Showing posts with label Prince. Show all posts
Showing posts with label Prince. Show all posts

Saturday, February 13, 2010

Catty Kim Novak

Press play. It magically provides your soundtrack for this post*



A happy 77th birthday to one of the screen's most famous sirens, Kim Novak. I always picture her with/as feline since I fell for her as a kid watching Bell Book and Candle on the telly.


And there's still more! This 50s sex kitten was always surrounding herself with feline friends.

Meow!


If I were a sexy actress, I'd also surround myself with cats for photoshoots. and then I'd become a crazy old cat lady. Which I desperately hope Kim Novak now is. It's a perfectly natural beautiful progression. We haven't seen Kim in decades so I feel it's a safe guess.

If you were a famous actor, which animal would you accessorize with?

*I've been stuck in a Prince loop lately after a recent spin of Purple Rain which to my astonishment doesn't seem to have aged even a day in its 26 years. Timeless classic!

Friday, October 23, 2009

Sage Advice From the Movies, Totally 80s Edition

Never say 'Never!'... at heaven's elevator door


Because... once you dare
you can't get it up
Anymore!!!
That's so true Vanity. It's so true.



This message has been brought to you by Nathaniel's adolescence, permanently warped by Prince and all of his women... Vanity chief among them. She found a place, she
fiiiin'lly found a place for you and me to go | if you want to get in, ha ha | Step on the elevator, press number 7 | that's all you got to do to get yourself in heaven... Argh It's happening again. This song has been stuck in my head for days. I...uh... I... swear I don't know how it got there. I swear I haven't seen a frame of The Last Dragon for years. Not one single frame, sho' nuff. I swear I never sang this song while dancing around in my parent's basement, flashing my eyes like a madwoman.
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Tuesday, June 30, 2009

Do The Right Thing, 20th Anniversary

Today is the 20th Anniversary of Spike Lee's classic joint Do The Right Thing. There are a few retrospective interviews about the landmark film over at The Root. I'd include them here for you but their embed code leaves much to be desired.

I had no idea that Barack & Michelle Obama saw this on their first date together. But they apparently don't talk about that much. The movie was a hot potato back then and apparently still gives some people hot flashes today. But it's quite good. Have you seen it? I wonder if it would have made Oscar's shortlist if they had had 10 Best Picture nominees that year.

Maybe not. They didn't even nominate Malcolm X in 1992 and that's right in the Academy zone (epic biopic spanning the life of very famous individual who dies tragically). The nominees deemed better than Do The Right Thing for 1989 were:
  • Born on the 4th of July
  • Dead Poet's Society
  • Driving Miss Daisy
  • Field of Dreams
  • My Left Foot
Ouch. But I'm not big on the 1989 Oscars in general. They weren't kind to The Fabulous Baker Boys or sex, lies and videotape or Heathers. In short: Oscar was feeling old and creaky that year. They were drunk on geritol and had no time for fresh unruly voices and plenty of love for sentiment and nostalgia.

Still, I remember being shocked -- SHOCKED -- that Kim Basinger, whom I'd never thought of as a tastemaker per se, spoke out against AMPAS for excluding it in the Best Picture race... and she did so on the actual Oscar broadcast. She did so while wearing a dress she might have borrowed from Wendy & Lisa. Well, she was all up in Prince's grill in the early 90s, don'cha know.
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Sunday, March 8, 2009

Podcast: Kristin Scott Thomas Interview

Kristin Scott Thomas is "Extraordinary"

When I spoke with the acclaimed British actress in January, as we both recovered from Golden Globe parties, I discovered that she loves describing other actors that way. Yet the adjective fits her like a glove. "Versatile" would be another apt descriptor. She's equally at home in drama, comedy or in period epics. You'll find her in French, British, American and even Romanian cinema. She also treads the boards. Her recent performance in the Broadway run of The Seagull could bring her her first TONY nomination this summer. Her film career from Prince's odd con artist flick Under the Cherry Moon (1986) [think of his "Parade" CD if you're drawing a blank -ed.] through the Oscar stamped The English Patient (1996) to the recent French hits Tell No One and I've Loved You So Long (2008, just out on DVD!) has been alternately celebrated and underappreciated.

She likens her past twenty years in the spotlight to a rollercoaster
You have moments of complete grace and glory and heaven. Others of failure or rejection... So much of it is out of your control



That zen like acceptance of the ups and downs of a screen career threads itself throughout our conversation. She's benefiting from France's affection for mature women but she understands the irresistible beauty of youth. She credits much of her screen performance to what's built in the editing room but doesn't discount her own efforts in front of the camera "If you haven't got good raw material you can't create anything". She's just as willing to discuss that first high profile Prince dud ("a baptism of fire") as she is to chat about how proud she is of a small French/Romanian film An Unforgettable Summer. When asked about future roles she's interested in, there's also a little bit of the up and down balancing...
Once you've done something you're not really interested in doing it again. I'm quite glad to be rid of 'the withering remark'. But then on the other hand I really enjoy the withering remarks, the witticisms and the puff of the cigarette.
Despite the rich variety of characters she's essayed I half expected her stickiest screen persona, the initially icy aristocratic beauty familiar from Gosford Park and The English Patient, to bleed over into our conversation. Not so. She was congenial, down to earth and in great humor -- hardly ready with a "withering remark". Her co-stars performances are often deemed extraordinary but after our quick run through of her career, she does allow herself a minor pat on the back.
You know, I look back at the list... 'You haven't done too badly, old girl'
It's an understatement.
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*Go to iTunes for the enhanced interview or listen to the simple mp3

Listen and discuss.

