Panic mode is setting in. So much to do... so little time in which to do it. I keep thinking some of my hunches that I didn't quite go with (like Swank losing) are going to happen. But I have to remind myself that that's typical day before psyche-outs. Everyone en masse usually SUDDENLY thinks anything is possible (like people thinking Crouching Tiger could beat Gladiator even though it was a Taiwanese entry. But it wouldn't make sense for M$B to be shut out and I don't see how it wins best picture without acting prizes (since it's not going to win much else) --However I do think it's possible that it loses pic & dir and ONLY wins acting.
I wanted to predict Clive Owen -feeling sudden heat for him in the air and having always felt that one of the two from Closer could take something home. But I keep thinking back to Kate Winslet at the SAG suddenly stopping the interviews on E! in order to profess her love for his work. Kate -freaking- Winslet who is a better actor than just about everyone idolizing someone else? So I keep thinking it has to be Freeman. But Clive. Clive. Clive. Why can't I let it go?
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Saturday, February 26, 2005
Friday, February 25, 2005
Final Predictions
It's a bitch this year. I could score as low as 50% I feel like a ton of the races are just teetering on a knife's edge between two or even three candidates. So, I just tossed up my hands. You can read the final predictions at the link above.
Or, you can give up on reality altogether and join me in my fantasy lineup of winners... And the "imaginery -making Nathaniel happy-winners are..." Picture -Sideways * Director -Mike Leigh * Actress -Annette Bening or Imelda Staunton * Actor -(no preference really. not into their nominees... maybe Cheadle?) * Supporting Actor -Clive Owen * Supporting Actress -Virginia Madsen * Screenplay -Eternal Sunshine * Adaptation -Sideways * Costumes, Cinematography, Editing, Art Direction, Sound -The Aviator or Spider-Man 2 * Score -(no preference) * Song -The Chorus or Motorcycle Diaries (no real preference) * Animated Film -The Incredibles * Visual Effects -Spider-Man 2 * Foreign (no preference have only seen one :(
Or, you can give up on reality altogether and join me in my fantasy lineup of winners... And the "imaginery -making Nathaniel happy-winners are..." Picture -Sideways * Director -Mike Leigh * Actress -Annette Bening or Imelda Staunton * Actor -(no preference really. not into their nominees... maybe Cheadle?) * Supporting Actor -Clive Owen * Supporting Actress -Virginia Madsen * Screenplay -Eternal Sunshine * Adaptation -Sideways * Costumes, Cinematography, Editing, Art Direction, Sound -The Aviator or Spider-Man 2 * Score -(no preference) * Song -The Chorus or Motorcycle Diaries (no real preference) * Animated Film -The Incredibles * Visual Effects -Spider-Man 2 * Foreign (no preference have only seen one :(
Thursday, February 24, 2005
PROJECT RUNWAY = OSCAR OMEN ?
SPOILERS...
Do not read this if you haven't watched the last episode of Project Runway that aired three times last night on Bravo.
OK. Those of you who are still with me.
Go away if you TIVOed and haven't watched it.
OK. still with me?
Last night the expected frontrunner, the professional and confident Kara Saun showed quite a line with gorgeous color, perfect execution, storytelling skills, and said the whole thing was inspired by seeing The Aviator. "Fantasy Fly Girl" "The Aviatrix" these were some of her descriptions of the collection. And then ...she lost! She had won a bunch of the "precursors" --4 contests in all throughout the series. Jay McCarroll, the eventual champion, hadn't won much of anything through the 12 challenges. But he had showed remarkable consistency, his personality was a major winner, and he had his own very specific vision.
So, this is not good cosmic-collective subconscious-wise for The Aviator at the Oscars, I think... I was still tempted to predict Scorsese's epic having assumed that a good portion of the Million Dollar Baby buzz is media/journalist created. And I do still believe that the enormity of the buzz is false. But the buzz is still there. I think the race is much tighter than anyone suspects but seeing Kara Saun lose just made me feel like the Howard Hughes flight, however skilled, gorgeous, and classy it was, was going down.
On the other hand I totally agreed with Jay winning on "Project Runway" and I totally don't agree with Million Dollar Baby winning at the Oscars ... so the mental connection ends there. But what am I gonna do? No sense in crying anymore over that lovely bottle of milk that's about to be spilt.
