The great actress, everyone's favorite telekinetic murderess, is finally in a buzzy film again (Get Low opens today). And though I don't much care for the new movie, it's always nice when a frequently absent major actress wins Oscar buzz and praise again.
She's a big name but what does that name mean to today's moviegoers? For people born in the late 80s or 1990s, maybe her stint on TV's Big Love comes immediately to mind (Emmy nominated this year). But I'm guessing if it's not the cross-generational popular Carrie, it's mainly In the Bedroom that takes over the imagination: Sissy breaking plates, Sissy slapping Marisa Tomei, Sissy taking weird drags on her cigarette that manage to be both furious and catatonic simultaneously. How can they be both at once? She's a mysterious but vivid actress in her best work.For those who lived through the 70s or 80s, the name will probably conjure multiple associations. Her filmography has a smattering of daring side dish classics but the main course is an oversize portion of middlebrow Oscar bait. To extend the food metaphor, that stuff can often taste healthy but afterwards... where is the nutritional value? In the long run aren't so many "prestige films" filled with empty calories? Her filmography also has intermittent weird gaps. And, unless I've got my dates wrong those gaps don't really even coincide with the births of her daughters (which is when many actresses take their long breaks). What happens in these gaps? It's almost as if Sissy gets an enigmatic closeup and then bolts from the cinema as enigmatically as teenage "Holly" abandons home in Badlands.
Oscar nominations are in bold.
Prime Cut (72) | Badlands (73) | Ginger in the Morning (74)Note: Sissy worked with the brilliant art director / production designer Jack Fisk on Badlands and they married the following year when they were both still in their 20s. She's one of those rare actresses, like Meryl Streep, who has been married for almost the entirety of her fame to the same man. Another association. The two actresses are but six months apart in age and both became essential screen icons in the 1970s and won their first Oscars just one year apart.
Carrie (76) | Welcome to LA (76) | Three Women (77)The underseen Three Women is one of Robert Altman's very best films. It's completely mandatory viewing for fans of Ingmar Bergman's Persona (an influential before) and Mulholland Dr (an influenced after). It's the middle link in that brilliant women-fused-together dream chain. Sissy disappears for a few years right after. And then...
Coal Miner's Daughter (80) | Heartbeat (80) | Raggedy Man (81)
Missing (82) | The River (84) | Marie (85)Note: Such a star in the 80s she gets top billing over... Mel Gibson.
Violets Are Blue (86) | 'night Mother (86) | Crimes of the Heart (86)The pinkish tone of the last two posters. They're screaming "GIRL MOVIES!" Not that we don't love girl movies, mind you.
It's too depressing to continue from there. Sissy's last two characters in 1986 were suicidal. Maybe the actress saw the 90s coming? After Crimes of the Heart, for which she was Oscar nominated, she disappears for four years until a series of movies crop up in the early 90s like The Long Walk Home (1990) that are well intentioned but don't go anywhere or did go places (JFK, '91) but didn't need her to get there. By the late 90s she'd been shoved into the supporting classes, from which she never really returns as headliner, but for her last classic, In the Bedroom. She collected a few trophies that year until the late surging Halle Berry (Monster's Ball) trumped her on Oscar night.
Here's three must-sees from the last twenty years of her filmography (though not always for her presence).
JFK (91) | The Straight Story (99) | In the Bedroom (01)That's the first 15 films of her career (excluding extra work in a Warhol picture) and 3 more still. How many of those 18 have you seen?
And what would you like to see Sissy do next? Some of you have suggested in comment threads that she'd make a great Violent in August: Osage County whenever that becomes a film. She wouldn't be a bad choice for it at all, though one assumes Hollywood will want Meryl Streep to do it since they want her to do everything. As should be painfully obvious The Film Experience loves Meryl Streep, but some of her contemporaries sure could use her the big break of Streep passing on a choice role.
Exit music: Remember when we mentioned Streep's son being a fine musician? That's another thing the two actresses have in common. Here's Sissy & Jack's singer songwriter daughter Schuyler Fisk doing "From Where I'm Standing". Pretty voice, right? You can totally see Sissy in her. It's that lank sunkissed hair and those awesome cheekbones.
