Wednesday, August 8, 2007

The Linked World

Slant watches David Lynch cook. Honestly why can't all directors go this extra mile for their DVD releases?
MSN's Kim Morgan offers up a "Pfeiffer Top Ten" great writeups of Scarface and White Oleander in particular.
Gallery of the Absurd "Experience the Horror of John Travolta..."
patrakaar2b serves up the Booker list. Despite being called a "nerd" at work because I went to the library on my lunch hour (what is this, junior high?) I have not read these
Siskel & Ebert those were the days
MTV Chuck Pahlaniuk says Kathleen Turner's name out loud. Careful... in this bloggy world that causes misleading headlines and false rumors
The Movie Blog doesn't want to see baby 'Franklin' in the next Fantastic 4 Movie. Neither do I. I'm thinking: who would wish that plight on a child? But I'm also thinking: another FF movie? Dear Lord, no.
Bright Lights
this rant about revenge in film makes a lot of assumptions about unseen movies but I still like it

And finally...
EW film critics keep losing at home...
Hollywood Reporter ...but they win overseas. I've often wondered why we can't get a law like this passed in America. Oh, that's right. We worship corporate profits above all else and it's in their best interest if they can control "reviews" of their products.
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But Who Will Play "The Boot"?

Weirdest movie news since Ron Howard thought he was the ideal candidate to remake Caché: Ridley Scott to make a "Monopoly" movie. My thoughts over @ Zoom In

Tuesday, August 7, 2007

Top Ten: Oscar Nominationless

With the Toronto Festival rapidly approaching, early Oscar buzz will soon be in the air. Time for a list!

One of the most common delusions of fans is "one day [my favorite actor] will be nominated for an Oscar!" The reality is that statistics are against it. Even actors with massive careers (Meg Ryan, Sandra Bullock, Richard Gere, Cameron Diaz, Jim Carrey) might go without...even when they manage to get close by either

_____a) snagging Oscar bait roles or
_____b) finding regular precursor attention @ the Golden Globes.

This year we might see long time shutouts like Jennifer Jason Leigh and Tilda Swinton in the mix, but you never know. For today's top ten I'm focusing on names that are even bigger headscratchers. These ten stars --well, I can never quite wrap my head around their absence from Oscar's history book. I've excluded foreign language actors since it's always believable that they'll be snubbed -- sorry Isabelle Huppert. Everyone knows you rule but Oscar is a slow reader and you have cooties (i.e. subtitles)

Movie Stars That Oscar Refuses To Love

10 Christian Bale. He's done everything: wowing as a child star, headlining hits, Oscarbait gimmicks like weight loss and accents. Part of the golden resistance is the kind of movies he's made: too challenging (American Psycho) or small (The Machinist). Given the way his critical and audience cred grows each year, Oscar is starting to look dense.

09 Jeff Daniels. It might be a stretch to call him a "star" but he is nearly as reliable as that other Jeff (Bridges) who also makes superb acting look easy. The other Jeff has four nominations to his name despite the perceived effortlessness. Daniels is always good but he was plain ol' magnificent in The Squid and the Whale (FB Award) and The Purple Rose of Cairo (review) two very difficult and different roles. Yet, Oscar won't acknowledge him. Do they have something against Michiganders.

08 Myrna Loy She's best remembered for her classic stylish "Nora Charles" role in the Thin Man series but in the early days of Oscar they weren't so afraid of comediennes (Carole Lombard, Irene Dunne and others were nominated) so what gives? Even when she worked the ensemble dramas late in her career (Lonelyhearts, Airport 75, From the Terrace) it was always a co-star who was noticed instead. She was denied one of those 'you're really old and we forgot all about you!' sympathy nods that Oscar watchers are so familiar with. They apologized with an honorary Oscar two years before her death.

07 Kim Novak This star shone brightly in the 50s but AMPAS wore blinders. Her biggest Oscar success was undoubtedly Picnic (1955) but she was not among its many nominees. She is one of a long line of actresses who suffered from the 'too beautiful to be taken seriously' fate. Novak didn't do any de-glamming to win kudos, she tested studio patience with an affair with Sammy Davis Jr and --most importantly for the discussion here -- she had the misfortune of giving her greatest performance in Vertigo (58) a movie which was way ahead of its time. It's maddening that her double your pleasure star turn, an entirely bewitching act, was passed over. The snub is even more painful knowing that Deborah Kerr's worst performance (Separate Tables) was in the mix.