Do not read this if you haven't watched the last episode of Project Runway that aired three times last night on Bravo.
OK. Those of you who are still with me.
Go away if you TIVOed and haven't watched it.
OK. still with me?
Last night the expected frontrunner, the professional and confident Kara Saun showed quite a line with gorgeous color, perfect execution, storytelling skills, and said the whole thing was inspired by seeing The Aviator. "Fantasy Fly Girl" "The Aviatrix" these were some of her descriptions of the collection. And then ...she lost! She had won a bunch of the "precursors" --4 contests in all throughout the series. Jay McCarroll, the eventual champion, hadn't won much of anything through the 12 challenges. But he had showed remarkable consistency, his personality was a major winner, and he had his own very specific vision.
So, this is not good cosmic-collective subconscious-wise for The Aviator at the Oscars, I think... I was still tempted to predict Scorsese's epic having assumed that a good portion of the Million Dollar Baby buzz is media/journalist created. And I do still believe that the enormity of the buzz is false. But the buzz is still there. I think the race is much tighter than anyone suspects but seeing Kara Saun lose just made me feel like the Howard Hughes flight, however skilled, gorgeous, and classy it was, was going down.
On the other hand I totally agreed with Jay winning on "Project Runway" and I totally don't agree with Million Dollar Baby winning at the Oscars ... so the mental connection ends there. But what am I gonna do? No sense in crying anymore over that lovely bottle of milk that's about to be spilt.
Tuesday, February 22, 2005
This, That, Other Things
aaaah. S-T-R-E-S-S.
I can't really describe how full my life is right now. Not "full" as in the joyous 'What a full like he led!' But in the overstuffed way. Any helpful suggestions for coping when it's all overwhelming would be appreciated.
THIS
Interesting that Alexander Payne won in a landslide in my best director poll about the last few years of filmmaking. I thought Clint Eastwood was the "greatest living filmmaker" (snort)? Before I get hate mail I do want to say that I think he's a talented director. But my gripe with the hype is this: making two very respected films in the past two years does not suddenly elevate you to the best in the business bar none. And I think the PR people responsible should be ashamed of themselves and should also get promotions and hefty bonuses ! ;)
THAT
I went to the opera at the Met last night -- "samson et dalila" premier starring Jose somebody (who was --aaaaaiiieyyyaah Bravo!). I am not well-versed / knowledgeable about Opera... the only things I've ever seen so far were PBS things, a children's opera of Hansel and Gretel, and Baz Luhrmann's Broadway/Opera pop collission La Boheme. So, last night was my first true Opera experience and all I can say is "WOW" Talk about spectacle. How is opera not more well loved/talked about? Maybe ticket prices? Because even for a non-opera person I found it very accessible and visually remarkable. (Please note: I'm fully aware that this might have sucked. It's possible that this is like someone who knows nothing about Broadway thinking Phantom of the Opera or other embarrassments like Brooklyn: The Musicalare great musical theater but for a first experience, I loved it.)
OTHER THINGS
I also saw The Gates recently in Central Park. It's sorta divisive I'm hearing lots of dismissals and such but taken for what it is, a happening... a whimsical colorful thing... I found it well worth a visit. The cumulative effect of walking through it is much stronger than the initial sight of it.
I rented "It Should Happen To You" starring Judy Holliday recently too (from 1954) --no one ever talks about this George Cukor comedy but it's really funny, it features Jack Lemmon's debut and if you're in the mood for a whimsical black and white comedy with two great performers by all means give it a look.
peace,
Nathaniel
I can't really describe how full my life is right now. Not "full" as in the joyous 'What a full like he led!' But in the overstuffed way. Any helpful suggestions for coping when it's all overwhelming would be appreciated.
