Wednesday, February 10, 2010

Beauty Break: Warren Beatty & Julie Christie

I have to take a break from reading Star: How Warren Beatty Seduced America by Peter Biskind. I recommend it, particularly if you're interested in 1960s/70s Hollywood, but it's disheartening, too. Warren Beatty comes off as extremely talented (knew that) but quite insufferable (didn't imagine that, for someone so charming) and the tales of movie-making within force you to marvel that any movie gets made ever, it's all so touch and go with contracts, creative differences, scheduling conflicts, personal pettiness, financial complications and those lusty personal lives that we as moviegoers sometimes live through vicariously for better or for worse.


Most curious to me is that the book has reignited the Julie Christie obsessing I was doing when Away From Her was around rather than renewing my lifelong Beatty drooling. Beatty has been out of the big picture for a decade now. I wanted to fall back in love since I haven't seen him in so long, apart from occassional red carpet trips to escort The Bening. Instead, I keep waiting for Julie Christie -- a supporting player -- to return to steal more scenes. She's so fascinating. It's almost like she's the 60s/70s version of Garbo. But instead of running away from stardom, she drifts in and out of it like some indifferent hippie muse.


Beatty & Christie made three films together, making her his most common screen partner (Gene Hackman equals that record but he was a supporting player). All three Beatty/Christie films were in the 1970s (McCabe and Mrs Miller and Shampoo and Heaven Can Wait) and are well worth watching. Between them those films have 14 Oscar nominations and two statues. Even after their last film together, Christie remains a spectral presence. Beatty dedicated his Oscar winning classic Reds (1981) to her.

Curiously, Beatty don't seem to have anything like affection for McCabe and Mrs Miller (1971) and it reads like neither star was happy on set. I have an admittedly limited working knowledge of the western genre (not my favorite) but McCabe is in my top ten for sure [editors note: other favs... using "western" loosely I suppose are Red River (1948), Giant (1956), Hud (1963) and Brokeback Mountain (2005)]. It's yet another reminder that actors don't always know what's best for them. McCabe is a total classic. Whether or not the stars understood what Altman was after, they're both terrific in it.




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