06 Dennis Quaid. That disarming grin never fails to charm. The only known defense against it is a membership within the Academy of Motion Picture Arts and Sciences. That'll make you impervious. Quaid has tried against-type critical hoopla (Far From Heaven -FB award), biopic mugging (Great Balls of Fire), comebacks (The Rookie) and working the ensemble in a Best Picture nominee (Traffic, The Right Stuff, Breaking Away) --all tactics which have put the red carpet under the feet of many lessser actors.

05 Marilyn Monroe Kim Novak's problem again: if you're viewed as a trophy you're too pretty to earn one. It took a long time for Monroe's reputation to rise from movie star to fine actor. But decades later her work in Bus Stop, The Misfits and a number of musical comedies more than holds up. Her face has been over merchandized but there's still fresh discovery to be had in watching her actual work. Monroe as an icon is overvalued but Monroe the actor? Still underappreciated if you ask me.

04 Christopher Plummer Plummer has been a revered workaholic actor since the 1950s. He was invited to join AMPAS recently and one imagines that's an apology of sorts. He's been featured in Best Picture winners (Sound of Music, A Beautiful Mind) but even in a year when he won multiple precursor awards within a Best Picture nominee (The Insider) they politely looked away.

03 Steve Martin. This enduring star is currently testing critical patience with insipid family comedies, but that doesn't negate his overall career genius. It's easy to write this one off as "Oscar doesn't like comedy" but that doesn't entirely quell the dissatisfaction. His work in the romantic comedy Roxanne or his dramatic but funny spin in Grand Canyon is on par with your typical Robin Williams acting. And speaking of... that less original funny man has multiple Oscar nods and an actual trophy to show for his work. Injustice! Has he ever been as inspired as Steve Martin was in All of Me?

02 Donald Sutherland. Some stars become legendary through the force of their own charisma (think Julia Roberts) even if the bulk of their actual filmography is not much to envy. Other actors achieve immortality by being in so many great films that their work will be seen forever. Pairing Sutherland's Oscar loved films with the knowledge that he's always passed over is a jaw dropping exercize: MASH, Klute, Don't Look Now, Fellini's Casanova, Ordinary People, JFK, Six Degrees of Separation, Pride & Prejudice ...(whew)

01 Mia Farrow On rare occassions I feel guilty for writing about the movies as in... 'stop reading right now and watch THIS!' I know there are people reading who haven't seen Farrow's haunting work in Rosemary's Baby, her unrecognizable and funny scenery-chewing in Broadway Danny Rose (1984), her perfectly judged star-gazing in The Purple Rose of Cairo (1985) or her quicksilver moodshifts in Alice (1990) ...and that's just four (four!) great performances off the top of my head. Mia Farrow has led an oft controversial, confrontational and tabloid-friendly personal life ever since her early days of stardom on Frank Sinatra's arm. But here's the thing: Oscar voters should be setting aside prickly personal lives when judging the merits of performance.


Mia's glory days are gone but she was brilliant more than once and has the classic films to show for it. But no honors from the Academy. Making this sting even more: Woody Allen films, which make up about a third of Farrow's filmography, have won many acting nominations and trophies, but Mia was never along for that ride. AMPAS has absurdly mistreated her. She's more than earned an honorary Oscar, don't you think?

Who would you add or subtract from this list? Which omission makes you the most bonkers? [for related posts, chase the labels @ the bottom of zee post]

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20:07 (Nebraska)

screenshots from the 20th minute and 7th second of a movie
I can't guarantee the same results at home (different players/timing) I use a VLC


no dialogue. only loud and drunken cheering

Monday, August 6, 2007

Starry Starry Pfeiffer

Guess who finally got their star on Hollywood's Walk of Fame? It's a closely guarded little known secret here at the Film Experience but Nathaniel (c'est moi) is actually a teensy bit of a fan of this woman...