THIS
Interesting that Alexander Payne won in a landslide in my best director poll about the last few years of filmmaking. I thought Clint Eastwood was the "greatest living filmmaker" (snort)? Before I get hate mail I do want to say that I think he's a talented director. But my gripe with the hype is this: making two very respected films in the past two years does not suddenly elevate you to the best in the business bar none. And I think the PR people responsible should be ashamed of themselves and should also get promotions and hefty bonuses ! ;)
THAT
I went to the opera at the Met last night -- "samson et dalila" premier starring Jose somebody (who was --aaaaaiiieyyyaah Bravo!). I am not well-versed / knowledgeable about Opera... the only things I've ever seen so far were PBS things, a children's opera of Hansel and Gretel, and Baz Luhrmann's Broadway/Opera pop collission La Boheme. So, last night was my first true Opera experience and all I can say is "WOW" Talk about spectacle. How is opera not more well loved/talked about? Maybe ticket prices? Because even for a non-opera person I found it very accessible and visually remarkable. (Please note: I'm fully aware that this might have sucked. It's possible that this is like someone who knows nothing about Broadway thinking Phantom of the Opera or other embarrassments like Brooklyn: The Musicalare great musical theater but for a first experience, I loved it.)
OTHER THINGS
I also saw The Gates recently in Central Park. It's sorta divisive I'm hearing lots of dismissals and such but taken for what it is, a happening... a whimsical colorful thing... I found it well worth a visit. The cumulative effect of walking through it is much stronger than the initial sight of it.
I rented "It Should Happen To You" starring Judy Holliday recently too (from 1954) --no one ever talks about this George Cukor comedy but it's really funny, it features Jack Lemmon's debut and if you're in the mood for a whimsical black and white comedy with two great performers by all means give it a look.
peace,
Nathaniel
Sunday, February 20, 2005
Countdown is Progressing
So, ONE WEEK TO GO. I still feel like so many races are tight but will probably end up tipping to the frontrunner anyway. True surprises are rarer than we all pretend each year when we get caught up in the anticipation.
Anyway. On the site now there's daily crazy additions (like the Kinsey Scale and the Super Powers of the Best Picture nominees...) and there'll be new stuff each day until after the Oscars when the 05/06 early bird Oscar predictions arrive.
Enjoy...
Anyway. On the site now there's daily crazy additions (like the Kinsey Scale and the Super Powers of the Best Picture nominees...) and there'll be new stuff each day until after the Oscars when the 05/06 early bird Oscar predictions arrive.
Enjoy...
Tuesday, February 15, 2005
Next Time Won't You Sing With Me
I started a personal life breather a couple of days ago that will probably continue for most of this week. After which, on Sunday February 20th the site will have daily Countdown to Oscar updates all the way until Hollywood's High Holy Day comes and goes a week later. At which point we will have the annual wrap up, the early bird predictions for next year (which are maddeningly difficult to do but funfor some speculative obsessive compulsive reasons that I don't wish to explore) --you know the drill, general Film Bitch ballyhoo from 02/19 to 03/04.
Until then I leave you with a very random list.
The Alphabet of Movie Folk.
(wherein I list the first person that comes to mind for each letter of the alphabet and what I wish for them to get in 2005)
A AUDIENCE. a great AND popular movie that doesn't fit into Oscar-bait genres (like costume drama, war, biopic) but gets nominated anyway next year...
B BAY, MICHAEL. a happy retirement commencing immediately following The Island starring Ewan MacGregor and Scarlett Johansson.
C CONNIE NIELSEN. a big international audience for her lovely work in the Danish family/war drama Brothers...and for people to rent demonlover in which she is also worthy of high praise.
D DOVER KOSASHVILLI. For his follow ups to Late Marriage to get automatic and prompt US releases. I need to see more.
E EDNA MOLE. No sequels to The Incredibles if Pixar and Disney split and Disney gets rights to all the characters.
F FERRETTI, DANTE. The Oscar ...finally after umpteen nominations for his majestic production design.
G GRAVES, RUPERT. A torrid love affair with...me (while dressed as Freddie from A Room With the View)
H HAYNES, TODD. An idea as brilliant as Far From Heaven...with a start date and top notch cast and crew in place.
I IAN MCKELLEN. Continued good health. May he live to be 100+! And another Oscar nomination. And more arm candy to take with him to the awards shows.
J JULIETTE LEWIS. A major comeback.
K KIRSTEN DUNST. sudden recognition of what a consistently fine actor she is and how much better she is than most of her peers.
L (Two names. I cheat!) LINUS ROACHE. New movie roles as good as he had in Priest and Wings of the Dove way back when. LINDSAY LOHAN. To find inner peace and balance and the discipline to concentrate on her acting talent only.
M MOORE, JULIANNE. Whatever she may desire...
