Slumdog Millionaire was nominated by the Costume Designers Guild today [
src]. The end of the world is surely nigh.
It is written!
I blame
Freida Pinto for being so beautiful in bright colors. It's surely her fault.
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I once devoted a whole section of my website to costume designers I love their craft that much. Alas, I was lonely in that particular fascination. But they'll always hold a special place in my heart. The cinema (or at least the movie stars) would be naked without them. Here's the clothes the costumers dug most this year.
Contemporary FilmExcuse me while I gnash my teeth at the absence of both
Susan Lyall, who delivered a vibrant multiculti mishmash and terrific individual character work for
Rachel Getting Married, and
Jacqueline Durran, last year's Oscar nominee for
Atonement who proved her worth again with
Happy-Go-Lucky. Little known factoid to impress your friends with:
Ann Roth costumes Meryl Streep constantly -- ten projects together already. Bet she knows Mary Louise's measurements by heart at this point.
Period FilmSome real Oscar contenders here of course. Unless awards bodies are called on to single out contemporary features (as is the case with the CDG) they tend to ignore them. Most nominees are drawn from period films.
Also: notice the absence of
Australia here. It can't get arrested this awards season. In any category apparently.
Fantasy FilmThe majority of your Costume Oscar nominees will be drawn from these 13 films but maybe not all five. The Costume Design Guild is less predictive of Oscars than some other guilds. You can probably subtract both "fantasy films" that aren't named
The Dark Knight from the possible nominees.
You can probably also subtract
Milk from the equation. No offense to
Danny Glicker but Oscar voters just don't do the 1970s. Trust me, I pay close attention to this category. For reasons unbeknownst to me they do
not do 70s. Do they have traumatic life experiences involving bell bottoms?