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Instant gratification takes too longI'm convinced that if someone leaked the Oscar winners the day in advance everyone would spread the good and bad news instantly. No one would care about suspense. It's like how the movie trailers give us all the surprises. Nobody likes surprises, except me. I like to open my presents on Christmas morning. Sue me. So this tape-delay blogging is dedicated to all people who hate spoilers. xoxo. You're my people.
-Meryl Streep as Suzanne Vale in Postcards From the Edge
7:52 PM The Boyfriend is watching the Grammys. I have no idea why. His type of music (Björk, Vampire Weekend, The Cure) isn't really Grammyish. Grammy is Beyonce hit the floor wit it. He won't mind when I change the channel.
8:00 PM James McAvoy didn't shave. Keep him away from Johnny Depp.
8:03 PM They are Sparta. Wait. Where is Stephen Fry? Isn't he always the host? I can't understand a word the host is saying (there's some strange echo on BBC America). Keira Knightley is in a very good mood. And it almost sounds like they've added a laugh track to the event, given how appreciative this audience is of every inaudible punchline.
8:11 PM I gues I really need to see this This is England movie. I was happy just watching Paddy Considine (great actor) get happy about the win. I don't even know if he's in it.
8:16 PM Commercials should be outlawed during awards shows.
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8:24 I always forget that Thandie Newton is British. The Lives of Others wins Best Foreign Language Film.
8:35 Adapted Screenplay goes to The Diving Bell and Butterfly. Harwood thanks Janusz Kaminski for his cinematography. Remember when Kaminski was married to Holly Hunter? Good times.
8:39 There are more commercials than actual program. It's like watching Saturday Night Live. Which I haven't done in many years (largely because of that program/sponsor ratio problem)
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I love the way Marion pronounced "pivotal" when she was talking about their roles (pi-voh-tl) --accents are so cute! Javier Bardem has done a really terrific job all season of varying his speeches within the same basic emotional range. He always very genuinely acknowledges his competitors and stays humble about it. How you look that way and stay humble I shall never know. Europeans are so pretty.
8:56 Somebody just won something for Control but I didn't understand what it was for. Samantha Morton is clapping. I am always surprised at how young she really is (30) since she is not a fashion plate and has never presented herself in a "Hollywood" way. Definitely an actress rather than a celebrity. And what an actress! Seriously: I know some of you haven't seen Morvern Callar and you really must (FB nominee, 2002)
9:04 Saoirse's intro on the Atonement clip is hilarious... "She sees them in the library. She sees them doing things she's never seen done before."
______________________________________That's one way to put it.
9:10 The visual effects goes to The Golden Compass. And a whole parade of bad tuxes crosses the stage.
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9:26 SORRY. I got swept away into Dior couture with the pale and hypnotic Tilda Swinton. Big Red. I heart her. She won Best Supporting Actress for Michael Clayton. That's been the most volatile category all season. Her acceptance speech was choice as well, funny heartfelt and the right amount of appreciation and is this for real? awards show kookiness. Plus her date was wearing nail polish. Love. I wish I had transcribed her speech since we won't see an Oscar repeat. It's Ryan vs. Dee vs. Blanchett I think for the Oscar.
9:30 The Coens won Best Director for No Country For Old Men. The clip they showed (the hotel room face/off) is the only scene that's shared --and just barely at that --between any of the leads... in this case Josh Brolin & Javier Bardem. Good choice. So tense. I felt like grabbing the armrest and a handful of popcorn when I'm actually at my computer and blogging with the lights on. For a moment there I was back in the theater.
9:32 Screenplay...
9:35 Nodded off there. So many nominees. Three minutes of nominees. So Juno fever has also hit England, huh? Juno wins Best Original Screenplay.
9:44 Somebody got a tribute award. Somebody who worked on Harry Potter movies. And somebody who loves horses on stage...I mean really loves them... gave him the prize. I don't really get the appeal of Mr. Radcliffe. I'll just say it.
9:50 They're talking about No Country For Old Men. The amount of time they spend discussing the Best Picture nominees reminds me of that one (and one only) AFI ceremony when they had nominees and they did little tiny documentaries on each. It really felt like it was about filmmaking. Though that said, I'm a little bored. Probably because BBC America does the tape delay and therefore nobody cares tonight since they already know who wins. This is probably why none of the usual commenting chaos is going on. Where is everyone? Now is not the time to desert the Film Experience! Not when the Film Experience needs you to make it through this long long season. Not when the Film Experience needs you to help him through the annual process of watching his favorites lose.
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While they were showing the clips and Cate was hollering away in Elizabeth 2: Full Throttle all I could think was: This is EXACTLY like that clip of Phillip Seymour Hoffman in Charlie Wilson's War. I think they even swing their arms the same way. I guess that's why I don't like either performance. Showboating = stinky. To me. The only shouty performance I love this year is Daniel Day-Lewis's because there is a reason "I've abandoned my child" goes to a fever pitch. A good strong valid reason. I can't figure out why Hoffman is always at fever pitch. Tone it down buddy.
10:05 Daniel Day-Lewis's acceptance speech is great. Best Actor for DDL in There Will Be Blood. He always seems so genuine.
From the mine shaft to the bowling alley this came from and belongs to Paul Thomas AndersonLovely, right?
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I'm more intrigued by the hair since it's hard to see the fashions unless they're presenters. Samantha Morton's hair line (pictured, left) is so far up there you'd think she just finished filming the Elizabeth movie. But her boyfriend (?) is also working the straight up look. Only his is more Lindsay Buckingham circa 1988. Boy is that hair flying up to heaven.
(I've added a bit about Marion's cape above when she announces supporting actor)
Otherwise best dressed might be Emily Blunt. She had a nice assymetrical shimmery blue number that's probably the evening's best so far. But as she stood there presenting I kept thinking: are these Norma Shearer's cross eyes I see before me? I love the Blunt but I'd never noticed that before. peeperssoclosetogether
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10:18 Anthony Hopkins is getting some tribute action now. But I'm still thinking about Atonement's win.
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10:29 It's starting all over again. What is this, SAG on TBS?
Good night!
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