What's your favorite screen memory of Kristin Scott Thomas? Are you excited for her pas de deux with Sergi López in Partir? Do you prefer those 90s arthouse films Angels and Insects, Bitter Moon or the big hits Four Weddings and a Funeral, The English Patient? How drôle was she as "Alette" in Confessions of a Shopaholic? Finally, if you've just seen her Golden Globe and Cesar nominated turn in I've Loved You So Long (the film just hit DVD) what did you think of her performance as the withdrawn ex-con?

Tuesday, May 13, 2008

Top Ten: Princes in Cinema

tues top ten: for the listmaker in me and the listlover in you

With the release of Prince Caspian right around the corner, I thought we'd take a look at some other royal boyz 2 men in the movies...

Top 10 Princes

10 "Prince Hector" (Eric Bana) in Troy
Straddling the abyss that opened between Brad Pitt's worst performance and Orlando Bloom's least sympathetic role, Eric Bana's massive thighs, chest and biceps performance emerged as this misguided 2004 film's only selling point and a breakthrough for him as a rising star. It remains one of the only times in this history of cinema where another male actor has managed to rip my eyes away from Brad Pitt. (Brad played all the roles in Fight Club, Sleepers, Legends of the Fall and Interview with the Vampire, right?)

09 "Prince Eric" in The Little Mermaid
He wasn't just tall, dark and handsome but he was so sweet and sensitive that you knew that Ariel needn't have given up her voice at all to be with him. True maybe she did. The film's sexual politics were all over the place but their love was true and came through in the line drawings and vocals and made that happily ever after plausible. You sure wanted him to "Kiss the Girl" [plentiful Little Mermaid posts. My apologies to the Disney averse]

08 "Charlie Princ(ess)" (Ben Foster) 3:10 to Yuma
Because he practically made the movie worth watching all by his lonesome. Free advice to all supporting actors in sleepy films: strut through the movie like you own it and you will. [Drawing to your right by Joanna. See prev post for more thoughts on this film]

07 Satan in South Park: Bigger Longer & Uncut
Because the Prince of Darkness as Saddam Hussein's bitch is an appropriately irreverent, immature and inspired conceit. Satan himself would probably LHFAO.

06 Prince Karl (Edmund Purdom w/ the voice of Mario Lanzo) in The Student Prince
Because he starred in the first movie musical I ever saw at the Redford Theater where I fell in love with old movies as a kid. Sentimental value, you know. I still try to go there to catch something whenever I'm in Detroit.


05
Prince Edward (James Marsden) in Enchanted
Few things last year made me happier than Marsden's send up of Prince Charming. From the fist biting to the bravado and bombastic enthusiasm. I heart Edward.

"116th and Broadway!!!"

04 "The Little Prince" in The Little Prince
Not so much for his cinematic outings per se but just for his existence and his profound and simple wisdom. I love Antoine de Saint Exupéry's classic so much that I've read it in three languages.

03 Prince Phillip in Sleeping Beauty
Hands down the best of all the fairy tale princes. He's a fuller character than most of them (who essentially have to be only square jawed marriage-material for the princesses). He's the actual hero of his film, too --a brave heroic dragon slayer. He looks great on a horse, giving the kiss of true love, flirting with a maiden in the forest, or bound and gagged by an evil pissed-off sorceress. In short: he's even hotter than David Beckham who played him in the Disney Dreams photo series [pictured, left] and just as believable as an underwear model.

02 Prince (Prince) in Purple Rain
I know, I know. He goes by "The Kid" here but His Purple Majesty has only ever played himself, don't you agree? And for that we're grateful. But mostly we're just grateful for the CD which we still listen to 24 years later whenever the mood strikes. Soundtracks don't come with better tracks than: Let's Go Crazy, The Beautiful Ones, Darling Nikki, Wednesday, Purple Rain, I Would Die 4 U, Baby I'm a Star, Father's Song and When Doves Cry. They just don't. If you ask us, Purple Rain was the true Thriller of the 80s.


01 "Hamlet" (most actors in the known universe) in Hamlet
Like The Little Prince, he can lounge in the throne room of this list, not for any particular outing but for his longevity, his indecisiveness (Hot. Well, not really... but relatable!) and Sybil-like quality: how can you not love a character big enough to morph into Mel Gibson, Laurence Olivier, Asta Nielsen, Richard Burton, Kenneth Branagh, Maximillian Schell, Kevin Kline, Campbell Scott, Ethan Hawke and beyond?

I'm sure you'll tell me who I've forgotten. Perhaps I'll be thrown into the stocks for this sin of omission.
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