Showing posts with label Catherine O'Hara. Show all posts
Showing posts with label Catherine O'Hara. Show all posts

Tuesday, November 9, 2010

Top Ten: Best in Show's Funniest Lines

Hey, folks. This is Michael C. here from Serious Film, thrilled to be helping fill in for Nathaniel this week while he takes his well-earned vacation.

Now that I have free rein to spend a few days smudging my finger prints all over The Film Experience, item one on my to-do list is to make sure this year doesn't zip by without us commemorating a notable anniversary. 2010 year marks ten years since Christopher Guest's Best in Show came along to blow the lid off dog shows and answer such burning questions as, "If you were making an all-dog football team, which breed would you want as wide receiver?" So to mark this anniversary here are my top ten funniest lines from the movie. I am sure you will inform me in the comments which of the few hundred equally funny lines I overlooked.


Ten Funniest Lines From Best In Show

10. "We're so lucky to have been raised amongst catalogues."
If I have a favorite part of Best in Show it might be the materialistic, fashion-obsessed Swans, played by Parker Posey and Michael Hitchcock. Guest's improvisational techniques are firing on all cylinders with these characters. Like a comedic cousin to Mike Leigh, they have been built from the ground up, and there is a wealth of hilarious details to show for their efforts. From their matching sets of braces to the way they speak in catalogue shorthand to the way they let their tone of voice addressing the dog bleed into their dialogue with each other, the Swans are unforgettable comic creations.

09. "On the marquee, big letters: Us!"
This line from John Michael Higgins perfectly captures the mentality of those who have been behaving as if they are on camera long before the documentary crew showed up. Guest's films have coincided neatly with the rise of reality television, and have proven prophetic in a lot of ways. What, after all, are the opening rounds of American Idol other than a less affectionate version of Waiting for Guffman. And how often do the competition shows bring Best in Show to mind when the eccentric personalities of the competitors take center stage over the finer points of the competition.


08. "The judge in his mind...because he can pick up on the telepathy...will sometimes give...blue ribbon..."
Christopher Guest's characterization of bloodhound enthusiast Harlan Pepper is notable for being such a subtle performance in the midst of all the improvisational fireworks. Being the director, Guest didn't have to worry about vying for the spotlight so it freed him to focus entirely on getting into the skin of his character. It's quietly astonishing work; there's not a trace of Corky St. Clair to be found. In this line from Harlan, Guest zeros in on the heart of the material as he slowly drifts away from simple praise for his dog until he has convinced himself that his animal can communicate telepathically with the judge.

07. "Is there some process by which they physically miniaturize the dogs?"
If I'm not careful this whole list could easily turn into a collection of Fred Willard quotes. Looking back ten years it's clear what a perfect pairing of actor and role Buck Laughlin was for Willard. All he had to do was wait for the signal from Guest and let loose with his seemingly bottomless supply of nonsense. From speculating about miniature jockeys racing the dogs, to wondering aloud why nobody thinks to dress the hounds like Sherlock Holmes, Willard give the impression he could fill the whole of the movie with this inspired drivel without a moment's pause.


06. "The Pom broke his gait. He may as well have taken a dump."
I think I speak for most viewers when I say I could watch dog shows all day and never spot the slightest difference between the best and worst dogs in competition. That's why lines like this from John Michael Higgins are such a hoot. Best in Show wisely never pushes the events of the competition outside the plausible. Rather, Guest and company understand dog shows are innately funny with their teeny tiny details inflated to ridiculous importance. The fact that Higgins' character is positively gleeful at the Pomeranian's misfortune only adds to the funny.

05. "I'm gonna punch you in the eye 'til it turns to jelly. I'll stab you with forks 'til you bleed, how 'bout that?"
Part of the pleasure of Guest's films is that he finds room for lots of comedy pros to come in as ringers and absolutely nail a scene or two (think David Cross's UFO expert in Guffman). The blue ribbon for Show's funniest one-scene wonder has to go to Larry Miller as the aggressively unskilled crisis negotiator. A pessimistic negotiator is a funny enough idea on its own ("They always jump") but it crosses into uproarious when we get to hear him in action letting loose with this stream of graphically brutal threats.

