Birthday Suits: Deserve's Got Nothin' To Do With it

Celebrating the birthdays of the cinematic peoples daily. If you were born on 11/22 shout it out in the comments. How will you celebrate these fine folks, listed below?

Scarlett, Mark and Mads

1920 Anne Crawford Israeli born British actress of the 40s. Died when she was only 35.
1923 Arthur Hiller Canadian director. Oscar nominated for mega-hit Love Story (1970). Also known for comedies like The Out-of-Towners, Silver Streak and Outrageous Fortune and some erratically interesting choices like The Americanization of Emily, Man of La Mancha and Hollywood's first mainstream gay film Making Love (1982).
1932 Robert Vaughn The Man from U.N.C.L.E. and one of The Magnificent Seven
1940 Terry Gilliam crazy indispensible auteur. He doesn't deserve all the funding / filmmaking problems he's had of late. But, sadly, I can't really recommend The Imaginarium of Doctor Parnassus which is messy in dozens of ways
1956 Richard Kind character actor (A Serious Man)

1959 Jamie Lee Curtis actress of the Perfect bod, Mrs. Christopher Guest, the most successful "final girl" of all time, yogurt spokesperson and Oscar snubbee (deserved so much better but at least the Golden Globes paid respects)
1960 Christopher Ciccone Madonna betrayer (boo. hiss)
1960 Leos Carax French auteur behind the excellent Lovers on the Bridge and the darkly hypnotic Pola X. Rent them
1961 Mariel Hemingway Woody Allen's first intergenerational onscreen love affair in Manhattan. Unfortunately she would not be his last. Her birthday suit was an 80s staple: Personal Best, Star 80 and Playboy magazine.
1964 Ingvar Eggert Sigurðsson Icelandic actor of memorable eyes and scary forehead (Jar City, Angels of the Universe)
1965 Mads Mikkelsen Denmark's chief export, male actor division
1967 Mark Ruffalo (sigh) Hollywood ain't done right by him. Enough with the thankless second banana crap... give him something meaty. He's proven his worth
1984 Scarlet Johansson remember when I was so obsessed with her that I devoted a whole week to her on the blog? Damn that was a shortlived infatuation. I don't expect my new indifference will turn around much with Iron Man 2, given that ScarJo does her best work as quiet reactive women in dramas but we'll see...

Finally, I have been terribly remiss in writing more about Geraldine Page who left this mortal coil shortly after her long-awaited Oscar win (Trip to Bountiful) 24 years ago. She would have been 85 today.

Page and her kept man. Who wouldn't keep him?

Of all of Oscar's most beloved actresses (up there with Bette Davis and Ingrid Bergman!) she gets zero attention in the online film world. Surely she deserves more. I promised reader George that I'd write about her two years ago and I still haven't. Argh! At any rate, I need to watch a few more films but my favorite performance of hers from those I've seen is unquestionably Tennessee Williams' Sweet Bird of Youth, opposite Paul "hard gold" Newman, in which she plays a temperamental actress, desperate for a big comeback. She out divas several more famous divas and that's saying something. Have you seen it?

$100 Million. No Questions Asked.

Twitch asked a great question on Friday that has been dancing around in my head naked all day: which auteur would you like to see handed a huge pile of money ($100 mil') and complete freedom to make whatever the hell kind of picture they wanted to make with it? Our pal JA answered (always worth a read) and I should, too.

My five.

Jonathan Glazer. Birth and Sexy Beast are both so well directed and imagined with limited budgets. They're also the kind of features that scream 'this director will have trouble getting his films financed!' Imagine how pissed the cinephiles of 2050 are going to be if his feature career ends with Birth, only his second, a movie that will undoubtedly be revered by then.

Terry Gilliam. He makes every list like this... and that's out of more than pity. Even when he doesn't have a lot of money, the visuals are memorable. And an always fascinating if not always great filmography that includes Baron Munchausen, Fear & Loathing in Las Vegas, Tideland, The Brothers Grimm, Brazil, The Fisher King ... he so deserves a major comeback.


