Wednesday, March 31, 2010

Hedwig and the Angry Link

Michael Reidel Hedwig and the Angry Inch made it from stage to screen and now it's going back again. [Insert a billion exclamation points here] The cherry gummi bear on top: John Cameron Mitchell will reprise his classic role. This show is a-ma-zing live. One of the best experiences I've ever had in the theater way back in 1999 or so. You must come to NYC and see it. Between this and Rabbit Hole, John Cameron Mitchell may have an incredible 2010
MNPP alerts us to the must-read sounding book "The Girl in Alfred Hitchcock's Shower". I already want this to be a movie.


MovieLine an imaginary apology from James Cameron for making you sit through Avatar
Cinema Blend Anna Faris to get all Goldie Hawn in a remake of Private Benjamin. Hey she sold Cameron Diaz with great flair, didn't she?
The Playlist has details on Steven Soderbergh's Contagion. The cast list is almost frighteningly A-list huge. Even if it's a disaster, it'll get a SAG ensemble nod.
Just Jared Reese Witherspoon in talks to play a country singer (again). If at first you do succeed...repeat.
Banana Penis
[nsfw] Did this predate An Education or is someone using movies brilliantly for safe sex promotion?
Empire State of Mind pretty fun Star Wars by way of Alicia Keys video
Popnography skewers Miley Cyrus and The Last Song and suggests a gay alternative
Blabbeando If you're tired of catty remarks about Ricky Martin's coming out, try this on for size. Definitely something to think about.
(Le Sigh)... Isabelle Huppert to guest star on Law & Order: SVU. The apocalypse is nigh. Someone please shoot me!

Finally, remember that unusual zombie movie I told you about that won the Nashville Film Festival? It's called Make-Out With Violence and if you're curious about it you can now "save it" to your Netflix queue.

<--- poster design by Family Tree

If the movie gets enough 'saves' Netflix will purchase copies to rent out. I really marvel at how many ways there are to distribute movies now and how hard it still is for filmmakers despite all those channels, even when they have a quality movie on their hands. I don't think Make-Out is a perfect movie but it sure as hell was made by people with a filmmaking eye. And it makes you want someone to give the Deagol Brothers more money to make a second feature and see where their talents can take them. This is one of the obvious drawback of film festivals... you see work by all sorts of interesting off-the-map talent and then you return to the real world and notice how many hacks are so gainfully employed by Hollywood. Not that film festivals don't have their own "keep your day job" failures ... but this movie is definitely not one of them.