04. "He went after her like she was made out of ham!"
You couldn't expect me to limit myself to just one Fred Willard line, could you? This one, arriving at the sad finale to the busy bee incident, may be the single biggest laugh of the movie. Aside from his ingenious idiocy, I think part of the reason Willard so thoroughly runs away with his scenes is the fact that, for all his stupidity, Buck is the only cast member who refuses to take the proceedings seriously. He can't ignore what he knows, and what those of us watching the movie know: that they are, after all, just dogs.


03. "A pet store downstairs? What are you a wizard? A genius? Why didn't you tell me that before, you stupid HOTEL MANAGER!"
This line, shouted by an enraged Meg Swan at the height of the busy bee meltdown, never fails to inspire fits of laughter in me. At the risk of analyzing all the funny out of it, let me count the ways this is brilliant. First, the way Posey somehow manages to turn "hotel manager" into an obscenity. Second, the perfection with which she portrays the limits of egomaniacal stage parent lunacy ("You obviously don't know my dog!") Finally, the way it highlights the benefits of the improvisation. Somehow I doubt a writer sitting at a laptop could have accessed the desperation that inspired Posey to reach for "wizard" in the heat of the moment.

02. "Awww!"
That line, in case you didn't recognize it written out, is the sound of Catherine O'Hara's Cookie Fleck injuring herself by tripping over absolutely nothing. Comedians often measure a performer's commitment to a bit as a mark of their ability. By that standard O'Hara stands with the best in the business. So much so that they didn't even need to write a gag to sideline her character for the finale. Guest simply had O'Hara go down like a ton of bricks and O'Hara sold it like the pro she is.


01. "I remember you said that last year."
The competition is killer, but I've got to award best in show to this line from Jim Piddock's poor Trevor Beckwith, uttered in response to yet another tasteless joke from the albatross around his neck, Buck Laughlin. As co-commentator for the Mayflower Dog Show, Beckwith is the model of class and professionalism. So naturally his performance is a study in slow-burning indignation at being saddled with a blithering, uninformed nitwit as a co-host. This line is a throw-away that grows into a gut-buster on repeat viewings. It suggests a long-suffering history for the horribly mismatched pair. How long has he been putting up with this dim bulb's cheerful "observations"? How many times has poor Trevor been cajoled into guessing how much Buck could bench press? In one deft stroke it makes an already hilarious segment exponentially funnier.

Friday, March 12, 2010

Oscar Night in Review: The Fashions (Pt 2)

The Oscar night posts are almost over. I swear. Oh, you'll start missing the Oscars in a month. Shut up with your "will you stop, please?" griping.

also: worst & weirdest moments | wonderful moments | fashion review part 1 | all 09/10 Oscar posts

One of the crazy stressful things about Oscar night for the ladies must be the simple fact that the pictures taken of them that night go on for infinity. They get recycled each year for "best and worst" of video montages and magazine articles. But in the "viewing parties" and the after parties and such, there's no such museum effect. Without that pressure, the stars are more likely to let loose a little. But what's strange sometimes is that this is still how they're presenting themselves within industry circles when the industry has the biggest spotlight on. All of the following ensembles are from those types of parties. This is just a tiny sampling but you probably haven't seen these photos a million times like you have their Kodak theater counterparts.

yes please


from left to right: We all fell in love with Amy Adams when she was playing pregnant Ashley in Junebug. Now she doesn't need the foam padding and we fall in love with her all over again. Make some good movies once you're done with maternity leave Amy! Lea Michelle is going what you call "above and beyond". She already has a hit TV show (GLEE. I can't wait for April!) and now she apparently wants everyone to know she can do movie star glamour, too. Sometimes I wish I were a casting director just so I could give Maria Bello parts that are worthy of her. Catherine O'Hara!!! I had no idea that she actually went out to industry events. She looks great and I hope with all my heart that people in Hollywood get as much joy out of her For Your Consideration facelift expression as I do. But maybe it cuts too close?

