This weekend with friends visiting for the holidays we hit a lot of museums (and margaritas. shhhh). My friends are almost to a one culture lovers so museums are often good options. One of the best things we saw was something called The Cinema Effect: Illusion, Reality and the Moving Image (closing this coming weekend, here's a NYT review]. All of the video installations were about the way the motion picture portrays or pretend realism. My favorite piece in the roundup was by Candice Breitz and simply titled Mother (pictured below)

In the supremely well edited six screen extravaganza Faye Dunaway as Mommie Dearest, Susan Sarandon & Julia Roberts from Stepmom, Meryl Streep the ex Mrs. Kramer, Diane Keaton The Good Mother and Shirley Maclaine ...from the Edge have what amounts to a schizophrenic tearful and angry conversation filled with interrupted monologues and asides about being mothers and women. Fused together and separated from the context of their films, Keaton actually rivals Dunaway's camp icon for overacting and Maclaine comes across as the most sane. "I am...[slams piano]... STILL. HERE." This, as you may have guessed, is unsettling. Clearly none of them have been taking their meds. It's very very funny.

P.S. There was also a companion piece to Mother called Father which featured Dustin Hoffman, Steve Martin, Jon Voight, Tony Danza (!?) and Harvey Keitel but it wasn't as interesting. Men never are. But give me six Hollywood moms on the verge of nervous breakdowns? Bliss.
*
Because you've been good museum attendees today, here's a retro treat. It's Shirley Maclaine's house rattling "I'm Still Here" from Postcards from the Edge.
How Maclaine wasn't Oscar nominated for this turn as the Debbie Reynolds-esque mom in this movie is one of the great mysteries of the 1990s.
*