Woolf said that every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
Since this isn't a literature site, what better way to examine this than the ways in which some of her works have been taken to the movies.
First up is Sally Potter's gender bending version of Orlando with Tilda Swinton as the title character. In this luscious reworking of Woolf's classic, Potter concentrates mostly on interpreting the author's groundbreaking prose and reflecting it through the film's sensuous visuals.
Few filmmakers would've been as brave as Potter and give in so much to the undeniable power of the text to a level where the film actually celebrates Woolf more than the director. Jane Campion's crush on John Keats in Bright Star comes to mind-in terms of literature taking over film so much-and if you haven't seen Orlando, what are you waiting for?
Even if at first glance she's only referred to in the title, the ghost of the British author hovers all over Who's Afraid of Virginia Woolf? her name is supposed to symbolize the fear of leading empty lives and existence out of illusion. While Edward Albee's play is notorious for its explosive nature (as opposed to Woolf's universe of inner conflict) it's feasible to say that the playwright's intention was precisely to make us wonder what would push us to release all those violent, damaging emotions from our minds.
Last but not least, today would be a good day as any, to re-watch Nicole Kidman's Academy Award winning performance as Woolf in The Hours.Brilliant beyond the fake nose, Kidman has rarely been as introspective and haunting. She might've made one very controversial Oscar winner, but like Woolf's literature her performance doesn't fade, doesn't wither and probably will never grow old.
Are you a fan of Virginia's literature? Do you like how cinema has interpreted her?