Paul Thomas Anderson. Because, for such a contemporary auteur, he does period incredibly well (Boogie Nights & There Will Be Blood) and I love that its hard to predict what he'll come up with. That said he's never going to get $100 million to work with since he's never made a sizable hit. That's the audience's fault, not his. His films are so thrilling. Why isn't everyone lining up every opening weekend? He should be a household name by now.

Warren Beatty. Mostly because I want to see him work again one last time. He's getting up there in years (72) and he's only directed four pictures: Heaven Can Wait, Reds, Dick Tracy, Bulworth; none of them looked cheap so he'd need a lot of money to play with. No conditions but if there's another Reds in him, my god it needs to come out.

I'm cheating for the last picture with both conditions, cast and theme. I want a Women's Picture omnibus film. Each entry must be as obsessed with actresses as your average Almodóvar picture and Dianne Wiest must appear in all ten segments.

portraits from Portroids

Other suggested cast members: Kristin Scott Thomas, Julianne Moore, Jane Fonda, Kerry Washington, Samantha Morton, Emmanuelle Béart, Holly Hunter, Ari Graynor, Ludivine Sagnier and Catherine O'Hara. The following 10 directors gets $10 million and 10 minutes for their entry: Lynne Ramsay, Jonathan Demme, Claire Denis, Jane Campion, Richard Linklater, Wes Anderson (but only if it's completely about Angelica Huston), Patrice Chéreau, Brad Bird, Brian de Palma and Jodie Foster (provided her segment is an abbreviated version of Flora Plum. That's the only way we're ever seeing it)

I know that only 20 people would buy tickets but I love all 19 of you who'd join me in the theater.
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2009 Oscar Predictions, Best Picture & Director

Here's something that may surprise some of you. Learning over the last month that The Human Factor, Eastwood's once Untitled Nelson Mandela Picture, was not a biopic but a sports drama of sorts with biopic ready characters (Nelson Mandela and World Cup star Francois Pienaar) did not deter my prediction that Oscar will love it.

<-- poster concept art by Raats

The inspirational sports film is a regular staple of the multiplex. Most of them come and go with nary an Oscar blip. It's kind of the ugly stepchild within the family of stories Oscar really loves, the true story period piece. I expect this is because everyone thinks of these films as a formulaic paint-by-numbers subgenre that doesn't require artistry so much as predictable story beats, swelling music and one recognizable manly star (Quaid, Washington, McConaughey... take your pick). Every once in a while, though, this overly populated genre does attract Academy eyeballs (Chariots of Fire, Seabiscuit, Hoosiers) and if there's any pairing that comes with automatic prestige cred and appealing "important!" political background, it'd have to be Clint Eastwood and Morgan Freeman mixed with Nelson Mandela and South Africa.

It's guesswork. Maybe it'll be too light for the Academy.

Nothing is really screaming "sure thing" this year: Public Enemies is coming out in the summer and its digitally shot (an Oscar no-no), James Cameron's Avatar might be a thrilling and revolutionary behemoth but it's also sci-fi (definitely an Oscar no-no), Green Zone has the pull of both Damon and Paul Greengrass but it's also Iraq-concerned and so far that's been a turnoff for audiences/Oscar, Shutter Island might impress audiences but will it impress Oscar (I have some doubts), The Lovely Bones is based on a beloved novel but will Jackson pad the story too much, weighing it down?, Nine is the year's starriest picture but it's based on a superior film (I'm guessing. But it's a safe sort of guess, right, Federico Fellini being > than Rob Marshall... duh!) which could easily turn people against it. Nine's Oscar prospects... gah! Its strengths are its weaknesses are its strengths. The head spins.



Theoretically all this uncertainty should make the Oscar race more interesting in 2009. At least until December when we all be begin whining that it's entirely too predictable!

For my predictions, I'm going with four high profile pictures with a nice spread of release dates and studios, plus one small wonder people seem enthused about already, An Education. The 1960s London set story is based on a biographical essay by Lynn Barber. She seems amused by the changes they've made to her life. Many others seem amused by the whole film.

PICTURE PREDICTIONS

Also Posted: best director (I'm taking a big risk here) and the index of all predictions -- you can see how well I generally do with my predictions this far in advance on this overall chart. The plan is to wrap up with the remaining techs tomorrow. But now, EASTER celebrations with friends await! Must eat green blue eggs and ham. And a Chocolate Jesus. yum yum.