er... Yes, well... maybe. Okay, no.


from left to right: I get in trouble every time I suggest that any particular actress is a bit too thin. But it's even more perplexing when it comes to Leslie Mann. I mean, she's a good actress and she automatically gets work because she stars in her husbands movies, so why doesn't she eat? I think I like the concept of this dress but on her it looks too much like she's starring in Alien V. The slimy Giger babydemon has just burst from her chest cavity. Salma Hayek is wearing something that reminds me of Ralph Fiennes tattoo in Red Dragon and I don't want to think about serial killers when I'm looking at beautiful honeys. Christina Hendricks is awesome. Can't wait for Mad Men 4. Maybe this is too tight and the poof shouldn't be there but... damn. Gabrielle Union can pull off yellow and not everyone can. But that doesn't mean she should.

EEEeeeeeek!

from left to right: I always forget where I know Kate Mara from (and then I have to remind myself "Brokeback Mountain, self. Why do you always forget this?") but this dress is not making a good case for her. If I have to look at Hilary Swank so do you! Jeezus... This is not a hooker convention, Hil, this is an Oscar party. Sometimes when I realize that she will always be employed --thanks to that one admittedly genius performance 11 years ago -- I weep. So many years we've had to put up with her already. So many more to come (she's only 35)! Can't think of one thing that is right with Suzanne Sommers and can't count the things that have gone wrong here. Rita Wilson plays only one role in movies -- sassy best friend to movie star of a certain age -- and does it reasonably well. But just because you're rich enough to buy all the black fabric in Malibu doesn't mean you should wear all of it to the same party.

Sunday, December 20, 2009

Linka Linka-Ma, GaGa Link La La

Popnography reveals the inspiration for Avatar. Hee!
/Film plays defense for the critical attacks on Avatar
Wordastic on the language of stressful holiday exchanges (with movie referencing)
Zach Young does a pretty great 2009 at the Movies montage but it's very very guy focused. Even when Nine enters in it's pretty much just DD-L
Culture Monster Annette Bening is really making a habit out of this Los Angeles stage star thing. Next up "Female of the Species" in February
Awards Daily "State of the Race" is Best Picture really anyone's game?
Cinematical For Your Consideration's post-nomination scene. I love it too. Catherine O'Hara is a genius. It's too bad about the rest of the movie though. Given the golden subject matter it should have been my favorite Christopher Guest movie but it's not even close.
In Contention Maggie Gyllenhaal switches to a "supporting" campaign for Crazy Heart. Wise move but I'm not rooting for her for once. I'll explain soon.
The Sheila Variations considers the creepy psychology of Sissy Spacek in Terence Malick's Badlands

Vogue Best Dressed of the Decade? Vote on the movie stars from each and every year. It's a trip through red carpet memory lane although they made some hideous choices, I must say
Boy Culture Matthew Goode for GQ
Everything I Know... on the worst stage musicals of the Aughts. Let's hope no one makes a movie of any of these.

Finally, Off Cinema, I'm absolutely loving this youtube original from the wonderful Amanda Palmer about the "pop music continuum". It's so generous of spirit and so dead right about the way people are always trying to tear female stars down. Boo! on the latter and Yay! on the former. Generosity of spirit forever. Here's "gaga, palmer, madonna"




And yeah, yeah, I do wish Madonna would try as hard with her music videos as she used to and as Lady Gaga now does (bless)... but generosity of spirit: think of all the mini movie musical masterpieces the big M has made over the past 25 years. If we can give Meryl props for letting loose and being silly we can also grant Madonna a few years of coasting through merely fun videos.
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Sunday, May 24, 2009

Signatures: Catherine O'Hara

Adam of Club Silencio here with another look at my favorite actresses and their distinguishing claims to fame.


