine the songs they'd write for the show. The dance numbers must be transferred as is. But imagine the backstage sequences! Cristal gets all the show-stoppers: "Darlin'", "I'll Buy Her For You", the first act closer "We Take the Cash, We Cash the Check, We Show Them What They Want To See! and the second act showstopper "Too Old (For That Whorey Look)"

I Y Showgirls. Click the Showgirls label below if you used to love doggie chow!
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Sunday, June 22, 2008

June Weddings

Penny Stum and James Smith were married June 21st, 1996 at Chapel 4 on the strip in Las Vegas.
The bride is the daughter of Dorothy Stum. The bridegroom is the son of Vern Hovell Smith and Joyce Esther House.
The bride wore a hot pink lace maternity dress and carried pink calla lilies.
Their daughter, who they plan to name Hope Heather Smith, is due in July. They live in Paradise, NV and are employed at Stum's Groceries.

[excerpted from the June 22nd, 1996 edition of the Las Vegas View]

Friday, March 7, 2008

Wednesday, January 16, 2008

8th Character in Showgirls

Approximately every 8 days in 2008 we celebrate the 8th Something of Something. How specific

In Showgirls, 1995's gaudy masterwork, we spend our first eight minutes with spazztastic Nomi Malone played by Elizabeth Berkely. Elizabeth first "acts" with SAG members playing a shady truck driver, a coingirl and a sleazy john as she arrives in Vegas. Then the true supporting characters begin to emerge. Molly the seamstress, the fifth character introduced, rescues Nomi from the streets taking her into her home (a trailer) and into her workplace where we meet several characters in succession starting with bossy Gay, naked bitch Annie and Annie's arch enemy, the 8th character introduced

...sequin tossing Julie

(from left to right: Julie, Molly, Gay)

Gay: Julie, what happened?
Julie: I don't know. It just ripped.


Oh Julie... always with the waldrobe malfunctions, you minx!

Nobody speaks of Julie (Melissa Williams) when they talk about Showgirls and that's a shame. Within her very first minute of screentime Verhoeven and Esterzhas crown her Showgirl's Resident Queen Empress of Foreshadowing. She telegraphs it all: leztastic rivalries "who wants to see her snatch anyway?", evil seed planting "Wouldn't it be great if one of these nights she just fell down the stairs?", and future wardrobe 'accidents.'

So give it up for Julie in the comments.


Bitch aint' playin
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prev episode of "08th": use of magic in Harry Potter and the Order of the Phoenix

...on to newest TFE postings
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