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Tom Waits Has Something For the Kids on Easter

It's called "Chocolate Jesus"



Remember when Tom Waits was actually a part time actor and not just a world class musician? Good times... especially the Lily Tomlin coupling in Short Cuts and the bug eating in Dracula.

One of my favorite film books, With Nails: The Film Diaires of Richard E Grant, has a few bits on Waits. Grant, like Waits, was a frequent supporting player in interesting / storied movies of the early 90s and he lived to write about it.

The cast of Francis Ford Coppola's Bram Stoker's Dracula gathers at the Coppola estate for a week long bonding / rehearsal session before filming. Gary Oldman looks sad and tells Grant that his 11 month marriage to Uma Thurman (Grant's co-star from Henry & June) is over -- he wonders if he'll be one of those people who marries a lot. The actor/diarist notices that Winona Ryder and Keanu Reeves are "sibling-close" and he's amused by Keanu who has decide to call everyone by their second names "Laura Ryder, Leonard Oldman, Phillip Hopkins". Tom Waits arrives a day later, pulling the focus.

Tom Waits. How can I not introduce him to these pages without falling into the cheesy showbizzy-sleaze-shpeak of a lone motel lounge act compère - hit the snare drum, smash a cymbal, bang a drum and wind up with 'LADIES - AND - GENTLEMEN - THE - IN - HOLE - THE - WALL - BAR - AND - SNAKEPIT - SALOON - PROUD - 'N' - PRIVILEGED - TO - PRESENT - FOR - YOUR - ENTERTAINMENT - AND - YES! - GODDAMMITT!! - EDUCATION - TONITE - THE - ONE - AND - THE - ONLY - MR - LONELINESS - OF - A - LONG - DISTANCE - SONGWRITER - HIMSELF - IN - THE - FLESH - IN - THIS - HERE - LOUNGE - LADIES - 'N' - GENTLEMEN - LET'S - PUT - OUR - HANDS - TOGETHER - AND - GIVE - IT - UP - FOR - (gasping for breath) - MISTAH!!! TOM!!!!!!! WAITS !!!!!!!!!!' Everyone else is in smatterings of designer casuals. Mistah Waits arrives straight off an old record cover in a '64 open-topped Cadillac, with fins, with a funnel of dust trailing down the dirt road. The gravel voice gets out some howdy-doodys and his clothes and hair are crumple-sculpted to him. Doesn't seem to have a straight bone in his bearing and kills me off with his cool by growling out a compliment for Withnail. Out the side of his mouth. Like we might be being spied on by the bailiffs. Him, rolling tobacco and reefer. Winona and I are 'We've got all your recordings, Tom!!' To which he just heh-hehs.

I just noticed that Mistah Waits is in the cast list of Terry Gilliam's The Imaginarium of Doctor Parnassus which I'm more and more excited about. [previously excitement] Danger! Danger! One should never ever get excited about movies that only have release dates scheduled in Romania and the Czech Republic.

The Imaginarium of Doctor Parnassus clockwise from top left: Christopher Plummer as "Doctor Parnassus", Heath Ledger (and Johnny Depp and Jude Law and Colin Farrell) as "Tony", Tom Waits as "Mr. Nick" (some sources refer to this character as "The Devil"), your auteur Terry Gilliam, Lily Cole as the Doctor's daughter and Andrew Garfield as "Anton".

Lionsgate is going to be handling the film's UK release but I can't understand why nothing is set for the US? You'd think someone in a suit would remember that for all of Gilliam's recent film completion / box office troubles, it wasn't always this way (think Twelve Monkeys and The Fisher King... though I realize that Hollywood memories don't stretch back that far. Weren't movies silent and in black and white back then?). Plus there's the free publicity of being Heath Ledger's last film and having three A-Listers sub for his incomplete scenes and those Cannes rumors. Can we get this thing on the schedule already? Even if it's no masterpiece it'll surely be worth gawking at.