Who can blame Catherine O'Hara for leaving Macaulay Culkin home alone... twice... on Christmas... in major metropolitan cities. Artists have other priorities. And as an artist who's consistently playing other artists, Catherine O' Hara certainly knows the bittersweet sides to success. It's all for her art.


From SCTV to her ensemble comedies with Christopher Guest, Catherine O'Hara's donned many different and hilarious characteristic quirks. For me the most beloved is watching her catch the creative bug. Regional theatre, folk music, film production and sculpture - all the more opportunities for Catherine to find her greatest inspiration and internal expression. Somehow, amidst all the neurotic pursuit of fame and and shallow self-service that comes with being an artist, Catherine's always understood that less is more.

"Less is More" Method Acting:

When you're talking to someone you close your eyes - and then you look at them when you're not talking to the person. I mean you open your eyes when you're looking away, but then when you talk to the person you go like that - and you open your eyes - and then you look back at the person, but you never open your eyes when you're talking to them.

Perhaps "less is more" can also be applied to the way that Catherine provides even her most hysterical and horrifying characters with the subtlest shades of heart and humanity. It's a shame that we've only heard the "for your consideration" buzz and never the award win she wholly deserves. But then Catherine's not the type do just anything to win an Oscar, even if her characters are.

I do have trouble doing jobs that I don't really believe in. After Home Alone, another actor might have jumped on that and said, 'I am the reason this is such a big movie.' But I guess I've always been only half-ambitious -- kind of resentfully, after-the-fact ambitious. I'll see something and say, 'How did she get that? I could have done better.' Maybe it's an Irish thing... to hold back from putting yourself on the line and then say, 'That should have been me.'

At this point she's a comedy veteran with the refreshing ability to laugh at the business and take pot-shots at her botoxed peers. Her humor is a craft in itself. Catherine O'Hara is the rare and glimmering artist who's always avoided becoming trapped in her art... Almost always.

This is my art, and it is dangerous! Do you think I want to die like this?!

Sunday, February 15, 2009

We Can't Wait #2 Where The Wild Things Are

Directed by Spike Jonze
Starring Newcomer Max Records as Max, Catherine Keener as Max's mom, and the voice talents of folks such as Forest Whitaker and Catherine O'Hara for the big furry whatchamacallits populating Max's imagination
Synopsis If you've never read Maurice Sendak's book, shame on you
Brought to You By A Sendak-chosen Jonze and the fine folks at The Jim Henson Company
Expected Release Date October 16th, 2009

JA: I was looking forward to this because a new Spike Jonze movie is always something to anticipate and this was one of my favorite books as a kid. But then I found out a bunch of wussy kids bawled at a screening, and suddenly I was REALLY looking forward to this. Like Coraline there's really nothing that toots my horn like entertainment aimed at children that's filled with nightmare-fodder. Some of my happiest memories are of my earliest encounters with monsters, and I love it when artists have the guts to recognize that kids do not always need the kiddie gloves. Sometimes a good healthy scare is just what the doctor ordered.

Nathaniel: And can we break right there to say how amazing is Coraline? I hope we're all in agreement. It's so beautiful / creepy / funny / weird and subtly trusting of its young (and old) audience. And if I can ever get out from under Oscar season I shall have to speak of it!

I have naturally even higher expectations for Where the Wild Things Are since the book is so embedded in my brain and since Jonze is a favorite filmmaker. Literary fantasies need visionaries like him or Henry Selick if they're to be adapted at all. If this is as strong as Coraline I'll be pleased but if it's better we'll have a new classic on our hands. A classic with fur, horns and tails. If it's that good perhaps it can wipe away those unpleasant memories of all the children's fantasies we've been seeing for years that think CGI and imagination are interchangeable nouns.

Whitney: I'm so curious to see how they make a 25 (or so) page picture book into a feature length film. Judging by the stills, this will be that perfect throwback to 80s childrens films that all of us 20-somethings have been waiting for, while still being entirely original. I'm excited to see what Jonze can do.