Yes, Michelle Pfeiffer was honored yesterday with a star in Hollywood. It's about f***ing time. Pfans can now make the trek to Hollywood to polish the star, gaze at it in reverence, deem the stars next to it completely unworthy to be in its proximity, and then kneel down to take dozens of cheesy photos with it. (I've just described my next vacation ...don't judge)


Here are some more pix (thanks to Tina for sending me these and MK for thinking of me at the event. I really did intend to go --I haven't been to LA in too long --but the date was shrouded in secrecy until it was too late for poor New Yorkers to figure it out)


I wish I could have been there to cheer from the sidelines but even seeing the photos pfills me with happiness. A well deserved honor I'm sure you'll agree.

If you've stumbled upon this site by a link/search accident and you're still reading, there's more. You can search the Pfeiffer label below for recent postings or catch up on key Pfeiffer articles from the past or just look around --I love other things besides Michelle. Only not quite so much.

Catwoman Top Ten Line Readings
Top 10 "Actresses of the Aughts" she'd be higher but she hasn't worked in five years
Fabulous Baker Boys
and the cinematography of Michael Ballhaus
Susie Diamond her post Makin' Whoopee monologue
Catch That Wave gearing up for La Pfeiff's comeback
Michelle Pfeiffer is... (character collage 91-02)
Michelle Pfeiffer is... (character collage 82-90)
Pfeiffer Pforever a Blog-a-Thon (34 participating blogs)
Pfandom rarely updated but trivia, galleries and reviews

tags: Michelle Pfeiffer

Just Back From Stardust...

and I don't think it's much of a spoiler to tell you that within the magical logic of the movie Michelle Pfeiffer (absolutely rocking as an evil sorceress) needs to eat the heart of Claire Danes (a fidgety fallen star) in order to live for hundreds of years. Is it wrong to root for the heart eater? Because... Pfeiffer restored to full power??? Yes please! If Claire Danes really cared about the cinema, she'd carve it out and hand feed Pfeiffer herself. It's the least she can do.
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more later obviously...

Becoming [Insert Name Here]...

If you like those connect-the-dot exercizes between an artist's work and fantasies about their personal lives, have at Becoming Jane. Even if you don't it's fun to gaze with thumping heart at McAvoy & Hathaway (whichever suits your preference... my heart beats for both of these rising stars). But a warning: if you, like me, feel that it's relatively demeaning for an artist's imagination to be explained away as pure biography you might have issues with the movie. It's the type that either turns you off or on at the concept stage.

click to read my review of Becoming Jane

Real life is much more complicated than Stereotypical-Event-A-shaped-everything-about-_____'s life. This is but one of many reasons I have difficulty enjoying the biopic genre. So, yes, I'm biased. I don't like too much explanation --especially when it comes to the creative process. What happened to the magic and the mystery of art? I prefer to think of great creators as highly imaginative people rather than as autobiographers even if their themes, stories and art do spring from the deeply personal.

What's next... Becoming Alfred?

"Becoming Alfred" is the chilling story of a portly director with a ghastly sense of humor. Unable to find true love with a series of nearly idential icy blondes, and plagued with agoraphia and vertigo after narrowly escaping a vicious freak bird attack and a fall from great heights, he holes up in his mother's rickety old home until his death. His last days with his stern mother were shrouded in mystery. Discover the great untold story that inspired his greatest and grisliest works!

Imagine your own Becoming... in the comments. Amuse us.

20:07 (He Played Too Many Notes)

screenshots from the 20th minute and 7th second of a movie
I can't guarantee the same results at home (different players/timing) I use a VLC

~Ah Mozart…Why?
~Why what sir?
~Why do I have to be humiliated in front of my guests... by one of my own servants? The more license I allow you, the more you take.
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Sunday, August 5, 2007

Day of Rest

Shhhhh! Viggo & Anne are enjoying a lazy post-coital nap. Don't spoil the moment for it's their last together [cue ominous music]

Next @ The Experience: Stardust, Anne Hathaway & Becoming Jane,
Michelle Pfeiffer goes 'Inside The Hellmouth Actors Studio', an Oscar list to raise your ire and more... (could we possibly hope for that All That Jazz article? Shut up!)