N (Two names. I cheat again!) NICK PARK. For Wallace and Gromit's movie to be classic stuff and hugely successful and come out on time. And NICOLE KIDMAN. A much deserved two year hiatus so as to rejuvenate.
O OSCAR. A new producer that values his rich history and doesn't want to change something that isn't broke (like letting brilliant artists getting to give acceptance speeches for their great work in the non-acting arenas. having film clips of all the acting performances. and the songs performed by someone involved with the song from the actual movie)
P PFEIFFER, MICHELLE. The sudden desire to act regularly and with great directors to achieve a total career renaissance that will cement her place in the movie pantheon once and for all.
Q QUEEN LATIFAH. Another role as fun as "Mama Morton"
R RALPH FIENNES. Complete recovery from Maid in Manhattan. Mass remembrance of what a great actor he is.
S SWANK, HILARY. Lots of consolation phone calls for losing the Oscar on Feb 27th.
T TONY LEUNG. A torrid love affair with... me.
U UMA THURMAN. To make the Ulla role magical and hilarious in The Producers movie.
V VIOLA DAVIS. A great lead screen role to follow up her 2002 supporting role triumphs in Antwone Fisher, Solaris, and Far From Heaven.
W WOOD, EVAN RACHEL. To not get typecast after thirteen and pretty persuasion. I worry.
X XAVIER, CHARLES. To be played, again, by Patrick Stewart and before the end of the year with a great script, great cast, and great director attached.
Y YOU. Keep loving the cinema. And keep visiting the site.
Z ZADAN, CRAIG. Imitation for flattery! May more producers toil to bring great musicals to the screen like he did with Chicago.
Until then I leave you with a very random list.
The Alphabet of Movie Folk.
(wherein I list the first person that comes to mind for each letter of the alphabet and what I wish for them to get in 2005)
A AUDIENCE. a great AND popular movie that doesn't fit into Oscar-bait genres (like costume drama, war, biopic) but gets nominated anyway next year...
B BAY, MICHAEL. a happy retirement commencing immediately following The Island starring Ewan MacGregor and Scarlett Johansson.
C CONNIE NIELSEN. a big international audience for her lovely work in the Danish family/war drama Brothers...and for people to rent demonlover in which she is also worthy of high praise.
D DOVER KOSASHVILLI. For his follow ups to Late Marriage to get automatic and prompt US releases. I need to see more.
E EDNA MOLE. No sequels to The Incredibles if Pixar and Disney split and Disney gets rights to all the characters.
F FERRETTI, DANTE. The Oscar ...finally after umpteen nominations for his majestic production design.
G GRAVES, RUPERT. A torrid love affair with...me (while dressed as Freddie from A Room With the View)
H HAYNES, TODD. An idea as brilliant as Far From Heaven...with a start date and top notch cast and crew in place.
I IAN MCKELLEN. Continued good health. May he live to be 100+! And another Oscar nomination. And more arm candy to take with him to the awards shows.
J JULIETTE LEWIS. A major comeback.
K KIRSTEN DUNST. sudden recognition of what a consistently fine actor she is and how much better she is than most of her peers.
L (Two names. I cheat!) LINUS ROACHE. New movie roles as good as he had in Priest and Wings of the Dove way back when. LINDSAY LOHAN. To find inner peace and balance and the discipline to concentrate on her acting talent only.
M MOORE, JULIANNE. Whatever she may desire...
N (Two names. I cheat again!) NICK PARK. For Wallace and Gromit's movie to be classic stuff and hugely successful and come out on time. And NICOLE KIDMAN. A much deserved two year hiatus so as to rejuvenate.
O OSCAR. A new producer that values his rich history and doesn't want to change something that isn't broke (like letting brilliant artists getting to give acceptance speeches for their great work in the non-acting arenas. having film clips of all the acting performances. and the songs performed by someone involved with the song from the actual movie)
P PFEIFFER, MICHELLE. The sudden desire to act regularly and with great directors to achieve a total career renaissance that will cement her place in the movie pantheon once and for all.
Q QUEEN LATIFAH. Another role as fun as "Mama Morton"
R RALPH FIENNES. Complete recovery from Maid in Manhattan. Mass remembrance of what a great actor he is.
S SWANK, HILARY. Lots of consolation phone calls for losing the Oscar on Feb 27th.
T TONY LEUNG. A torrid love affair with... me.