Fox: I love Spike Jonze, I love giant p(m)uppets, and I love that the child actors name in this movie is Max Records. The fact that it's also about childhood imagination and that Jonze has a great track record of visually interpreting the tracks of the mind (the way he did when Catherine Keener chased Cameron Diaz through John Malkovich's head) has had me "can't waiting" for what feels like three years now.

Nathaniel: Three years? It is the perfect candidate for "we can't wait". It's felt like decades of waiting. Come to me now new film. Come to me now. I once painted the characters from the book all huge like for a corporate event (long story and pre-Film Experience days). I kept them in my room for well over a year after the event because I loved them so much. Big fuzzy loveable monstrous things.


Did you grow up loving this book? If not, what's your favorite childhood book. I was obsessed with this one called The King With Six Friends but I rarely meet people who know that one.

In case you missed any entries they went like so...
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We Can't Wait:
#1 Inglourious Basterds, #2 Where the Wild Things Are, #3 Fantastic Mr. Fox,
#4 Avatar, #5 Bright Star, #6 Shutter Island, #7 Scott Pilgrim vs. The World
#8 Imaginarium of Dr. Parnassus, #9 Nailed,
#10 Taking Woodstock,
#11 Watchmen, #12 The Hurt Locker, #13 The Road, #14 The Tree of Life
#15 Away We Go, #16 500 Days of Summer, #17 Drag Me To Hell,
#18 Whatever Works, #19 Broken Embraces, #20 Nine (the musical)
intro (orphans -didn't make group list)

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Friday, February 6, 2009

We Can't Wait #15 Away We Go

Directed by Mr. Kate Winslet
Starring John Krasinski, Maya Rudolph, Jeff Daniels, Catherine O'Hara, Josh Hamilton, Melanie Lynskey, Allison Janney and Maggie Gyllenhaal
Synopsis a young pregnant couple travel the US "in search of a place to put down roots"
Brought to you by Focus Features
Expected Release Date June 5th

Nathaniel: I put this on my list for the curiousity factor: Sam Mendes, lover of dramatic angst and crushing profundities (Road to Perdition, Revolutionary Road, American Beauty, Jarhead) is doing a comedy. It might be just the thing to shake that monkey (let's call it "Oscar") off his back. He really needs to try something different, looser and funkier. I hope this is it.

JA: That list of names... those are like a thousand of my favorite things right there. I mean, Catherine O'Hara alone, but Janney, Rudolph, Gyllenhaal and Lynskey! Brain-freeze. If I were gonna play that game where one chooses who you'd like to have dinner with, five famous people, living or dead, well you wouldn't go very wrong with choosing these names.

So yeah, I could stand to be stuck in a car with these folks for a bit.

Whitney: I'm always a little scared of movies involving pregnancy. Not because of anything the movies do or don't do, but just because babies freak me the fuck out.

Fox: In the way that Nathaniel is a little bit scared of Drag Me To Hell, I'm pretty terrified to hear that Sam Mendes already has another film coming out after he made us ("me") suffer through Revolutionary Road. At least three years were allowed to pass between Jarhead and RR (same for the time in between Road to Perdition and Jarhead). So, Sam, how about taking your family on vacation for a while and canning this one until 2011, 'kay?

That cast, though... I'd like to see Krasinski and Rudolph in more big screen comedies.

Joe: I don't know what it is about Sam Mendes that keeps me loyal to him despite the fact that I'm not crazy-in-love with ANY of his movies. Like most people, American Beauty has faded in its esteem for me in recent years. Jarhead was good but (Santa hat "OPP" dance sequence notwithstanding) fell way short of expectations, and I outright hated Revolutionary Road. I did like Road to Perdition more than many people did, but it's not like I'm cuckoo bananas crazy for it or anything. And yet I'm always all "New Sam Mendes movie!" Maybe it's the Winslet fan in me.