We Can't Wait #8 The Imaginarium of Dr. Parnassus

Directed by Terry Gilliam

Starring "Heath Ledger" (Johnny Depp, Colin Farrell, Jude Law), Christopher Plummer, Tom Waits, Verne Troyer, Lily Cole
Synopsis Traveling theater players, led by the 1000 year-old Doctor Parnassus, put on shows that includes a mirror where audience members can pass through and explore their own imaginations.
Brought to You By Lionsgate
Expected Release Date June 6th

Fox: I put Heath Ledger's name in quotes not out of any disrespect, but because I don't know how much actual face time he's given in the film. Regardless, this film will arrive with the weight of Ledger's last everything on it. I think it's kind of poignant that the film involves people going through a glass mirror... darkly or otherwise. I wasn't so fond of The Dark Knight, or the thought that Ledger will be remembered as The Joker. I'm not trying to ignite another TDK debate, I just think Ledger's talent deserves a better epitaph than it will likely get.

Also, I'm thrilled to see Terry Gilliam up on his feet again. I only saw part of his last movie Tideland, and it bummed me out. It was like watching an artist stewing in his own personal, horrible, dirty hell. I love his visions. Usually we get CGI blockbusters in the summer, so a production design extravaganza from Gilliam & Friends could be a refreshing break from that.

Verne Troyer??? I don't know. All I can saw is that Gilliam really likes dwarves.

Nathaniel: You know who else likes dwarves? David Lynch. Who, speaking of, also likes the multiple actors as one person and/or one actor as multiple people cinematic mind games. That's something else Parnassus will have given the Depp, Farrell & Law solution to the Ledger tragedy. Sight unseen and given the nature of the film, it seems like the best possible solution. If you have to have three other actors step in for you, could you do any better?

P.S. I hope Tom Waits sings. I can listen to him croon endlessly. Heavy rotation on the iPod y'all.

Whitney: I hope the revenue this movie sparks by being "Heath Ledger's Last Movie of All Time. Really. This is the Last One. Not Like 2Pac. This is Really The Last Movie" will finance his Don Quixote project that he's been trying to make his whole career. Ledger was really funny in Gilliam's last work, so I'm thinking four Ledgers will be even better.

Joe: Oooh, thanks to Whitney for reminding me how much I liked Heath in The Brothers Grimm. Which was otherwise disappointing. I tend to respect Gilliam's weirdness from afar; the films themselves are hit-or-miss. Given the circumstances, I hope this one pulls it all together.

Nathaniel: And now I'm sad again. 2005 was such an incredible year in Ledger's career. Think of the range displayed alone: The Lords of Dogtown, Casanova, Brokeback Mountain and The Brothers Grimm. Joe, I share your hope. I would love for Gilliam to have a success as big critically and commercially and Academy-ically (yeah I butchered the word to make a shiny gold man point) as The Fisher King again.

Matt Damon, Ledger and Gilliam on the set of The Brothers Grimm (2005)

JA: I still need to see The Brothers Grimm. A mad rush to Netflix! Parnassus would've made my list even without Ledger because of Gilliam alone. His floundering ability to get movies done drives me bonkers, so every one that makes it's way across the finish line is something to be cherished. I'm even one of the like ten people who defended and liked Tideland. But with this being the last footage we'll see of Ledger, absent a 2-Pac-or-Elvis-like ressurection, and with the actors stepping in to cover Heath being three of my absolute favorites, this became an even higher priority.

As for Troyer, to quote Colin Farrell's character in In Bruges, "They're filming midgets! They're filming midgets!" I share his enthusiasm.

Nathaniel: Where do you stand on Gilliam? Or are you seated? Reclining? Perhaps jumping up and down? Do tell in the comments.

In case you missed any entries they went like so...
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We Can't Wait:
#1 Inglourious Basterds, #2 Where the Wild Things Are, #3 Fantastic Mr. Fox,
#4 Avatar, #5 Bright Star, #6 Shutter Island, #7 Scott Pilgrim vs. The World
#8 Imaginarium of Dr. Parnassus, #9 Nailed, #10 Taking Woodstock,
#11 Watchmen, #12 The Hurt Locker, #13 The Road, #14 The Tree of Life
#15 Away We Go, #16 500 Days of Summer, #17 Drag Me To Hell,
#18 Whatever Works, #19 Broken Embraces, #20 Nine (the musical)
intro (orphans -didn't make group list)
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