U UMA THURMAN. To make the Ulla role magical and hilarious in The Producers movie.
V VIOLA DAVIS. A great lead screen role to follow up her 2002 supporting role triumphs in Antwone Fisher, Solaris, and Far From Heaven.
W WOOD, EVAN RACHEL. To not get typecast after thirteen and pretty persuasion. I worry.
X XAVIER, CHARLES. To be played, again, by Patrick Stewart and before the end of the year with a great script, great cast, and great director attached.
Y YOU. Keep loving the cinema. And keep visiting the site.
Z ZADAN, CRAIG. Imitation for flattery! May more producers toil to bring great musicals to the screen like he did with Chicago.
Friday, February 11, 2005
pass it on!
Click the link above and place yourself into the timeline of cinematic history. What was all the rage when you were a pre-teen? How young do you think Haley Joel Osment is and how much of a geezer does Zsa Zsa Gabor seem from your vantage point?
David Letterman
I'm going to my first live taping in New York City! I've been here now for six years and I still haven't done this to any show. But I'm going to LAE SHOW with David Letterman. So excited. What's even better is i'm booked (well not booked --I'm not the guest ;) oh, lordy imagine) for the show immediately following the Oscars, Monday the 28th. So, there's bound to be a frontrunner in the guest line-up as they often book them for the shows following, assuming they will win.
This might mean I get to spend some quality time with my current punching bag Swank (luv ya, Hil' no hard feelings OK?) or maybe Jamie Foxx? Or maybe I'm just dreaming and the whole world doesn't in actuality revolve around the Oscars?
This might mean I get to spend some quality time with my current punching bag Swank (luv ya, Hil' no hard feelings OK?) or maybe Jamie Foxx? Or maybe I'm just dreaming and the whole world doesn't in actuality revolve around the Oscars?
Thursday, February 10, 2005
Gimmicks Trump Performance
This is my last word on the Swank as frontrunner phenomenon... if it had just been one or two years it would roll off my back. But after six to eight years, enough is enough. If only some Academy voters would listen to my astute psychological profiling ;)
Wednesday, February 9, 2005
titles
'anonymous' (hey, I don't know names -y'all need to sign your comments) asked earlier if I would add a best title category to next year's FiLM BiTCH Awards. My answer is probably not since at 42 categories, it's already way too unwieldy. My own doing I know. (My next great dilemma is when I try to do the retrospectives, do I take only a few bites or attempt he whole enchilada?)
But are there enough good titles a year to justify a category? Seems to me for every "Eternal Sunshine of the Spotless Mind" there's a ton of titles so generic that they're maddening and instantly confusing. which movie is that again? And a lot of the great titles come from books. "Sideways" is a perfect title but it's based on a book.
But are there enough good titles a year to justify a category? Seems to me for every "Eternal Sunshine of the Spotless Mind" there's a ton of titles so generic that they're maddening and instantly confusing. which movie is that again? And a lot of the great titles come from books. "Sideways" is a perfect title but it's based on a book.
Gil Cates is the Devil
I was going to make an entry about the horrible decision of the Oscar honcho Gil Cates to limit the face time of the designers this year but my friend Nick said it much more humorously and emphatically than I could have managed at this point so I"m just directing you to him.
You know what would warm my heart? If some of these movie stars who the Oscars are so concerned with focusing on would stand up and be counted as true collaborative professionals and make it known that they're opposed to the people who make their performances look like a million bucks being shut out of their own moments of glory. If I were Leonardo DiCaprio or Cate Blanchett or Alan Alda for instance... I'd be furious that Sandy Powell (costumes), Dante Ferretti (production design) and Thelma Schoonmaker (editor) were being treated this way.
You should be too. Hollywood should collectively be in a uproar. Not just the Oscar watchers.
You know what would warm my heart? If some of these movie stars who the Oscars are so concerned with focusing on would stand up and be counted as true collaborative professionals and make it known that they're opposed to the people who make their performances look like a million bucks being shut out of their own moments of glory. If I were Leonardo DiCaprio or Cate Blanchett or Alan Alda for instance... I'd be furious that Sandy Powell (costumes), Dante Ferretti (production design) and Thelma Schoonmaker (editor) were being treated this way.
You should be too. Hollywood should collectively be in a uproar. Not just the Oscar watchers.
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