How fun is this cast? a) extremely b) very c) quite d) yes

And it's a damn fine cast he's got here. I've heard rumblings that it's a dark comedy that might be a shade too dark (i.e. depressing) to let the laughs squeak out, but I remain hopeful. Particular with regard to the breakthrough potential for one Ms. Maya Rudolph, who I think is just so insanely talented. Here's your time to shine, lady!

Nathaniel: I hope she does. Road trip comedies can be divine. If it's as funny as Flirting With Disaster it's going to be a big smart highlight of 2009. And it better be since that's my birthday weekend!

In case you missed any entries they went like so...
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We Can't Wait:
#1 Inglourious Basterds, #2 Where the Wild Things Are, #3 Fantastic Mr. Fox,
#4 Avatar, #5 Bright Star, #6 Shutter Island, #7 Scott Pilgrim vs. The World
#8 Imaginarium of Dr. Parnassus, #9 Nailed,
#10 Taking Woodstock,
#11 Watchmen, #12 The Hurt Locker, #13 The Road, #14 The Tree of Life
#15 Away We Go, #16 500 Days of Summer, #17 Drag Me To Hell,
#18 Whatever Works, #19 Broken Embraces, #20 Nine (the musical)
intro (orphans -didn't make group list)

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Thursday, January 22, 2009

Breakfast With... (Special Oscar Nomination Morning Edition)

Breakfast with Marilyn Hack. She's got "so much food" (I think she expected visitors) but no Oscar nomination. Nope. How'd that Frenchie get in? At least she's not going to lose. She's not going to lose!



My gods but I love Catherine O'Hara, don't you?

previous "Breakfast With"s

Friday, December 12, 2008

She Will Go Insane, And She Will Take Him With Her

.

JA from MNPP here, with a question: How do you suppose Beetlejuice's Delia (Catherine O'Hara) and Charles Deetz (Jeffrey Jones) met? His first wife had died. So he meets Delia somewhere somehow, yadda yadda they get married, and then soon enough he's had a nervous breakdown and moved the family to the country (and into the home of poor dead Adam and Barbara).

I can certainly understand having a nervous breakdown after marrying Delia, but I just never really understood what those two saw in each other in the first place. She with her leather glove headbands and her insect-like sculptures and her Otho, he with his button-down shirts and congenial grin and general befuddlement whenever in her presence. What's their deal?

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Thursday, March 30, 2006

Coming Soon #1: "For Your Consideration"

Coming Soon But Not Soon Enough
#1 For Your Consideration
(Warner Independent Pictures. Supposedly arriving in September)

Confession: When I walked into the theater in 1996 to see Waiting For Guffman I had no idea who Christopher Guest was. The selling points were Catherine O'Hara who I loved at the time primarily due to underappreciated hilarity in Beetlejuice(1988) and Parker Posey, who was the hots***t hipster-beloved Party Girl (1995).

Guffman told us the side-splitting story of a troupe of (justifiably) undiscovered talent in small town America who dream that they're show is going to make it all the way to Broadway turned out to be the funniest thing I'd ever seen. I await every Christopher Guest project now with great joy and high hopes. His follow ups, A Mighty Wind and Best in Show, weren't quite as funny. But who cares, right? That's rather like saying that Hitchcock's Psycho isn't as fascinating as Hitchcock's Vertigo. Or vice versa.


For Your Consideration's plot sounds awfully similar to Guffman. But if you're going to lift from a a classic, lift from your own. In the new Guest film three actors on the set of a 40s drama learn that their performances in the film are generating Oscar buzz. [what happens next we do not know but we assume egos run amok and chaos ensues] This movie sounds like it was made just for me. I already love Christopher Guest for making it. Even if it's not as funny as his last three pictures, I'll still be laughing heartily.