Actress Psychic (Updates)

For those 100+ souls who joined that early bird Actress Psychic Oscar Contest months ago I've updated the point totals here. (I've also added my personal points in per your requests) There's a 5-way tie for the lead currently but expect much shuffling when the fall films hit. We've barely begun

Since we last spoke in mid June...
+ 3
Nikki Blonsky (Hairpsray opened + box office pts)
+ 2
Angelina (EW small cover inset + b.o), Danes, Streep & Redgrave (Evening opened + b.o. though the movie met horrid reviews so these will probably be the last points)
+ 1
Blethyn, Hathaway, Lopez, Roberts & Marion Cotillard (pts for opening --the first three, EW small cover inset, and box office respectively)

[related reading: Best Actress Oscar Predictions]

Saturday, August 4, 2007

Trailer Fourgy: Rendition, Lions, Things and Darjeeling

Time to check in with new trailers. Only a few weeks of hot weather and sequels remain and then we're in the clear, ready to face the onslaught of SERIOUS films aiming for gold.



Rendition (on your left. October 12th) and Lions for Lambs (right. November 9th) are but two of four (?) fall films dealing with our current political quagmire and the misguided unending war (the other pair are the action-heavy The Kingdom and the Paul Haggis thriller In the Valley of Elah) One assumes from the trailers that the four films will have their own individual identities but it's anyone's guess until they're widely seen which will garner Oscar's favor. It's unfair to judge a film based on 2 minutes of heavily edited footage but then, on the other hand, these are how the studios are presenting said films so, you know, judge away.

Rendition looks like it might work. Three separate tracks: terrorist prisons (Gyllenhaal & Metwalley), political chambers (Streep & Arkin) the homsetead (Witherspoon) all lead toward one assumed destination. Cue the grand collision. That the collision involves a weepy screaming wife might spell more Oscar news for Reese but, then again, it might not. [more on the Best Actress race] For it looks like a true ensemble piece. If you lazily compare it to, say, Syriana (hey why not? That's what pre-fall Oscar analysis is all about) you'll be looking at the tortured central figure (played by Omar Metwally who made a big splash on Broadway a few years back) for your acting kudos and not the other players frantically moving their pieces in this tense puzzle. [Supporting Actor race --I'll have to move Metwally way up the chart]

The trailer for Lions for Lambs improves upon the first teaser which looked hideously shoestring as if it were a straight to DVD release. But the improvements are small. It still looks like an unwieldy pendantic machine that luckily fell on top of three massive stars. They're crushed under the weight of the catchphrase ready dialogue. If you ask me this movie looks terrible but Oscar might feel differently. We'll see.




Things We Lost in the Fire (left) is the latest drama from Danish auteur Susanne Bier who won critical acclaim with her first two films and an Oscar nomination in the foreign film category for her last (After the Wedding). From the looks of the trailer Things... is pitched exactly to her strengths: nuanced emotional drama with complicated human relationships. But, that said, I'm not sure I would have as much faith in this project if I wasn't familiar with her work. Halle Berry and Benicio Del Toro, former winners both, could find themselves back on the red carpet if the reviews are kind. Anyway you slice it it's one of those films that screams "actors film" i.e. even if it's well regarded its limited to just a few categories in awards season.


The last trailer The Darjeeling Limited (right) I've included just for fun. Wes Anderson movies usually come out in December but this one is a September release. Still, no Oscar love-in looks likely. Anderson is just too stylized for mainstream love and the Oscars are a mainstream endeavor no matter how much people pretend otherwise whilst bitching about the voters ignoring the latest blockbusters and comedies. Anyway... Anderson isn't making films to win Oscars so good for him. Darjeeling appears to be bringing us a colorful and tasty buffet of his usual treats: witty familial drama, sad-eyed comedy, and amusing widescreen compositions. Some people might find his visual stylizations too affected and thus predictable at this point but I'm so glad someone is using the full rectangle still when they compose their movies. I also love the dialogue exchange halfway through the trailer

"what's wrong with you?"
"let me think about that"

That strikes me as the perfect question and answer response for people who conjecture about the Oscars all year round (like me) and more importantly the perfect banter for a movie artist who just can't be anything other than what he is, god bless. Can't wait to see this one... though I do hope it transcends its style like The Royal Tenenbaums rather than gets smothered by it like The Life Aquatic.

Your thoughts on any of these four? [More on each Oscar race]