FYC's cast deliciously makes room for nearly all of the regulars. Guest's insanely talented comic improv troupe includes the aforementioned Posey and O'Hara plus Bob Balaban, Jennifer Coolidge, Jane Lynch, Michael Hitchcock, Michael McKean, Deborah Theaker, Eugene Levy, Don Lake, and Harry Shearer. New additions this time out are Ricky Gervais (of The Office fame), Kevin Sussman, and Claire Forlani. The Academy Awards don't understand comedy but I'm willing to bet that Guest understands the comedy of the Academy Awards.

And speaking of the Oscars...
Posting will be lighter than usual over the next few days but it's for two good causes. First, that project I asked for your well-wishes on. Second, I gotta type up and deliver that annual year-in-advance Oscar guesswork @ the big site . And then I gotta take a day off. whew

tags: Parker Posey, Christopher Guest, comedy, movies, entertainment, Academy Awards, Oscars,

The Entire Roster
The fourteen "coming soons" that I'm most excited / curious about...
#2 Marie-Antoinette, #3 The Prestige, #4 A Prairie Home Companion, #5 Dreamgirls, #6 The Fountain, #7 Running With Scissors, #8 Volver, #9 Inland Empire, #10 Little Children, #11 Margaret, #12 Bug
and two runners up ...The Assassination of Jesse James by the Coward Robert Ford & Zodiac

Coming Soon #1: "For Your Consideration"

Coming Soon But Not Soon Enough
#1 For Your Consideration
(Warner Independent Pictures. Supposedly arriving in September)

Confession: When I walked into the theater in 1996 to see Waiting For Guffman I had no idea who Christopher Guest was. The selling points were Catherine O'Hara who I loved at the time primarily due to underappreciated hilarity in Beetlejuice(1988) and Parker Posey, who was the hots***t hipster-beloved Party Girl (1995).

Guffman told us the side-splitting story of a troupe of (justifiably) undiscovered talent in small town America who dream that they're show is going to make it all the way to Broadway turned out to be the funniest thing I'd ever seen. I await every Christopher Guest project now with great joy and high hopes. His follow ups, A Mighty Wind and Best in Show, weren't quite as funny. But who cares, right? That's rather like saying that Hitchcock's Psycho isn't as fascinating as Hitchcock's Vertigo. Or vice versa.


For Your Consideration's plot sounds awfully similar to Guffman. But if you're going to lift from a a classic, lift from your own. In the new Guest film three actors on the set of a 40s drama learn that their performances in the film are generating Oscar buzz. [what happens next we do not know but we assume egos run amok and chaos ensues] This movie sounds like it was made just for me. I already love Christopher Guest for making it. Even if it's not as funny as his last three pictures, I'll still be laughing heartily.

FYC's cast deliciously makes room for nearly all of the regulars. Guest's insanely talented comic improv troupe includes the aforementioned Posey and O'Hara plus Bob Balaban, Jennifer Coolidge, Jane Lynch, Michael Hitchcock, Michael McKean, Deborah Theaker, Eugene Levy, Don Lake, and Harry Shearer. New additions this time out are Ricky Gervais (of The Office fame), Kevin Sussman, and Claire Forlani. The Academy Awards don't understand comedy but I'm willing to bet that Guest understands the comedy of the Academy Awards.

And speaking of the Oscars...
Posting will be lighter than usual over the next few days but it's for two good causes. First, that project I asked for your well-wishes on. Second, I gotta type up and deliver that annual year-in-advance Oscar guesswork @ the big site . And then I gotta take a day off. whew

tags: Parker Posey, Christopher Guest, comedy, movies, entertainment, Academy Awards, Oscars,

The Entire Roster
The fourteen "coming soons" that I'm most excited / curious about...
#2 Marie-Antoinette, #3 The Prestige, #4 A Prairie Home Companion, #5 Dreamgirls, #6 The Fountain, #7 Running With Scissors, #8 Volver, #9 Inland Empire, #10 Little Children, #11 Margaret, #12 Bug
and two runners up ...The Assassination of Jesse James by the Coward Robert Ford & Zodiac